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Art Taylor
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One of the premier hard bop drummers of his era, by 1948 while still a teenager in Harlem, Art Taylor had played drums in church with Jackie McLean and Sonny Rollins. He also played with Howard McGhee and other young bop musicians in New York. In the early 50s he was also to be heard in mainstream groups, playing with Buddy De Franco and Coleman Hawkins. He continued to play with leading beboppers, including Bud Powell, and Art Farmer. Later in the decade was with Miles Davis and John Coltrane. From time to time he led his own bands, notably Taylor’s Wailers, and toured the States and Europe with Donald Byrd, and did a short stint with Thelonious Monk in 1959
Miles '56: The Prestige Recordings
By Miles Davis
Label: Craft Recordings
Released: 2026
Track listing: CD 1: In Your Own Sweet Way (March 16, 1956 version); No Line; Vierd Blues; In Your Own Sweet Way (May 11, 1956 version); Diane; Trane’s Blues; Something I Dreamed Last Night; It Could Happen to You; Woody’n You; Ahmad’s Blues. CD2: Surrey with the Fringe on Top; It Never Entered My Mind; When I Fall in Love; Salt Peanuts; Four; The Theme (Take 1); The Theme (Take 2); If I Were a Bell; Well, You Needn’t. CD3: ’Round Midnight; Half Nelson; You’re My Everything; I Could Write a Book; Oleo; Airegin; Tune Up; When Lights Are Low; Blues by Five; My Funny Valentine.
Jeremy Pelt and His Quintet At Chris’ Jazz Cafe
by Carl Medsker
Jeremy Pelt and His Quintet Chris' Jazz Cafe Philadelphia, PA October 3, 2026 Saturday evening and the siren call of swing, to tap the toes and nod to the beat, was undeniable. So it was off to Chris,' Philadelphia's venerable, COVID-defying house of bop and all its variants. Turning down the ...
Craft Mines the Vaults: New Moodsville Titles from Red Garland, Frank Wess, and Coleman Hawkins
by C. Andrew Hovan
When it comes to independent record labels of the past that ventured across such a broad musical landscape, few could rival the efforts of Bob Weinstock and his Prestige imprint. Recognizing the advantages of appealing to multiple markets, Weinstock expanded well beyond his core jazz catalog, issuing rare blues titles through the Bluesville subsidiary and turning ...
New Reissue Series Offers A First-Class Ticket To Moodsville
by Joshua Weiner
With the rise of consumer culture in the 1950s and 1960s, hi-fi systems on which to play newly available stereo records became de rigueur for those who aspired to sophisticated leisure time. A wide variety of “mood music" albums, from classical to exotica to jazz, promised the perfect soundtrack for any emotional state or social gathering. ...
The Discreet Charm of Tete Montoliu
by Con Chapman
In 1947 tenor saxophonist Don Byas, a transplant from America following a tour of Europe, joined a society orchestra--complete with strings--to play dates in Spain. After their ballroom engagement was over, Byas and the band's rhythm section would jam until the early morning hours when they would be forced to quit “either because the police burst ...
Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can ...
Ron Carter: Sweet Notes: The Gospel According To An Upright Man
by Ian Patterson
There is just no slowing down for bassist Ron Carter. At least, not that you would know. Writing, arranging, recording, gigging, teaching, media commitments--it is all in a day's work for the indefatigable 89-year-old NEA Jazz Master. Since 1959, when he arrived in New York from his native Detroit, Ron Carter has enjoyed an unparalleled career. ...
In the Land of Giants: OJCs from Thad Jones and Red Garland
by C. Andrew Hovan
The late 1950s marked a particularly fertile period in jazz. Big bands still commanded audiences, while smaller combos often blended veterans of the swing era with the rising architects of modern bop. Musicians such as Thad Jones, Frank Wess, Illinois Jacquet, and Coleman Hawkins moved fluidly among ensembles, thriving in a moment before the stylistic fault ...
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