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About Charlie Parker
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Charlie Parker
Born:
The only child of Charles and Addie Parker, Charlie Parker was one of the most important and influential saxophonists and jazz players of the 1940’s. When Parker was still a child, his family moved to Kansas City, Missouri, where jazz, blues and gospel music were flourishing. His first contact with music came from school, where he played baritone horn with the school’s band. When he was 15, he showed a great interest in music and a love for the alto saxophone. Soon, Parker was playing with local bands until 1935, when he left school to pursue a music career. From 1935 to 1939, Parker worked in Kansas City with several local jazz and blues bands from which he developed his art
Ronnie Cuber: Baritone Boss
by Mark McKergow
Ronnie Cuber (1941-2022) made his mark on the jazz world as a versatile and muscular baritone saxophonist. Born in New York on Christmas Day 1941, he started on tenor saxophone but switched to baritone at 17, attracted by the vacant chair in Marshall Brown's Newport Jazz Youth Band (which also featured lifelong colleagues Eddie Gomez and Michael ...
Vince Guaraldi: It's a Mystery, Charlie Brown
by Joshua Weiner
The winsome series of pianist Vince Guaraldi's soundtracks for the original Peanuts television specials is a gift from Lee Mendelson Film Productions that keeps on giving. Arriving just in time for spooky season" is the premiere release of music from 1974's It's a Mystery, Charlie Brown, with three colored vinyl pressings unique to individual retailers (Urban ...
Mark Gross: Jazz for Teens
by B.D. Lenz
For many young musicians, learning jazz is about much more than learning how to play an instrument. It's about developing confidence, learning to listen, finding your own voice, and discovering how to work with others.Few people understand that better than Mark Gross. As Director of Jazz Instruction at NJPAC, Gross has spent years helping ...
John Coltrane in Detroit: A Brief History
by Paul Rauch
When the calendar turned to 2026, a spirit of celebration was sparked in the jazz community. It marked one hundred years from the birth dates of two jazz titans in John Coltrane and Miles Davis. Coltrane departed us in 1967 from cancer, a life of barely more than forty years that changed the course of jazz. ...
Roberto Magris e il Questionario di Proust
by Paolo Peviani
Pianista, triestino, classe 1959. Forse perché proveniente da una terra di confine, è sempre stato più attivo e conosciuto all'estero che in Italia. Cittadino del mondo, ha collaborato con musicisti dell'Est Europa quando la cortina di ferro era ancora saldamente in piedi, mentre dall'altra parte dell'oceano Kansas City gli ha riconosciuto la cittadinanza onoraria per meriti ...
Introducing Saxophonist Jacob Chung
by Sanford Josephson
Growing up in Toronto, Jacob Chung was introduced to jazz by his grandfather. He had a record player," Chung recalled, and he had Dave Brubeck's Time Out album. He also liked Duke Ellington and Ben Webster." Chung was playing classical piano when he entered middle school, and they started giving you wind instruments. I ...
Charlie Haden: Anatomy of a Jazz Classic
by John Ephland
It was a phoner from the suburban Chicago offices of DownBeat to bassist Charlie Haden in L.A. Our talk, which was held on September 15, 1991, was periodically interrupted by his needing to say, Hold on one second." The occasion? The 30th anniversary of the release of saxophonist Ornette Coleman's groundbreaking LP Free Jazz: A Collective ...
Francesco Diodati in primo piano
by Angelo Leonardi
Figura centrale da un decennio dei gruppi di Enrico Rava, Francesco Diodati è tra i più creativi chitarristi europei della sua generazione. Artista eclettico, sempre aperto a nuove esplorazioni, ha guidato due ensemble centrali del jazz italiano contemporaneo, Neko e Yellow Squeeds; ha anche fatto parte dei progetti di Bobby Previte, Matteo Bortone, Julien Pontvianne, Paolo ...
Sullivan Fortner: Leave That In There
by Pierre Giroux
Sullivan Fortner has never been an artist short on ideas. But Leave That In There feels different. It is the sound of a musician who has distilled everything he has absorbed from his deep well of Gulf South upbringing, from the piano giants and from spirituals and street parades, into his own language. It is easily ...


