Home » Jazz Articles » Interview » Vic Juris: Tension and Release
Vic Juris: Tension and Release
VJ: As I get older, I think about the age-old question, "Why are we here?" I value simple things a lot, like conversations with people, but I really think we're just a tiny grain of sand in the universe. As far as we know, we just have each other. We should all take that more seriously. And I think there is something far beyond our comprehension. And sometimes when things are really good on the bandstand and the chemistry is there, it's beyond, it's definitely spiritual. As musicians, there are some moments that are so uplifting and so transcendent, and that's what we're all trying to achieve in a sense.
AAJ: There are those special moments in jazz, and you can tell that the guys are in another space, another level.
VJ: There's that certain magic. Thirty years ago, I was sitting at the bar listening to Chet Baker, and he played a particular phrase that knocked me over. I could still go back to that moment. How did that person play that? Where did it come from? One of the greatest experiences on the bandstand is when you play something you never played before.
Selected Discography
Ken Serio, Live...In the Moment (Tripping Tree, 2007)Gary Versace, Reminiscence (Steeplechase, 2007)
Dave Liebman Group, Blues All Ways (OmniTone, 2007)
Vic Juris, A Second Look (Mel Bay, 2005)
Vic Juris, Blue Horizon (Zoho, 2004)
Vic Juris, While My Guitar Gently Weeps (Steeplechase, 2004)
Dave Liebman Group, Conversation (Sunnyside, 2003)
Marc Copland/Vic Juris, Double Play (Steeplechase, 2002)
Vic Juris, Songbook (Steeplechase, 2001)
Joe Locke, Slander (And Other Love Songs) (Milestone, 1998)
Vic Juris, Music of Alex Wilder (Double-Time, 1996)
Bireli Lagrene, Live at the Carnegie Hall (Jazz Point, 1993)
Richie Cole, Popbop (Milestone, 1992)
Mel Tormé, Mel's London Mood (Parade, 1980)
Photo credit: John R. Fowler
About Vic Juris
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






