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ARTICLE: INTERVIEW

Johanna Burnheart: Techno Jazz Shines A Light: New Directions In Music

Read "Johanna Burnheart: Techno Jazz Shines A Light: New Directions In Music" reviewed by Chris May

A relatively new name on London's alternative jazz scene, the German-born violinist, vocalist and composer Johanna Burnheart has made a rapid ascent since leaving the city's Guildhall School of Music & Drama in 2018. She has played on three of the scene's benchmark albums—spiritual-jazz band Maisha's There Is A Place (Brownswood, 2018), trombonist Rosie Turton's 5ive ...

ARTICLE: INTERVIEW

Joe Farnsworth: Friends In High Places

Read "Joe Farnsworth: Friends In High Places" reviewed by R.J. DeLuke

Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...

ARTICLE: INTERVIEW

A dialogo con Emanuele Parrini

Read "A dialogo con Emanuele Parrini" reviewed by Neri Pollastri

Emanuele Parrini è il più significativo interprete (non solo) nostrano del violino jazz. Membro storico del Dinamitri Jazz Folklore, già violinista dell'Italian Instabile Orchestra, collaboratore di molte formazioni (Nexus, l'orchestra di Dino Betti van der Noot, il quartetto di Cene Resnik), leader di un proprio quartetto con il quale ha realizzato nel 2016 l'eccellente The Blessed ...

ARTICLE: INTERVIEW

Hal Galper: Adventures In The Zone

Read "Hal Galper: Adventures In The Zone" reviewed by Paul Rauch

The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more recognition, Galper sought out a career path where acclaim would be genuine among his peers ...

ARTICLE: INTERVIEW

Rez Abbasi: On balancing picture with music and shifting into Django mode

Read "Rez Abbasi: On balancing picture with music and shifting into Django mode" reviewed by Friedrich Kunzmann

To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...

ARTICLE: INTERVIEW

Francesco Bearzatti: Zorro e Dintorni

Read "Francesco Bearzatti: Zorro e Dintorni" reviewed by Libero Farnè

Già nei primi anni Duemila Francesco Bearzatti era un jazzista apprezzato ed aveva al suo attivo pregevoli dischi per la Caligola e la Auand, oltre a svariate collaborazioni; ma fu all'inizio del 2008 che venne prepotentemente alla ribalta internazionale con il CD Suite for Tina Modotti (Parco della Musica Records). Da quel momento l'affiatatissima formazione, completata ...

ARTICLE: INTERVIEW

Michael Cuscuna: In The Vault Playing God

Read "Michael Cuscuna: In The Vault Playing God" reviewed by AAJ Staff

From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...

ARTICLE: CATCHING UP WITH

Tigran Hamasyan: Music and Arts Have a Purpose to Elevate People Spiritually

Read "Tigran Hamasyan: Music and Arts Have a Purpose to Elevate People Spiritually" reviewed by Nenad Georgievski

Armenian pianist Tigran Hamasyan is a composer who has built his career on defying expectations, taking chances, exploring and pushing the boundaries between genres and geographies. His albums serve as a testament to his diverse musical tastes where any combination of musical possibilities can emerge. In a sense, he has managed to find a way to ...

NEWS: INTERVIEW

Marvin Stamm on Bernie Glow

Marvin Stamm on Bernie Glow

In the recording studios of the 1950s, '60s and '70s, trumpet players had specialties. Like baseball batters and Old West gunslingers, top trumpeters in the horn sections of big bands and pop orchestras became distinguished for a particular style. Each of the four trumpet seats were occupied by players known for acing notes and nuances in ...

ARTICLE: INTERVIEW

Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz

Read "Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz" reviewed by Chris May

She has been likened to Gil Evans, Fela Kuti, Pharoah Sanders, Bismillah Khan and Mulatu Astatke, and the traditions represented by those musicians are all to be heard in the music of baritone saxophonist and composer Tamar Osborn. Osborn's aesthetic, however, is her own, and her band, Collocutor, is among the most distinctive on the British ...


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