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About Michael Brecker
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Michael Brecker
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Michael Brecker was born in Philadelphia, Pennsylvania and exposed to jazz at an early age by his father, an amateur jazz pianist. Among the generation of jazz musicians that saw rock music not as the enemy but as a viable musical option, Brecker began studying clarinet, then moved to alto saxophone in school, eventually settling on the tenor saxophone as his primary instrument. After only a year at Indiana University, Michael Brecker moved to New York City in 1970 where he carved out a niche for himself as a dynamic and exciting jazz soloist. He first made his mark at age 21 as a member of the jazz/rock band Dreams—a band that included his older brother Randy, trombonist Barry Rogers, drummer Billy Cobham, Jeff Kent and Doug Lubahn
John Coltrane At 100: A Global Perspective
by Ian Patterson
With the advent of his birth centenary, John William Coltrane is on our minds again. But then he nearly always is. His influence on generations of saxophonists is palpable. For countless musicians the term Coltranesque" can be a badge of honor or a millstone around the neck. With the exception perhaps of Miles Davis--whose centenary also ...
Charlie Haden: Anatomy of a Jazz Classic
by John Ephland
It was a phoner from the suburban Chicago offices of DownBeat to bassist Charlie Haden in L.A. Our talk, which was held on September 15, 1991, was periodically interrupted by his needing to say, Hold on one second." The occasion? The 30th anniversary of the release of saxophonist Ornette Coleman's groundbreaking LP Free Jazz: A Collective ...
Ben Patterson: Stretch
by Jack Bowers
It is no Stretch to note that Ben Patterson is a superb jazz trombonist or that his latest recording paints an impressive picture of his talents as a composer and arranger as well as a player and leader of a world-class quintet. Patterson, a former music director of the U.S. Air Force's flagship big ...
Eliane Elias: Lively and Live
by R.J. DeLuke
Eliane Elias is a jazz musician of the highest order. Her skills as a superlative pianist became known not long after she arrived in New York City from her São Paulo, Brazil, home in 1981. She drew notice as a member of Steps Ahead, a groundbreaking fusion group of the early 1980s that included ...
Miles Davis At 100: A Global Perspective
by Ian Patterson
Miles Davis' centenary has arrived. The second century begins. What changes jazz has undergone in the 100 years since Miles Dewey Davis was born in Alton, Illinois on May 26, 1926! Davis was all about change, evolution, growth, and reinvention. A driving force behind many of the changes in direction jazz took during his ...
Ben Wendel: BaRcoDe
by Angelo Leonardi
Il nuovo progetto di Ben Wendel vede il sassofonista canadese a capo di un quintetto senza la tradizionale sezione ritmica ma comprendente quattro acclamati vibrafonisti: Patricia Brennan, Simon Moullier, Joel Ross e Juan Diego Villalobos che ampliano lo spettro strumentale usando anche marimba, balafon, varie percussioni e dispositivi elettronici. L'organico è davvero inusuale ma ...
Classic jazz from Hazel Scott, Johnny Griffin, and others; recently released from Christopher McBride, Simon Mogul, and more
by David W. Daniels
Music as described in the title, and additional classics from Cannonball Adderley, Carmen McRae, and others. Recently released music courtesy of Ulysses Owens Jr., Jeremy Pelt, Brian Jackson, and more. Birthday acknowledgements for Booker Little, Dave Stryker, Larry Coryell, and others.Playlist David Leonhardt Trio Late Night Blues" from Explorations (Big Bang) 00:00 Phineas Newborn ...
Davy Mooney, Ko Omura: The Word
by Neri Pollastri
Il chitarrista statunitense Davy Mooney e il batterista giapponese Ko Omura riprendono in mano una collaborazione risalente al 2018, che aveva già fruttato l'album Benign Strangers, edito da Sunnyside, e che era stata bloccata dalla pandemia, a cui fa seguito questo The Word per la medesima etichetta. Il lavoro vede in azione la stessa ...
Colorado Jazz Repertory Orchestra at Dazzle
by Geoff Anderson
Colorado Jazz Repertory Orchestra Dazzle Denver, CO February 1, 2026 It is good to be flexible. It provides more options, more variety, a better ability to adapt to different situations. The Colorado Jazz Repertory Orchestra is generally a big band, but it can slim down on a moment's notice and morph ...


