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Curtis Fuller

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Curtis Fuller was born in Detroit, Michigan in 1934. He came to music late, playing the baritone horn in high school and switching to the trombone at age 16. Detroit, at the time, was the breeding ground for an astonishing pool of fresh, highly individual talent. Milt Jackson and Hank Jones had already gone to New York and made their names. But coming of age in Detroit in the early fifties were Fuller, Donald Byrd, Elvin and Thad Jones, Paul Chambers, Louis Hayes, Kenny Burrell, Barry Harris, Pepper Adams, Yusef Lateef, Sonny Red, Hugh Lawson, Doug Watkins, Tommy Flanagan and many others who would make the mid- decade migration to New York and eventually international recognition. In 1953, Curtis left the local scene to serve his two-year stint in the army, where he met and played with Cannonball Adderley and Junior Mance among others. When he returned home, he began working with Yusef Lateef's quintet

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Article: Radio & Podcasts

Luke Carlos O'Reilly, Vinnie Sperrazza, Brad Mehldau, Jean-Christophe Cholet & More

Read "Luke Carlos O'Reilly, Vinnie Sperrazza, Brad Mehldau, Jean-Christophe Cholet & More" reviewed by Ludovico Granvassu


A soulful rendition of Curtis Fuller's “Mini Mama," and two recent albums featuring Vinnie Sperrazza open an edition of Mondo Jazz which then features three projects at the intersection of jazz and classical music.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Luke Carlos O'Reilly “Mini Mama" ...

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Article: Album Review

Jim Rotondi: Finesse

Read "Finesse" reviewed by Jack Bowers


Finesse is trumpeter Jim Rotondi's ninth recording as a leader but his first using a full orchestra including strings. The band and string section are from Austria, where Rotondi presently lives, performs, and teaches, and each one is quite good. As for Rotondi, besides playing superb trumpet--open or muted--he wrote every song on the album save ...

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Article: Multiple Reviews

OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter

Read "OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter" reviewed by C. Andrew Hovan


Although they were somewhat late to the vinyl renaissance game, Craft Records has made up for lost time by tapping a wide range of music. From the Latin strains of Fania Records to the so-called acid jazz that B3 organ masters churned out for Prestige Records in the late '60s, Craft boasts a huge vault that ...

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Article: Liner Notes

One For All: Blueslike

Read "One For All: Blueslike" reviewed by C. Andrew Hovan


As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although ...

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Article: Touchstone Album Picks

Eddie Henderson: Everything Changes

Read "Eddie Henderson: Everything Changes" reviewed by Ian Patterson


Eddie Henderson made his name in Herbie Hancock's Mwandishi band in the early 1970s, at the dawn of jazz-fusion--a new frontier. It was undoubtedly a launching pad that saw the New York-born trumpeter go on to play with Art Blakey and The Jazz Messengers, Elvin Jones, Archie Shepp, Pharoah Sanders and McCoy Tyner. Yet ...

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Article: Radio & Podcasts

Joe Farnsworth: Straight From The Soul

Read "Joe Farnsworth: Straight From The Soul" reviewed by Steven Roby


One of the most highly regarded jazz drummers today, Joe Farnsworth, is known for his blazing speed, precision, and musical and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional ...

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Article: The Jazz Life

Songbirds: An Interview with Singer Judy Niemack

Read "Songbirds: An Interview with Singer Judy Niemack" reviewed by Peter Rubie


Apart from their mutual respect for each other, and the fact that they are jazz singers, there isn't a lot, superficially, that you would think Judy Niemack and Jay Clayton have in common. But you'd be wrong. Both have a classical music background, Clayton at Miami University in Oxford, Ohio, before moving ...

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Article: Album Review

John La Barbera Big Band: Grooveyard

Read "Grooveyard" reviewed by Jack Bowers


Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones.

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Article: Album Review

Judy Niemack - Jay Clayton: Voices in Flight

Read "Voices in Flight" reviewed by Katchie Cartwright


While veteran vocal improvisers Judy Niemack and Jay Clayton have known each other since the '70s, Voices in Flight marks their first time together in the studio. They have performed some of the album material in live shows since the early 2000s, including their medley of “Body and Soul" and Idrees Sulieman's gorgeous contrafact of it, ...


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