Results for "Red Garland"

Red Garland

Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to lead his own groups, but then retired in 1968, a victim the declining demand for jazz. He reemerged in 1976 and performed regularly until his death in 1984. Garland was known for his eloquent middle-of-the-road style. A fertile, often moving improvisor, he developed a characteristic block chord sound by combining octaves with a fifth in the middle in the right hand over left-hand comp (accompanying) chords

Meet Andy Bey

By CHRIS M. SLAWECKI

From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

Medeski, Martin and Wood: A Retro Phenomenon for the New Millenium

By MIKE BRANNON

From the 1995-2003 archive: This article first appeared at All About Jazz in April 1999. No, they're not a law firm, and though they're not yet a household word either, MMW is a trio of formidable sonic integrity and groove. 'Fronted' by Hammond B-3 organist John Medeski, the trio has been described as everything ...

My Early Years With Bill Evans, Part 1

By CHUCK ISRAELS

Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

Red Garland's Piano

By C. MICHAEL BAILEY

Pianist Red Garland follows up his debut recording A Garland of Red (Prestige, 1956) with what might be his finest statement leading a jazz trio, Red Garland's Piano. Garland continues his association with bassist Paul Chambers and drummer Art Taylor forming his most durable rhythm section, and one that would record with him on ten of ...

New Faces - New Sounds

By C. MICHAEL BAILEY

Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in jny: New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems ...

AuB: AuB

By CHRIS MAY

Twin-tenor frontlines are almost as old as jazz itself. Sonny Rollins and John Coltrane's meeting on the title track of Rollins' Tenor Madness (Prestige, 1956) may be the starting point for some listeners, but AAJers do not need reminding that the tradition was popular in live performances as far back the 1920s. Later, with the arrival ...

New Faces - New Sounds

By C. MICHAEL BAILEY

In the early 1950s, Blue Note Records introduced new artists in the label's series New Faces -New Sounds. It highlighted such young artists as Horace Silver (1952); Lou Donaldson (1952); Elmo Hope (1953); and Frank Foster (1954). All of these recordings were released as part of Blue Note Record's 5000 Modern Jazz Series, all on 10-inch ...

A Garland of Red

By C. MICHAEL BAILEY

Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from jny: Dallas, Texas, Garland migrated to jny: New York City after a stint with Hot Lips Page ...