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Musician

Charlie Parker

Born:

The only child of Charles and Addie Parker, Charlie Parker was one of the most important and influential saxophonists and jazz players of the 1940’s. When Parker was still a child, his family moved to Kansas City, Missouri, where jazz, blues and gospel music were flourishing. His first contact with music came from school, where he played baritone horn with the school’s band. When he was 15, he showed a great interest in music and a love for the alto saxophone. Soon, Parker was playing with local bands until 1935, when he left school to pursue a music career. From 1935 to 1939, Parker worked in Kansas City with several local jazz and blues bands from which he developed his art

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Article: Top Ten List

50 Years Later: 10 Jazz Albums from 1975 That Deserve Another Spin

Read "50 Years Later: 10 Jazz Albums from 1975 That Deserve Another Spin" reviewed by Kyle Simpler


1975 was a landmark year for music, marked by several outstanding album releases. Bob Dylan's Blood on the Tracks (Columbia), Led Zeppelin's Physical Graffiti (Swan Song), Pink Floyd's Wish You Were Here (Harvest), Frank Zappa's One Size Fits All (DiscReet) and Jeff Beck's Blow by Blow (Epic) were just a few of the titles that have ...

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Article: Liner Notes

Michael Dease: Flow

Read "Michael Dease: Flow" reviewed by Howard Mandel


Everything comes together for Michael Dease and company on Flow, which should be no surprise but mustn't be taken for granted. The dynamic Mr. Dease, a consummate musician, sweeps his diverse crew of long-term collaborators and gifted newcomers through a confluence of songs rich in melody, rhythm and feeling. Pleasure-forward, Flow entices, refreshes, buoys and inspires. ...

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Article: Radio & Podcasts

Mid Century Modern Jazz

Read "Mid Century Modern Jazz" reviewed by David Brown


This week, the show kicks off with recent releases form Anat Fort, Matthew Shipp and Sumi Tonooka We then jump back to the 1950s for some mid-century modern recordings from Benny Golson, Gerry Mulligan, Roy and Diz, Louis Armstrong, Al Haig, Milt Jackson, June Christy The Four Brothers, Dorothy Donegan, The Joe Newman Octet, Terry Gibbs, ...

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Article: Interview

Gary Bartz Is Nobody's Jazz Musician

Read "Gary Bartz Is Nobody's Jazz Musician" reviewed by Bridget A. Arnwine


Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...

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Article: Album Review

Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Jack Kenny


The concept of a musical “supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Jack Kenny


The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...

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Article: Album Review

Mike Pope: The Parts You Keep

Read "The Parts You Keep" reviewed by Jack Bowers


You have to admire a bandleader who enhances an album by dedicating one of his compositions to an Uber driver and inviting his 85-year-old mother to play piano on the last two numbers. That is exactly what bassist Mike Pope does on The Parts You Keep, and they are two of the recording's more pleasing episodes. ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Dan McClenaghan


Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...

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Article: Radio & Podcasts

Jane Ira Bloom, Kieran Brown, Charlie Parker & Sheila Jordan

Read "Jane Ira Bloom, Kieran Brown, Charlie Parker & Sheila Jordan" reviewed by Joe Dimino


Our journey into the 921st episode of Neon Jazz begins with the incomparable Sheila Jordan--a legend whose fearless spirit and boundless artistry will forever echo through jazz. She left us on August 11, 2025, at the age of 96, after a life lived with unmatched courage, grace, and musical brilliance. In her honor, we open with ...


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