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Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can struggle to reconcile the cool, lyrical trumpeter of the bebop era with the architect of jazz-rock fusion, the creator of On the Corner (Columbia, ...
Continue ReadingMiles Davis: Miles '56: The Prestige Recordings
by Mike Jurkovic
Let us imagine for the moment that it is a day or two after the Big Spirit Beyond Wonder has separated the wheat from the chafe. The terrible, unwanted wars have ceased. Global climate change is no longer a threat. Autocracy is in the dustbin of history where it rightfully belongs. Illness has passed. The world, as it was in the beginning, is free of the subterfuge and manipulations of humankind. Now the Big Spirit turns their attention ...
Continue ReadingIn the Land of Giants: OJCs from Thad Jones and Red Garland
by C. Andrew Hovan
The late 1950s marked a particularly fertile period in jazz. Big bands still commanded audiences, while smaller combos often blended veterans of the swing era with the rising architects of modern bop. Musicians such as Thad Jones, Frank Wess, Illinois Jacquet, and Coleman Hawkins moved fluidly among ensembles, thriving in a moment before the stylistic fault lines of the mid-1960s hardened into full-blown style wars." Prestige Records capitalized on this rich talent pool, frequently assembling ad hoc all-star groups for ...
Continue ReadingRed Garland Revisited!
by C. Michael Bailey
Prestige Records released Red Garland Revisited in 1969. However, Rudy Van Gelder recorded the eight selections comprising the album 12 years earlier at his Hackensack, New Jersey studio. Using bassist Paul Chambers and drummer Art Taylor as his rhythm section, adding guitarist Kenny Burrell on two pieces--Miles Davis's Four" and Walkin.'" Recorded May 24, 1957, this session took place during a busy period for Garland, between a date for trombonist Curtis Fuller on May 14 resulting in Curtis Fuller with ...
Continue ReadingMiles Davis: Miles '55: The Prestige Recordings
by Richard J Salvucci
It is hard to imagine any casual jazz fan failing a blindfold test on the vinyls on offer here. It is a game people play: how quickly can you identify the performer. A lot of horn players make it into the competition, because horns are boisterous and mimic the human voice and persona. Clark Terry, some say, requires one note. And for much of his career, starting in the mid-1950s, a compatriot and mentee of Terry's: Miles Davis was equally ...
Continue ReadingMore OJC Goodies: Red Garland and Kenny Burrell with John Coltrane
by C. Andrew Hovan
Once the vinyl renaissance proved the adage that there is gold in them there hills," labels began scouring their vaults to put out an ongoing stream of products. Owning the rights to over 1.2 million songs, Concord Records was perfectly poised to take advantage of a huge cash cow through vinyl reissues. Their Craft Recordings subsidiary has been a model of not only bringing out worthwhile material but doing it in a manner that ensures high quality and a reasonable ...
Continue ReadingMiles Davis: 2nd Session 1956 Revisited
by Glenn Astarita
The Miles Davis Quintet's 2nd Session 1956 Revisited revitalizes the iconic recordings from a pivotal year in jazz history. These original sessions, featuring Davis alongside luminaries like John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, stand as timeless classics that have indelibly shaped the course of jazz.This revisited edition captures the very essence and vitality of those legendary sessions while infusing them with a fresh perspective. The music's hallmark traits--the melodic sophistication and improvisational brilliance--are expertly ...
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