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Musician

Jim Hall

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Jim Hall, born in Buffalo, and educated at the Cleveland Institute of Music, moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, among others. His live and recorded collaborations with Bill Evans, Paul Desmond, and Ron Carter, are legendary. Not only is Jim Hall one of the jazz world's favorite guitarists, but he has also earned critical acclaim for his skills as a composer and arranger. The first formal recognition came in 1997, when Jim won the New York Jazz Critics Circle Award for Best Jazz Composer/Arranger

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Article: Radio & Podcasts

Tribute To Living Legend Sonny Rollins; Other Birthdays This Week--Roy Ayers, Harry Connick Jr, and More

Read "Tribute To Living Legend Sonny Rollins; Other Birthdays This Week--Roy Ayers, Harry Connick Jr, and More" reviewed by David W. Daniels


Tribute to Sonny Rollins--his compositions as interpreted by other jazz musicians, including Jim Hall and Ron Carter, Lambert/Hendricks/Ross, Ted Curson and more. Two compositions from Sonny Rollins' best known albums. Other jazz musicians' birthdays, including David Sanchez, Maria Muldaur, Baby Face Willette and more. Playlist John Coltrane “Like Sonny" from The Heavyweight Champion: The ...

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Article: Album Review

Jim Witzel Quartet: Very Early (Remembering Bill Evans)

Read "Very Early (Remembering Bill Evans)" reviewed by Troy Dostert


While tributes to pianist Bill Evans have certainly not been in short supply over the years, he has unsurprisingly been given far more attention by pianists than from other instrumentalists. Efforts from guitarists have been particularly rare. There are some noteworthy exceptions: John McLaughlin took a stab at it in 1993 with Time Remembered (Verve) alongside ...

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Article: Live Review

Cécile McLorin Salvant's Ogresse At Carnegie Hall

Read "Cécile McLorin Salvant's Ogresse At Carnegie Hall" reviewed by Adam Beaudoin


Cécile McLorin Salvant Carnegie Hall Ogresse New York, NY May 21, 2025 The relationship between jazz and classical music has a long, complicated history. Musicians themselves tend to care more about the music than concepts of genre, and you only need to listen to the echoes of French Impressionism ...

Article: Album Review

Meredith d'Ambrosio: Midnight Mood

Read "Midnight Mood" reviewed by Angelo Leonardi


A quattro anni di distanza da Sometime Ago la cantante bostoniana pubblica un nuovo album di raffinate interpretazioni, entro e oltre il classico songbook statunitense. Il contesto strumentale è ancor più minimale e nasce dalle sollecitazioni del chitarrista francese Frédéric Loiseau, che ha convinto la cantante e il fondatore della Sunnyside, François Zalacain. Già ...

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Article: Multiple Reviews

OJC Piano Greatness: Thelonious Monk & Bill Evans

Read "OJC Piano Greatness: Thelonious Monk & Bill Evans" reviewed by C. Andrew Hovan


Having been a source of quality reissues back when vinyl was still king, it is fitting that the Original Jazz Classics series has returned now that the vinyl renaissance continues to carry on full-force among the music-buying public. Now in its second full year of releases, Craft Recordings continues to mine its impressive back catalog for ...

Article: Album Review

Ches Smith: Clone Row

Read "Clone Row" reviewed by Vic Albani


Giù il cappello ancora una volta. Ches Smith è davvero un meraviglioso esempio di intelligenza e--dopo il bellissimo capolavoro dedicato al Voodoo (Path of Seven Colors) pubblicato con Pyroclastic nel 2021, ma anche Laugh Ash del 2024--tira fuori dal cappello un'altra meraviglia affrontando un'autentica destrutturazione di un super quartetto con tanto di due chitarre (Mary Halvorson, ...

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Article: Radio & Podcasts

Gonzalo Rubalcaba with Chris Potter, Larry Grenadier and Eric Harland

Read "Gonzalo Rubalcaba with Chris Potter, Larry Grenadier and Eric Harland" reviewed by Hobart Taylor


Gonzalo Rubalcaba Live at Dizzy's Club with Chris Potter, saxophonist Josh Johnson performing with both SML and Brandee Younger, Dee Dee Bridgewater with Bill Charlap and classic Bill Evans with Jim Hall. Playlist Dee Dee Bridgewater Bill Charlap “In the Still of the Night" from Elemental (Mack Avenue) 0:00 Mike Clark Mike Zilber “Turnaround ...

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Article: Profile

A Brief Guide To Ukrainian Jazz: Part 3

Read "A Brief Guide To Ukrainian Jazz: Part 3" reviewed by Ian Patterson


Part 1 | Part 2 | Part 3 | Part 4 The third installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces five more highly talented jazz artists/groups from Ukraine. The vast range of personal musical identities attests to the strength, depth and originality of contemporary ...

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Article: Album Review

Various Artists: A New Awakening: Adventures in British Jazz 1966-1971

Read "A New Awakening: Adventures in British Jazz 1966-1971" reviewed by Peter Jones


Throughout the 1950s (and beyond), modernist British jazz musicians were in thrall to the American bebop stars they had been trying to emulate since the late 1940s. It was the pinnacle to which they aspired, and gradually their efforts lifted the overall standard of UK jazz. But by the early 1960s, the international success ...


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