Home » Jazz Articles » Reassessing » Red Garland: Red Garland Revisited!
Red Garland: Red Garland Revisited!
Garland's repertoire and performance were typical of the period. He was equally capable of the up-tempo hard bop as he was with the standard ballad. He populated Revisited with both. Garland was a year past Davis' famous marathon recording date for Prestige that resulted in Relaxin,', Steamin', Workin' and Cookin' and that material informed his trio dates thereafter. The trio takes the traditional "Billy Boy" at a leisurely to fast clip, Garland punctuating the harmonic structure with his trademark block chords. His ballad bons fides are secure with "Everybody's Somebody's Fool." Chambers solos on both with his characteristically fine approach and timekeeping.
"Four" marks the first of two appearances by Burrell, whose presence tempers the pieces without cutting the funk. On "Walkin'"that superb blues first released by the Miles Davis All Stars on his notable recording of the same title (Prestige, 1954)Burrell's bell-like tone melds well with Garland's double fisted chording. Burrell's blues sense is certain and elegant, almost conversational. Garland is unsurpassed as a blues pianist with a volatile swing. The remaining tunes are ballads led by the beautifully slow "(I'm Afraid) The Masquerade Is Over." The trio closes things with an orchestral "It Could Happen to You." Garland was always reliable in releasing music that could be used to define jazz.
Track Listing
Billy Boy; Everybody's Somebody's Fool; Four; You Keep Coming Back Like a Song; Hey Now; I'm Afraid The Masquerade Is Over; Walkin;'; It Could Happen to You.
Personnel
Album information
Title: Red Garland Revisited! | Year Released: 1969 | Record Label: Prestige Records
About Red Garland
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






