Results for "Jim Hall"

Jim Hall

Jim Hall, born in Buffalo, and educated at the Cleveland Institute of Music, moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, among others. His live and recorded collaborations with Bill Evans, Paul Desmond, and Ron Carter, are legendary. Not only is Jim Hall one of the jazz world's favorite guitarists, but he has also earned critical acclaim for his skills as a composer and arranger. The first formal recognition came in 1997, when Jim won the New York Jazz Critics Circle Award for Best Jazz Composer/Arranger

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

By CHRIS MAY

Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

Matt Gold: A Guitarist in Songwriter's Disguise

By FRIEDRICH KUNZMANN

Combining improvisational concepts with Americana aesthetics is one thing, but enveloping this blend in a songwriter approach is another story entirely. The first concept is common practice these days, the second however represents the unique character which the up and coming jny: Chicago-based guitarist Matt Gold has to offer on his compelling debut effort, Imagined Sky ...

Jay Leonhart: Joy

By ANGELO LEONARDI

Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite ...

Your Brain on Frets and More

By MARC COHN

Lots of guitar this week: John Scofield with Bill Frisell, Jim Hall, Pat Martino, Tiny Grimes, Kevin Eubanks with Dave Holland, Bill Jennings (an influence on B.B. King), and Paul Bollenback with Jim Snidero. We also have a couple of tracks from the currently unavailable Fred Hersch—Esperanza Spalding duo set live at the Village Vanguard (a ...

Steve Khan: A Rich Discography and A Priceless Left Hand

By JIM WORSLEY

The life and times of guitarist extraordinaire Steve Khan stretch through a high volume of evolving chapters that fuse together like the passages of a finely crafted arrangement. An expansive conversation with Khan touched on a variety of memories. Still, this is perhaps the Reader's Digest version of the seventy-three years old musician and composer's remarkable ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

By CHRIS MAY

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

Bill Stewart Interview

By MIKE BRANNON

From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's ...

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

By CHRIS MAY

There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

Jazz & Film: An Alternative Top 20 Soundtrack Albums

By CHRIS MAY

Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...