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New Reissue Series Offers A First-Class Ticket To Moodsville
by Joshua Weiner
With the rise of consumer culture in the 1950s and 1960s, hi-fi systems on which to play newly available stereo records became de rigueur for those who aspired to sophisticated leisure time. A wide variety of “mood music" albums, from classical to exotica to jazz, promised the perfect soundtrack for any emotional state or social gathering. ...
Rahsaan Roland Kirk: Vibrations In The Village: Live At The Village Gate
by Joshua Weiner
Thankfully, fans of classic jazz rarely have long to wait before another wonderful, previously unreleased treasure drops from the indefatigable producer Zev Feldman and the folks at Resonance Records. A pair of live releases by multi-instrumentalist, showman, and musical conjuror Rahsaan Roland Kirk join the limited-edition vinyl lineup for Record Store Day's Black Friday ...
Red Garland Revisited!
by C. Michael Bailey
Prestige Records released Red Garland Revisited in 1969. However, Rudy Van Gelder recorded the eight selections comprising the album 12 years earlier at his Hackensack, New Jersey studio. Using bassist Paul Chambers and drummer Art Taylor as his rhythm section, adding guitarist Kenny Burrell on two pieces--Miles Davis's “Four" and “Walkin.'" Recorded May 24, 1957, this ...
I Dischi del 2024 secondo Ludovico Granvassu
by Ludovico Granvassu
Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...
Ludovico Granvassu's Garden of Jazzy Delights 2024
by Ludovico Granvassu
Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...
Miles Davis: Miles 54, the Prestige Recordings
In 1954, Miles Davis's future meant considerably more than his past. Recording for Prestige since 1951 (The New Sounds was his first album for the label), the trumpeter came into his own in 1954. Returning to New York in February of that year after kicking his heroin habit, Davis had also kicked his bebop fixation. What ...
We Jazz Records: Finland's indie label shaking up the global conversation
by Rob Garratt
The past decade's genre-bending jazz renaissance has been well-documented, but between the trailblazing players taking improvised music to increasingly hip places, and the ever-growing audience queuing up to hear them, sits the homegrown labels bottling these brave, thrilling (r)evolutions for all to hear. In conversations about the state of jazz today, it's often easier to distil ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. ...
Vince Tampio: The Nook
by Geno Thackara
There's always something reassuring about the pleasingly familiar, whether it's a favorite shirt, a nice helping of comfort food or the coziness of a frequent neighborhood hangout. Philadelphia's Tattooed Mom Bar fits the bill for Vince Tampio and a few good friends. Besides evoking that welcoming atmosphere with its title and cover, The Nook's classic-sounding bop ...
Jazzmeia Horn: A Social Call
by Angelo Leonardi
L'impatto di Jazzmeia Horn sulla scena vocale afro-americana ricorda quello recente di Cécile McLorin Salvant e di Gregory Porter. Già vincitrice nel 2013 e nel 2015 di due prestigiosi concorsi statunitensi, la 26enne cantante texana ha evidenziato in questo debutto le sue ricche doti: vibrante tensione emotiva dai chiari rimandi blues e soul, scura voce contralto ...
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