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Red Garland
Born:
Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to lead his own groups, but then retired in 1968, a victim the declining demand for jazz. He reemerged in 1976 and performed regularly until his death in 1984. Garland was known for his eloquent middle-of-the-road style. A fertile, often moving improvisor, he developed a characteristic block chord sound by combining octaves with a fifth in the middle in the right hand over left-hand comp (accompanying) chords
Miles '56: The Prestige Recordings
By Miles Davis
Label: Craft Recordings
Released: 2026
Track listing: CD 1: In Your Own Sweet Way (March 16, 1956 version); No Line; Vierd Blues; In Your Own Sweet Way (May 11, 1956 version); Diane; Trane’s Blues; Something I Dreamed Last Night; It Could Happen to You; Woody’n You; Ahmad’s Blues. CD2: Surrey with the Fringe on Top; It Never Entered My Mind; When I Fall in Love; Salt Peanuts; Four; The Theme (Take 1); The Theme (Take 2); If I Were a Bell; Well, You Needn’t. CD3: ’Round Midnight; Half Nelson; You’re My Everything; I Could Write a Book; Oleo; Airegin; Tune Up; When Lights Are Low; Blues by Five; My Funny Valentine.
Danny Green: Let the Music Happen
by Dan McClenaghan
San Diego-based pianist Danny Green began his recording association with Seattle's Origin/OA2 label in 2014 with After the Calm (OA2 Records, 2015), an inspired trio release featuring bassist Justin Grinnell and drummer Julien Cantelm. It was an auspicious beginning. The group followed up their debut with Altered Narratives (OA2, 2016), featuring a string quartet on three tunes ...
Craft Mines the Vaults: New Moodsville Titles from Red Garland, Frank Wess, and Coleman Hawkins
by C. Andrew Hovan
When it comes to independent record labels of the past that ventured across such a broad musical landscape, few could rival the efforts of Bob Weinstock and his Prestige imprint. Recognizing the advantages of appealing to multiple markets, Weinstock expanded well beyond his core jazz catalog, issuing rare blues titles through the Bluesville subsidiary and turning ...
New Reissue Series Offers A First-Class Ticket To Moodsville
by Joshua Weiner
With the rise of consumer culture in the 1950s and 1960s, hi-fi systems on which to play newly available stereo records became de rigueur for those who aspired to sophisticated leisure time. A wide variety of “mood music" albums, from classical to exotica to jazz, promised the perfect soundtrack for any emotional state or social gathering. ...
The Tension Is Where the Music Lives: Miles Davis at 100, Part 3
by Kofi Adjepong-Boateng
Herbie Hancock Celebrates Miles Davis Hollywood Bowl Los Angeles, CA August 19, 2026 The Hollywood Bowl began as a picnic ground called Daisy Dell, a canyon chosen for its acoustics, willed into being largely by women, chief among them Artie Mason Carter, a music teacher who believed music was for everyone ...
Kevin Fort: Chiaroscuro
by Jeff Cebulski
The combination of piano and guitar seems to be a potential no-brainer for artistic jazz expression, yet not many successful attempts exist, on record anyway. The obvious victories and inspirations are the two albums by hall-of-famers Bill Evans and Jim Hall , Undercurrent (Blue Note, 1962) and Intermodulation (Verve, 1966). The Chicago-area pianist Kevin ...
The Art of Swing: A Conversation with Champian Fulton
by Mark Robbins
There are some musicians who seem completely at home in the language of jazz, and Champian Fulton is certainly one of them. As both a pianist and vocalist, she's built a career on bringing the Great American Songbook to life with elegance, swing, and an unmistakable sense of joy. Her performances feel rooted in the tradition, ...
Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can ...
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