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Musician

Dizzy Gillespie

Born:

John Birks "Dizzy" Gillespie, along with Charlie Parker, ushered in the era of Be-Bop in the American jazz tradition. He was born Cheraw, South Carolina, and was the youngest of nine children. He began playing piano at the age of four and received a music scholarship to the Laurinburg Institute in North Carolina. Most noted for his trademark "swollen cheeks", Gillespie admitted to copying the style of trumpeter Roy Eldridge early in his career. He replaced Eldridge in the 'Teddy Hill' Band after Eldridge's departure. He eventually began experimenting and creating his own style which would eventually come to the attention of Mario Bauza, the Godfather of Afro-Cuban jazz who was then a member of the Cap Calloway Orchestra, joining Calloway in 1939, Gillespie was fired after two years when he cut a portion of the Calloway's buttocks with a knife after Calloway accused him of throwing spitballs (the two men later became lifelong friends and often retold this story with great relish until both of their deaths). Although noted for his on and off-stage clowning, Gillespie endured as one of the founding fathers of the Afro-Cuban &/or Latin Hazz tradition

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Article: Album Review

Sam Rivers: Braids

Read "Braids" reviewed by John Sharpe


With the fourth issue in its Sam Rivers archival series, the NoBusiness imprint has unearthed a cracking concert recording of a terrific quartet, completed by bassist Dave Holland, drummer Thurman Barker and tubaist Joe Daley. Very few can match Rivers' breadth of experience, which includes not only with leading lights of the 1960s New Thing like ...

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Article: Album Review

Bill Evans: After Hours

Read "After Hours" reviewed by Ken Dryden


Bill Evans was strictly known as a pianist, though he studied flute throughout college, yet he claimed to have “no chops on the instrument." His only previously known vocal was recorded on a lark at the conclusion of a Monica Zetterlund recording session for Philips, consisting of a playful, hip take of “Santa Claus Is Coming ...

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Article: Under the Radar

A Different Drummer, Part 2: Royal Hartigan

Read "A Different Drummer, Part 2: Royal Hartigan" reviewed by Karl Ackermann


Drums of Life—Drums of DeathThe ruins of the Anasazi people stand undisturbed in the cliffs between the high mesas and the canyon floors of the southwest. Dating to 2500 B.C., the multi-story adobe pueblos and stone cities were the sites of the ancient indigenous peoples of North America. Archeologists have uncovered an assortment of percussion instruments ...

Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Giuseppe Segala


La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...

Article: Profile

La Jazz Poetry di Jayne Cortez

Read "La Jazz Poetry di Jayne Cortez" reviewed by Maurizio Zerbo


Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.

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Article: In Pictures

Seeing Jazz: The Photography of Luciano Rossetti

Read "Seeing Jazz: The Photography of Luciano Rossetti" reviewed by Karl Ackermann


As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...

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Article: Interview

Meet BlueStem Jazz's Dave Stone & Thomas Ferrella

Read "Meet BlueStem Jazz's Dave Stone & Thomas Ferrella" reviewed by Hrayr Attarian


Since 2016, and even through the pandemic of 2020, jny: Madison Wisconsin has hosted a steady stream of improvisational music concerts. The majority of these are thanks to the organization named after Wisconsin's native grass, BlueStem Jazz. Founded by two retired professionals and melophiles this non-profit, award-winning establishment is dedicated to promoting and hosting a wide ...

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Article: Album Review

Lina Allemano Four: Vegetables

Read "Vegetables" reviewed by Troy Dostert


Trumpeter Lina Allemano is one of those artists whose boundless creativity requires numerous outlets for its adequate expression. Her Ohrenschmaus trio is a hard-driving unit that possesses a tenacious energy but somehow leaves room for adventitious excursions. The group's Rats and Mice (Lumo Records) was one of 2020's most intriguing releases. She's also an intrepid innovator ...

Article: Book Review

La rivoluzione di Joe Harriott nel jazz britannico, tra guerra fredda e spy stories

Read "La rivoluzione di Joe Harriott nel jazz britannico, tra guerra fredda e spy stories" reviewed by Angelo Leonardi


Subversion Through Jazz—The Birth of British Progressive Jazz in a Cold War Climate Matt Parker 286 pagine ISBN: #978-1-9163206-3-5 Jazz In Britain 2020 Nei primi anni sessanta è stato il sassofonista giamaicano Joe Harriott a condurre il jazz britannico nella sua fase adulta, sganciata dai modelli del New ...


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