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Miles Davis: Miles '55: The Prestige Recordings
by Richard J Salvucci
It is hard to imagine any casual jazz fan failing a blindfold test on the vinyls on offer here. It is a game people play: how quickly can you identify the performer. A lot of horn players make it into the competition, because horns are boisterous and mimic the human voice and persona. Clark Terry, some say, requires one note. And for much of his career, starting in the mid-1950s, a compatriot and mentee of Terry's: Miles Davis was equally ...
Continue ReadingKelly Blue
by C. Michael Bailey
The classic Wynton Kelly Trio comprised Kelly on piano, bassist Paul Chambers, and drummer Jimmy Cobb. Besides being Kelly's most stable trio, this rhythm section provided the underpinning for several important recordings and tours for Miles Davis in the late '50s and early '60s. These include Kind of Blue (Columbia Records, 1959) and Davis' 1960 European Tours, Someday My Prince Will Come (Columbia Records, 1961), In Person, Vol. 1--Friday Night at the Blackhawk (Columbia Records, 1961), In Person, Vol. 2--Saturday ...
Continue ReadingLee Morgan: Here's Lee Morgan
by C. Andrew Hovan
While Craft Recordings' new OJC reissue series has largely drawn from its treasure trove of Prestige and Riverside titles, the label recently expanded its scope to include two standout jazz albums from Chicago's historic Vee-Jay Records. Founded in 1953 by husband-and-wife team James Bracken and Vivian Carter, Vee-Jay was not only one of the earliest Black-owned and woman-owned labels but also a remarkably eclectic imprint. Known for its blues releases--and even some early Beatles records--Vee-Jay also documented top-tier ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Jack Kenny
The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's peak. Bassist Paul Chambers had supported both Miles Davis and Sonny Rollins. Pianist Cedar Walton had been in the Jazz Messengers. alto sax man ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Thierry De Clemensat
Another remarkable chapter in contemporary music comes to life once again, thanks to Resonance Records. It was from 1967 that Blue Bossa In The Bronx: Live from the Blue Morocco emerged, an unreleased performance by the legendary jazz trumpeter Kenny Dorham, recorded live at the Blue Morocco jazz club in the Bronx, NY. The session features Sonny Red, Cedar Walton, Paul Chambers and Denis Charles. Transferred from the original tape reels captured by the renowned engineer Bernard Drayton, ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Pierre Giroux
Trumpeter Kenny Dorham's stature in jazz history is undeniable, yet he remains one of music's most under-appreciated masters. Despite being a vital presence among the great innovators of his era, Dorham never achieved the star power his talent deserved. In conjunction with Record Store Day, Resonance Records is releasing Blue Bossa in the Bronx: Live from the Blue Morocco as a deluxe CD edition that captures Dorham in fiery form during a never-before-heard live performance. The package includes Bob Blumenthal's ...
Continue ReadingKenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be regarded as more of a “musician's musician" than some of the more celebrated trumpeters like Clifford Brown, Lee Morgan or Freddie Hubbard. Hence, the ...
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