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Musician

Paul Chambers

Born:

One of the premier bassists in jazz history, Paul Chambers had it all: a beautiful tone, a fluid technique, a great choice of notes, impeccable time and a magnificent sense of swing. He could even take a bowed solo and keep it interesting and in tune. Paul Chambers was born in Pittsburgh in 1935, and grew up in Detroit, where he became part of the city's growing jazz scene. He moved to New York, where he played in the {{J.J. Johnson = 8101}}-{{Kai Winding = 11467}} quintet. He joined Miles Davis' first legendary quintet along with {{John Coltrane = 5851}}, {{"Philly" Joe Jones = 8188}}, and {{Red Garland = 6951}}, at the age of 20

Album

Miles '55: The Prestige Recordings

Label: Craft Recordings
Released: 2025
Track listing: I Didn't; Will You Still Be Mine; I See Your Face Before Me; A Night in Tunisia; A Gal in Calico; Dr. Jackle; Bitty Ditty; Minor March; Changes; Stablemates; How Am I To Know/ Just Squeeze Me; There Is No Greater Love; The Theme; S'posin.

Album

Blue Bossa in the Bronx: Live from the Blue Morocco

Label: Resonance Records
Released: 2025
Track listing: Blue Bossa; Confirmation; Memories of You; My One and Only Love; Bags’ Groove; Blue Friday; The Theme.

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Article: Reassessing

Kelly Blue

Read "Kelly Blue" reviewed by C. Michael Bailey


The classic Wynton Kelly Trio comprised Kelly on piano, bassist Paul Chambers, and drummer Jimmy Cobb. Besides being Kelly's most stable trio, this rhythm section provided the underpinning for several important recordings and tours for Miles Davis in the late '50s and early '60s. These include Kind of Blue (Columbia Records, 1959) and Davis' 1960 European ...

33

Article: So You Don't Like Jazz

The Unlikely Story of Cannonball Adderley's Rise to the Top

Read "The Unlikely Story of Cannonball Adderley's Rise to the Top" reviewed by Alan Bryson


For me, the most gripping music stories are the tales of “overnight sensations." In the jazz sphere, we have our share. There is the story of an eighteen-year-old Billie Holiday, discovered by producer John Hammond while she was a hostess in a Harlem club. There is the tale of a seventeen-year-old Ella Fitzgerald, whose triumphant debut ...

18

Article: Album Review

Lee Morgan: Here's Lee Morgan

Read "Here's Lee Morgan" reviewed by C. Andrew Hovan


While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the ...

5

Article: Play This!

Al Foster: Monk’s Bossa

Read "Al Foster: Monk’s Bossa" reviewed by Carl Medsker


On May 28, 2025, Aloysius Tyrone Foster passed away at the age of 82. He brought strong, imaginative, percussive grooves and swing to bebop, post-bop, modal, funk and fusion for over 60 years--even a little calypso and bossa. A very partial list of the musicians Al Foster performed with includes Dexter Gordon, McCoy Tyner, Sonny Rollins, ...

11

Article: Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Pierre Giroux


Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from ...

14

Article: Album Review

Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco

Read "Blue Bossa in the Bronx: Live from the Blue Morocco" reviewed by Troy Dostert


On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...

19

Article: Interview

Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original

Read "Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original" reviewed by Dean Nardi


One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question & Answer interview is edited to remove repetitive comments and all the “ums" ...


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