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Musician

Wes Montgomery

Born:

Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of his idol, the guitarist Charlie Christian.

Along with the use of octaves (playing the same note on two strings one octave apart) for which he is widely known, Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard "Lover Man" is an example of his single-note, octave and block chord soloing. ("Lover Man" appears on the Fantasy album THE MONTGOMERY BROTHERS.) Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. This technique enabled him to get a mellow, expressive tone from his guitar. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote that "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double- jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."

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Article: Album Review

Tucker Brothers: Live at Chatterbox

Read "Live at Chatterbox" reviewed by Jack Bowers


Chatterbox is a nightspot in Indianapolis, Indiana, the Tucker brothers (Joel, guitar; Nick, bass) homegrown siblings whose weekly gig at Chatterbox serves essentially as their home base. The brothers lead a quartet on this concert date, with tenor saxophonist Sean Imboden and drummer Carrington Clinton rounding out the group. Joel Tucker is the ...

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Article: Radio & Podcasts

Wendell Harrison, Rudy Royston, Grant Green & Vin Venezia

Read "Wendell Harrison, Rudy Royston, Grant Green & Vin Venezia" reviewed by Joe Dimino


From guitarist Vin Venezia, we begin the 844th Episode of Neon Jazz with music from his 2024 album The Venetian. We then get into his primary influence with Wes Montgomery. From there, we explore an impressive array of new jazz from the likes of Molly Miller, Cliff Beach and Lori Bell. We also hear new music ...

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Article: Album Review

Lee Meehan: Some Of Us Are Looking At The Stars

Read "Some Of Us Are Looking At The Stars" reviewed by Ian Patterson


Guitarist Lee Meehan has been a key player in Dublin blues and soul bands since the early 2000s. The blues proved to be a handy apprenticeship for the jazz degree Meehan would later pursue, graduating from Dublin City University in 2019. And it is to jazz that Meehan turns on his debut album as leader, a ...

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Article: Album Review

Wes Montgomery: Maximum Swing: The Unissued 1965 Half Note Recordings

Read "Maximum Swing: The Unissued 1965 Half Note Recordings" reviewed by Mario Calvitti


La Resonance Records, etichetta californiana legata a un'organizzazione non-profit dedita a preservare l'arte e l'eredità della musica jazz, prosegue instancabile la sua attività di archeologia musicale pubblicando questo doppio CD di Wes Montgomery col trio del pianista Wynton Kelly al famoso club di New York Half Note nel 1965, all'incirca nello stesso periodo delle esibizioni raccolte ...

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Article: Radio & Podcasts

Is the Jazz Detective Sherlock or Watson?

Read "Is the Jazz Detective Sherlock or Watson?" reviewed by Patrick Burnette


Few players have made the splash in the archival jazz game as Zev Feldman, who has discovered many lost jazz gems (and a little Fool's Gold) and shown how these issues can be events when packaged properly with good artwork and notes. This fortnight's show looks at two of his recent productions and two historical albums ...

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Article: Year in Review

Mark Sullivan's Favorite Albums Of 2023

Read "Mark Sullivan's Favorite Albums Of 2023" reviewed by Mark Sullivan


2023 was a very good year for creative music recordings of all sorts. My list includes eclectic music with no specific genre identifier; contemporary jazz; Latin jazz; and reissues of classic jazz and fusion. It would have been easy to create a list three or four times longer. Mata AtlanticaRetiro e Ritmo

Album

Soho Scene '57: Jazz Goes Mod

Label: Rhythm & Blues Records
Released: 2023

Album

The Complete Full House Recordings

Label: Craft Recordings
Released: 2023
Track listing: Full House; I've Grown Accustomed To Her Face; Blue 'N' Boogie; Cariba; Come Rain Or Come Shine; S.O.S.; Full House; Blue 'N' Boogie (Take 1, Alternate); Cariba (Take 1, Alternate); Come Rain Or Come Shine (Take 1, Alternate); S.O.S. (Take 1, Alternate); S.O.S. (Take 2, Alternate); Born To The Blue (Take 1, Outtake); Born To The Blue (Take 2, Outtake).


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