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Spectrum
by Dean Nardi
Was it jazz or rock? This was (is) the eternal question about fusion. Back in the 1970s when the Mahavishnu Orchestra pioneered the genre, the electric and chaotic unpredictability of the John McLaughlin-led outfit cut across what was thought to be basic jazz concepts by displaying loud electric guitar riffing over what could stand ...
Red Garland Revisited!
by C. Michael Bailey
Prestige Records released Red Garland Revisited in 1969. However, Rudy Van Gelder recorded the eight selections comprising the album 12 years earlier at his Hackensack, New Jersey studio. Using bassist Paul Chambers and drummer Art Taylor as his rhythm section, adding guitarist Kenny Burrell on two pieces--Miles Davis's “Four" and “Walkin.'" Recorded May 24, 1957, this ...
Kelly Blue
by C. Michael Bailey
The classic Wynton Kelly Trio comprised Kelly on piano, bassist Paul Chambers, and drummer Jimmy Cobb. Besides being Kelly's most stable trio, this rhythm section provided the underpinning for several important recordings and tours for Miles Davis in the late '50s and early '60s. These include Kind of Blue (Columbia Records, 1959) and Davis' 1960 European ...
Trio and Quintet
by C. Michael Bailey
Pianist and composer Elmo Hope has more in common with Tadd Dameron than most of his other jazz peers. Both men were primarily composers and arrangers who concentrated on their own music rather than standards. Both men spent their professional lives in New York City during the twilight of bebop and the flourishing of hard bop. ...
Art Pepper: Gettin' Together
by Richard J Salvucci
Roughly about a year before Art Pepper was sentenced to 3 to 20 years in San Quentin State Prison on heroin charges, he made this recording. Miles Davis' rhythm section was briefly available in Los Angeles. So Pepper had a chance to reprise his wonderful performance in Art Pepper Meets the Rhythm Section (Original Jazz Classics, ...
Roberto Roena: Roberto Roena Y Su Apollo Sound
by Richard J Salvucci
Mention Roberto Roena to any fan of Latin music, and salsa royalty is on the menu. This pioneering band, literally in the works as Neil Armstrong took Apollo 11 to the moon in the summer of 1969, took its name from the space program and is rightly considered a classic of the mixed genre--jazz, funk, rock, ...
The Cry!
by Richard J Salvucci
This recording is, at first glance, a bit of an unusual choice by Craft Recording for its Contemporary Records Acoustic Sound Series audiophile vinyl series. Neither Prince Lasha (pronounced Lashay) nor Sonny Simmons make an appearance in Bill Kirchner's The Oxford Companion to Jazz (Oxford University Press, 2000). An earlier reviewer for AAJ allowed as how ...
Rollin' With Leo
by Richard J Salvucci
Leo Parker may not be a name that instantly springs to mind in the world of late 1940s bebop. There was one point, in 1948, however, when serious people, like Barry Ulanov, regarded Parker as the best baritone saxophonist around--in company with Charlie Parker and Fats Navarro. That is fancy company, so it is worth asking ...
The Fox
by Richard J Salvucci
There was once a legendary trumpet player named Jack Purvis who was a disciple of Louis Armstrong. Purvis was an excellent player, but he was in and out of trouble for most of his life. So he spent some time in jail. In fact, so much time that Purvis once led (documented in the Fort-Worth Star ...
Sahib Shihab and the Danish Radio Jazz Group
by Joshua Weiner
Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...
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