Home » Search Center » Results: Curtis Fuller
Results for "Curtis Fuller"
Results for pages tagged "Curtis Fuller"...
Curtis Fuller
Born:
Curtis Fuller was born in Detroit, Michigan in 1934. He came to music late, playing the baritone horn in high school and switching to the trombone at age 16. Detroit, at the time, was the breeding ground for an astonishing pool of fresh, highly individual talent. Milt Jackson and Hank Jones had already gone to New York and made their names. But coming of age in Detroit in the early fifties were Fuller, Donald Byrd, Elvin and Thad Jones, Paul Chambers, Louis Hayes, Kenny Burrell, Barry Harris, Pepper Adams, Yusef Lateef, Sonny Red, Hugh Lawson, Doug Watkins, Tommy Flanagan and many others who would make the mid- decade migration to New York and eventually international recognition. In 1953, Curtis left the local scene to serve his two-year stint in the army, where he met and played with Cannonball Adderley and Junior Mance among others. When he returned home, he began working with Yusef Lateef's quintet
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
A Brief Guide To Ukrainian Jazz: Part 1
by Ian Patterson
Part 1 | Part 2 | Part 3 | Part 4 The history of jazz in Ukraine can be traced fairly precisely according to academic, literature teacher and jazz journalist Alexander Yudin. Writing in The History Of European Jazz: The Music, Musicians And Audience in Context (Equinox Publishing, 2018), Yudin credits Yuliy Meitus with ...
Nanami Haruta: The Vibe
by Dan McClenaghan
The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve ...
One For All: Big George
by C. Andrew Hovan
The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the ...
Nanami Haruta: The Vibe
by Willard Jenkins
Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive--perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at ...
Take Five with Vocalist Teodora Brody
by AAJ Staff
Meet Teodora Brody Born in Romania, and now based in Switzerland, Teodora Brody initially trained in classical jazz and rose to prominence in the late 1990s and early 2000s singing with legendary jazz pianist Johnny Răducanu . Acclaimed for her extraordinary vocal power and creative vision, Teodora pioneered the fusion of jazz with Doina--Romania's ...
Ten Supreme Fender Rhodes Albums
by Chris May
In 1965, reeling from the impact of Motown and the Brit invasion led by the Beatles, and about to be hit by the triple whammy that was acid rock and the rebel culture that went with it, jazz was on the back foot. Its relevance as entertainment, art form and spiritual sustenance was under threat, at ...
Introducing Trombonist Dan Harkins
by Sanford Josephson
Trombonist Urbie Green, who died in 2018 at the age of 92, was part of Woody Herman's Thundering Herd in the 1950s and won DownBeat's International Critics' Award for “New Star" in 1954. While revered among his colleagues, Green is not exactly a household name among the jazz listening public. But 22-year-old trombonist Dan Harkins lists ...
John Alvey: Loft Glow
by Chris May
Such is the proliferation of albums which in the 2020s are taking jazz in new and exciting directions--see AAJ's Best Jazz Albums of 2024: All-Star Break Edition round-up here--that it is easy to pass over albums which have their feet firmly planted in the tradition, and which show no ambition to redefine it, but which are ...
