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Ron McClure

Ron McClure (b. November 22, 1941, in New Haven, Connecticut), a bassist, has played in hard bop, jazz-rock, and free and bebop sessions and bands. He started on piano at age five, and later played accordion and bass. McClure studied privately with Joseph Iadone and, later, with Hall Overton and Don Sebesky. He attended the Hartt School of Music, graduating in 1963 and worked in the Buddy Rich Sextet the same year. He then joined Maynard Ferguson's big band and, afterwards, Herbie Mann in 1964; and then assumed the bass chair in the Wynton Kelly Trio vacated by the late Paul Chambers in 1965 (playing behind guitarist Wes Montgomery)

ARTICLE: ALBUM REVIEW

Gabe Terracciano: In Flight

Read "In Flight" reviewed by Ian Patterson

Comes a time when every fledgling must leave the nest. Since making his recorded debut on Ron McClure's Crunchtime (Steeplechase Records, 2012), Portland-born, New York-based Gabe Terracciano has worked in everything from the riotous jazz-filtered bluegrass of the Harmolodic String Band and the groundbreaking chamber iconoclasts Turtle Island Quartet, to the Ghanaian National Symphony Orchestra. With ...

John Scofield As A Sideman: The Best Of…

Read "John Scofield As A Sideman: The Best Of…" reviewed by Ian Patterson

John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...

ARTICLE: INTERVIEW

Vic Juris: Tension and Release

Read "Vic Juris: Tension and Release" reviewed by Victor L. Schermer

This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...

ARTICLE: YEAR IN REVIEW

Chris May's Best Releases of 2019

Read "Chris May's Best Releases of 2019" reviewed by Chris May

The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...

ARTICLE: ALBUM REVIEW

Charles Lloyd Quartet: Montreux Jazz Festival 1967

Read "Montreux Jazz Festival 1967" reviewed by Chris May

2018 and 2019 have seen more than one release of newly discovered material by jazz icons which have been hyped as masterpieces by the record label, but proven to be underwhelming on investigation, no more than marginally interesting artefacts for anyone other than completists and the star-struck. The John Coltrane albums Both Directions At Once: The ...

ARTICLE: INTERVIEW

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2" reviewed by Victor L. Schermer

Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

ARTICLE: INTERVIEW

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1" reviewed by Victor L. Schermer

Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...

ARTICLE: FILM REVIEW

Randy Brecker Quintet: Live at Sweet Basil 1988

Read "Randy Brecker Quintet: Live at Sweet Basil 1988" reviewed by John Kelman

Randy Brecker Quintet Live at Sweet Basil 1988 MVDvisual2018 Culled from direct-to-two-track digital recordings made on three of Randy Brecker's potent six-night 1988 run at New York City's Sweet Basil, and featuring a particularly top-drawer quintet of musical friends old and new, the original 1989 LP/CD release of Live at Sweet ...

ARTICLE: ALBUM REVIEW

Wes Montgomery with the Wynton Kelly Trio: Smokin’ in Seattle: Live at the Penthouse (1966)

Read "Smokin’ in Seattle: Live at the Penthouse (1966)" reviewed by C. Michael Bailey

In his superb contribution to Bloomsbury Press' 33 & 1/3 series, Bitches Brew (2015), George Grella notes (emphasis mine): “No style of art can remain static: irrelevance is just as much a risk as the inevitable decadence that comes from a style developing to its last measure. But fans, including critics, of particular movements ...


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