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Charlie Parker
Born:
The only child of Charles and Addie Parker, Charlie Parker was one of the most important and influential saxophonists and jazz players of the 1940’s. When Parker was still a child, his family moved to Kansas City, Missouri, where jazz, blues and gospel music were flourishing. His first contact with music came from school, where he played baritone horn with the school’s band. When he was 15, he showed a great interest in music and a love for the alto saxophone. Soon, Parker was playing with local bands until 1935, when he left school to pursue a music career. From 1935 to 1939, Parker worked in Kansas City with several local jazz and blues bands from which he developed his art
The Sound Of America
By Norman Granz
Label: Verve
Released: 2026
Track listing: CD1:
Blues; Picasso; Tenderly; Like Someone in Love; New Basie Blues; Castle Rock; Con Poco Coco ; Louise; Taking a Chance on Love; Easy Living; Flamingo; You Won’t Be Satisfied (Until You Break My Heart); I’ll Never Be the Same ; Dale’s Wail ; That Old Black Magic
CD2:
Laura; Session #1 — Ballad Medley: All the Things You Are/Dearly Beloved/The Nearness of You/I’ll Get By/Everything Happens to Me/The Man I Love/What’s New?/Someone to Watch Over Me/Isn’t It Romantic; Thou Swell; Cocktails for Two; Why Was I Born?; On the Street Where You Live; Lullaby of the Leaves; Blue Room I Thought About You ; Chelsea Bridge — rehearsal; No Strings.
Francesco Diodati: Making Room for the Unknown
by Angelo Leonardi
A central figure in Enrico Rava's groups for the past decade, Francesco Diodati is one of the most creative European guitarists of his generation. An eclectic artist, always open to new explorations, he has led two pivotal ensembles in contemporary Italian jazz, Neko and Yellow Squeeds. He has also been involved in countless projects, including those ...
Fred Lipsius: The Blood, Sweat & Tears Sax Voice Still Resounds
by R.J. DeLuke
There's an alto saxophone sound that a huge percentage of the Baby Boom generation heard and enjoyed in the 1960s and into the 1970s, even though many may not have been jazz fans. And younger folks who appreciate great music and understand the value of sounds generated in that era have also heard the clean, quicksilver ...
Norman Granz: The Sound Of America
by Richard J Salvucci
If there were a more important “back office" figure in the history of American jazz than Norman Granz, who would it be? When Granz first heard Coleman Hawkins, he knew that the music was going to have a major role in his life--but he did not yet know how many others would be in his debt ...
Flamenco And Jazz Continue Along Different Paths Toward Institutional Recognition
by Francisco Julio Arenas Cabello
Nine decades have passed since the Spanish poet Federico García Lorca (Granada, 1898--Granada, August 18, 1936) was silenced. Yet his vision of duende--an expression of deep, dark emotion--and the blues, shaped both by Granada and Harlem, remains alive and in need of institutional protection. This exploration compares the explicit and robust cultural support given by Spain ...
Scott Kinsey: Thought Distortions and the Art of the Left Turn
by Mike Jacobs
Keyboardist Scott Kinsey's multi-decade musical odyssey reads a bit like a novella in spots: The Berklee student who landed the keyboard chair in fusion stalwarts Tribal Tech before graduating, cementing the band's definitive lineup while exerting a major influence on its musical direction. The ardent admirer of Weather Report founder Joe Zawinul ...
Kevin Haynes / Grupo Elegua: Inner Outer Alignment Vol. 1
by Neil Duggan
Alto saxophonist, percussionist, composer and African folklore singer Kevin Haynes first came to prominence playing drums with the Jazz Warriors Big Band in the 1980s. An ordained Yoruba Ifá priest, his artistic development has continued to be shaped by the spiritual percussion traditions of West Africa, alongside his mastery of the alto saxophone, a proficiency that ...
Remembering Ray Brown and Lou Donaldson on their centennial
by Larry Slater
The bassist Ray Brown had one of the most prolific and successful careers in jazz. He did it all, playing in the 40s with Charlie Parker, Art Tatum and Dizzy Gillespie, before becoming a founding member of the early Modern Jazz Quartet. He was a member of Oscar Peterson's trio for 14 years as well as ...
I Love New York
by Marshall Bowden
This article first appeared on All About Jazz in October 2001. There's another reason as well. New York City is a financial and business center, certainly, and this is one reason it was marked for attack. But it is also very much our nation's cultural and arts center, the showpiece of the country that ...
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