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Eric Kloss
Born:
Eric Kloss is a world renowned alto and tenor saxophonist, a multi-instrumentalist, recording artist, composer, clinician, educator, and television personality. Blind from birth music became his vision. A true child prodigy he performed with his mentor Sonny Stitt at age 12. Backed by jazz guitarist Pat Martino, his recording career began at age 16 with the release of “Introducing Eric Kloss”. Blending hard bob, be-bop, pop, rock, funk, free jazz, classical and world music, he went on to release 22 critically acclaimed recordings on the Prestige and Muse labels. A who’s who of jazz masters appeared as sidemen on his albums including Gerald Veasley, Barry Miles, Don Patterson, Jaki Byard, Gil Goldstein, Richard Davis, Alan Dawson, Cedar Walton, Jimmy Owens, Kenny Barron, Booker Ervin, Leroy Vinnegar, Billy Higgins, Kenny Barron, Bob Cranshaw, and Alan Dawson
Dudley Moore, Don Cherry, Dizzy Gillespie, Black Jazz, Soul Note, Pablo Records and more...
by Andy Crowther
Recent reissues, discoveries and favourites from around the world. Playlist The Cannonball Adderley Quintet “Lisa" from Plus (Riverside) 00:00 Eric Kloss “You'd Be So Nice To Come Home To" from Love and All That Jazz (Prestige) 07:51 The Dudley Moore Trio “Amalgam" from The Dudley Moore Trio (Decca) 13:12 Jazz Crusaders “It's Gotta Be ...
The Boys Are Back! (On the Same Continent)
by Patrick Burnette
Never mind what your podcast feed may seem to imply--the bastards haven't recorded a podcast together in two months, and this one got completed by the skin of their teeth. In this episode we look at two alto sax players from two very different generations (and degrees of reverence for the “tradition") and a pianist few ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City
by Mackenzie Horne
For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...
Jazz is Mod: An Introduction to the Mod Jazz Series
by Jakob Baekgaard
In England there is a solid tradition for crate digging and appreciation of American music. In fact, the whole idea of Northern Soul is based on the concept of English hipsters digging out rare soul gems in the sixties and giving them new life on the dance floor. However, the English mod scene, as it was ...
Eric Kloss: A Soulful Start
When Eric Kloss recorded Introducing Eric Kloss at Rudy Van Gelder's studio in Englewood Cliffs, N.J., in September 1965 he couldn't drive. For one, he was blind since birth. For another, he was just 16. But Kloss could blow, as evidenced by his sidemen: Don Patterson (org), Pat Martino (g) and Billy James (d), Born in ...
Richie Cole: Blue Collar Bebopper
by Rob Rosenblum
Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers. “I play for people," says Cole. “People are all the same. If they understand or want to understand jazz, I welcome ...
Newest ARC Members Cover Broad Demographic of Talent
2010 has seen a continual growth of the Artists Recording Collective roster of member artists and producers. ARC includes GRAMMY winners and musicians who create high quality and thoughtful work of most all styles across the entire jazz spectrum. Two exciting young artists, saxophonist, Anthony E. Nelson, Jr. and guitarist, Dan Arcamone have joined ARC. These ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
