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Ornette Coleman
Born:
Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance - Coleman was 29 at the time - but actually, the title was prophetic. Coleman is the creator of a concept of music called "harmolodic," a musical form which is equally applicable as a life philosophy. The richness of harmolodics derives from the unique interaction between the players. Breaking out of the prison bars of rigid meters and conventional harmonic or structural expectations, harmolodic musicians improvise equally together in what Coleman calls compositional improvisation, while always keeping deeply in tune with the flow, direction and needs of their fellow players. In this process, harmony becomes melody becomes harmony. Ornette describes it as "Removing the caste system from sound." On a broader level, harmolodics equates with the freedom to be as you please, as long as you listen to others and work with them to develop your own individual harmony.
After Walking On The Wild Side 8/18/72
By Lou Reed
Label: April First Records
Released: 2025
Track listing: Sidewalk Hustler; Sewer Rat Socialists; Banshee Negligee; Ornette's Opus: Trident 1; Studio Chatter;
Ornette's Opus: Trident 2 & 3; More Chatter; Brittany's Stiletto.
2025 Detroit Jazz Festival: All Free, All Jazz
by Paul Rauch
2025 Detroit Jazz Festival Hart Plaza & Cadillac Square Detroit, MI August 28-September 1, 2025 There is a story Detroit Jazz Festival President and Artistic Director Chris Collins loves to tell about an intimate conversation he had with Gretchen Valade. Valade had rescued the festival from the brink of financial demise ...
DC Jazz Fest + Homework Music
by David Brown
The show opens with a celebration of Sonny Rollins on his 95th birthday, featuring a classic 1954 recording with Thelonious Monk. With students across Philadelphia settling into a new school year, the next set offers a “homework-inspired" segment features selection from Dizzy Gillespie, Johnnie Taylor, Ornette Coleman, Matthew Muñeses, Marian McPartland, and Thelonious Monk. Over Labor ...
Giovanni Maier: 5 album tra contrabbasso e violoncello, improvvisazione e standard
by Neri Pollastri
Fortemente impegnato nella didattica, coinvolto in alcune formazioni importanti e di lungo periodo --Enten Eller, Eternal Love --e in vari progetti più ristretti, il contrabbassista Giovanni Maier conserva tuttavia un'autonoma vena produttiva che gli permette di registrare ogni anno diversi album in formazioni estemporanee, editi da varie label e dalla sua stessa etichetta indipendente, Palomar Records. ...
Tatsuya Yoshida / Martín Escalante: The Sound of Raspberry
by Mark Corroto
This LP may be the revelation of 2025--or a sonic ordeal, depending on your tolerance for noise and your grasp of history. Japanese drummer Tatsuya Yoshida and Mexican saxophonist Martín Escalante met at the perfect moment in December 2023 to record 14 tracks at Tokyo's Bar Aja. The result, The Sound of Raspberry, is the love ...
Deconstructing Free Jazz
by Robert J. Lewis
In the continuously evolving history of artistic expression, certain movements emerge that challenge the very foundations of our aesthetic sensibilities. In the early and mid-20th century, Expressionism and free jazz were two audacious musics that not only broke all the rules but broke the spirit of many well-intentioned listeners. If the terms are not ...
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
Ravi Coltrane Quartet: Live at Jazz Alley in Seattle
by Paul Rauch
Ravi Coltrane Quartet Jazz Alley Seattle, WA August 21, 2025 I suppose there are still those who attend Ravi Coltrane sets out of curiosity, or some attempt to somehow access the Coltrane legacy in real time. It's true that the son of John Coltrane and Alice Coltrane has not been one ...
Paolo Angeli: Between Avant-garde and Sardinian Traditions
by Libero Farnè
I had not interviewed Paolo Angeli since February 2007, when the Sardinian musician had already moved on from Bologna, a scene that gave him crucial formative experiences and laid the groundwork for his artistic maturity. Since then, Angeli has embraced a wide range of musical experiences and collaborations, steadily building his international reputation through ...
