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Red Garland

Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to lead his own groups, but then retired in 1968, a victim the declining demand for jazz. He reemerged in 1976 and performed regularly until his death in 1984. Garland was known for his eloquent middle-of-the-road style. A fertile, often moving improvisor, he developed a characteristic block chord sound by combining octaves with a fifth in the middle in the right hand over left-hand comp (accompanying) chords

ARTICLE: INTERVIEW

Hal Galper: Adventures In The Zone

Read "Hal Galper: Adventures In The Zone" reviewed by Paul Rauch

The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more recognition, Galper sought out a career path where acclaim would be genuine among his peers ...

ARTICLE: HISTORY OF JAZZ

Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists

Read "Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists" reviewed by Victor L. Schermer

[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an ...

ARTICLE: INTERVIEW

Dena Derose: Keeper Of The Song

Read "Dena Derose: Keeper Of The Song" reviewed by R.J. DeLuke

Dena DeRose has established a reputation as one of the finest jazz singers today—though never exclusively that. As others have done—Shirley Horn, a predecessor, or Karrin Allyson, a contemporary, among others—DeRose, in addition to her alluring voice, is a highly accomplished pianist who accompanies herself. Often that's in a trio setting, but she easily extends it ...

ARTICLE: ALBUM REVIEW

Frank Basile / Sam Dillon Quintet: 2 Part Solution

Read "2 Part Solution" reviewed by Jack Bowers

If recent albums serve as an accurate guidepost, hard bop is making a broad and most welcome comeback. In the wake of high-octane albums by Adam Shulman, Gary Dudzienski, Cory Weeds (who doubles as producer-in-chief at Cellar Records), Marshal Herridge, the TNEK Jazz Quintet, Jerry Bergonzi, Keith Oxman, John Sneider and others comes 2 Part Solution, ...

ARTICLE: INTERVIEW

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki

From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

ARTICLE: INTERVIEW

Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium

Read "Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium" reviewed by Mike Brannon

From the 1995-2003 archive: This article first appeared at All About Jazz in April 1999. No, they're not a law firm, and though they're not yet a household word either, MMW is a trio of formidable sonic integrity and groove. 'Fronted' by Hammond B-3 organist John Medeski, the trio has been described as everything ...

ARTICLE: INTERVIEW

Tom Lawton: Not Less Than Everything

Read "Tom Lawton: Not Less Than Everything" reviewed by Victor L. Schermer

Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...

ARTICLE: THE JAZZ LIFE

My Early Years With Bill Evans, Part 1

Read "My Early Years With Bill Evans, Part 1" reviewed by Chuck Israels

Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

ARTICLE: REASSESSING

Red Garland's Piano

Read "Red Garland's Piano" reviewed by C. Michael Bailey

Pianist Red Garland follows up his debut recording A Garland of Red (Prestige, 1956) with what might be his finest statement leading a jazz trio, Red Garland's Piano. Garland continues his association with bassist Paul Chambers and drummer Art Taylor forming his most durable rhythm section, and one that would record with him on ten of ...


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