Results for "Jim Hall"

Jim Hall

Jim Hall, born in Buffalo, and educated at the Cleveland Institute of Music, moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, among others. His live and recorded collaborations with Bill Evans, Paul Desmond, and Ron Carter, are legendary. Not only is Jim Hall one of the jazz world's favorite guitarists, but he has also earned critical acclaim for his skills as a composer and arranger. The first formal recognition came in 1997, when Jim won the New York Jazz Critics Circle Award for Best Jazz Composer/Arranger

Chuck Anderson: Dominos

By VICTOR L. SCHERMER

This noteworthy album by Chuck Anderson, one of our finest guitarists, was composed and recorded in the midst of the pandemic but with no mention of it in the liner notes, so you can draw your own conclusions as to whether the “dominos" in the title bear any relation to the “falling dominos" of all the ...

Rez Abbasi: On balancing picture with music and shifting into Django mode

By FRIEDRICH KUNZMANN

To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...

Take Five with Denin Koch

By AAJ STAFF

Meet Denin Koch Hailed as possessing “pristine playing, meticulous composing" and “a very personal voice deserving of attention," guitarist and composer Denin Koch has synthesized his wide and varied influences into a unique approach to jazz improvisation. He has performed with Arturo Sandoval, Pat Metheny, Branford Marsalis, Ellis Marsalis, Wycliffe Gordon, Dee Daniels, Ryan Keberle, and ...

David Sills Double Guitar Quintet: Natural Lines

By MARK SULLIVAN

Los Angeles-based reed player David Sills has usually led a quintet with guitar, piano, bass and drums. Most of his recent performances have taken place in venues lacking a piano, so he began adding a second guitar. The change in instrumentation had a side benefit, opening up new musical possibilities and colors. Having two guitars in ...

Chet Baker: An Alternative Top Ten Albums To Get Lost In

By CHRIS MAY

Chet Baker was born to a farmer's daughter and a hard-drinking, weed-smoking singer and guitarist in a Western Swing band in Yale, Oklahoma in 1929. Like many Okies, the family fared badly during the Great Depression but did a little better after moving to Glendale, California in 1939. Largely self-taught as a trumpeter, Baker honed his ...

Michael Musillami and Peter Madsen: Pictures

By TROY DOSTERT

Guitarist Michael Musillami and pianist Peter Madsen have long traveled in the same circles, with Musillami's Playscape label showcasing both musicians in a number of their independently derived projects. But they don't often get to work side-by-side. Aside from Musillami's sextet record, Dachau (Playscape, 2006), the two have only appeared together previously on duo disc, Part ...

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

By CHRIS MAY

Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

Matt Gold: A Guitarist in Songwriter's Disguise

By FRIEDRICH KUNZMANN

Combining improvisational concepts with Americana aesthetics is one thing, but enveloping this blend in a songwriter approach is another story entirely. The first concept is common practice these days, the second however represents the unique character which the up and coming jny: Chicago-based guitarist Matt Gold has to offer on his compelling debut effort, Imagined Sky ...

Jay Leonhart: Joy

By ANGELO LEONARDI

Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite ...