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Musician

Wes Montgomery

Born:

Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of his idol, the guitarist Charlie Christian.

Along with the use of octaves (playing the same note on two strings one octave apart) for which he is widely known, Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard "Lover Man" is an example of his single-note, octave and block chord soloing. ("Lover Man" appears on the Fantasy album THE MONTGOMERY BROTHERS.) Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. This technique enabled him to get a mellow, expressive tone from his guitar. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote that "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double- jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."

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Article: Live Review

European Jazz Conference 2025: Italian Showcases

Read "European Jazz Conference 2025: Italian Showcases" reviewed by Ian Patterson


Italian Jazz Showcase Various venues European Jazz Conference Bari, Italy September 26-27, 2025 Jazz rang out in Bari for four days during the Europe Jazz Network's annual European Jazz Conference. It rang out in Bari's streets, piazzas and theatres, and in ancient church and castle too. It may have been ...

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Article: Album Review

Nigel Price: It's On!

Read "It's On!" reviewed by Neil Duggan


This is the 10th release from the Nigel Price Organ Trio and like a mantra from a corporate business consultant, they have a commitment to continuous improvement, resulting in their sparkling album It's On. Acknowledged as one of the UK's leading jazz guitarists, Nigel Price has a career that has brought him multiple awards, contributions to ...

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Article: Album Review

Chano Domínguez, Ethan Margolis: The Blues Around Us

Read "The Blues Around Us" reviewed by Neil Duggan


The outstanding Spanish pianist Chano Dominguez is renowned for his interpretive style and his ability to navigate the complexities of both flamenco and jazz, weaving both together to form a unique soundscape. Guitarist Ethan Margolis, from Cleveland, Ohio, is steeped in similar traditions, having a strong flamenco and Romany influence on his playing from spending 11 ...

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Article: Radio & Podcasts

Lost and Found: historic jazz discoveries, Part 1

Read "Lost and Found: historic jazz discoveries, Part 1" reviewed by Larry Slater


Archaeology is the study of the ancient and recent human past through material remains. The same might be said of distant and recent jazz recordings that have been discovered. Sometimes jazz archeologists find these rarities in the archives of defunct record labels, or buried unmarked at the vast Library of Congress. Several were in the hands ...

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Article: Radio & Podcasts

Final Recordings of Jazz Masters of the 1950s and '60s

Read "Final Recordings of Jazz Masters of the 1950s and '60s" reviewed by Larry Slater


The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians ...

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Article: Album Review

Mike Clark: Standard Deviations

Read "Standard Deviations" reviewed by Paul Rauch


Bringing new life to jazz standards is a longtime tradition in jazz, whether it be on the bandstand or in the studio. With their latest Sunnyside recording, Standard Deviations, the iconic drummer Mike Clark and Los Angeles-based tenor saxophonist Michael Zilber venture there once again, following Mike Drop, their 2021 Sunnyside release. The result is a ...

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Article: Album Review

Muriel Grossmann: MGQ Live Im King Georg, Köln

Read "MGQ Live Im King Georg, Köln" reviewed by Mark Corroto


Muriel Grossmann has firmly established herself in the realm of spiritual groove jazz. With her 19th release as a leader, the Paris-born, Vienna-raised saxophonist--now based in Spain--presents her first live recording. Joined by her long-standing ensemble MGQ, which features Serbian-born guitarist Radomir Milojkovic and drummer Uros Stamenkovic, along with Spanish Hammond B3 organist Abel Boquera, the ...

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Article: Interview

Ola Onabulé: A Tapestry of Soul, Jazz and Global Roots

Read "Ola Onabulé: A Tapestry of Soul, Jazz and Global Roots" reviewed by Angelo Leonardi


Singer-songwriter and producer Ola Onabulé shares insights into his life and work, spotlighting his eclectic collaboration with guitarist Nicolas Meier, which led to the release of Proof of Life (Self Produced, 2025). Both based in London, the British-Nigerian vocalist and Swiss guitarist discovered, during the isolation of the pandemic, a shared empathy in their ...

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Article: Album Review

Louis Stewart: I Thought About You

Read "I Thought About You" reviewed by Ian Patterson


For jazz guitar fans, and for aficionados of Irish guitarist Louis Stewart in particular, the 2022 relaunch of '70s label Livia Records has been manna from heaven. This is the born-again label's fifth reissue of the great Dublin six-stringer's out-of-print recordings since the series launched with Stewart's other 1977 album Out on His Own (Livia Records, ...


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