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Thelonious Monk

Born:

With the arrival Thelonious Sphere Monk, modern music— let alone modern culture—simply hasn’t been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the “stride” masters of James P. Johnson and Willie “the Lion” Smith to the tonal freedom and kinetics of the “avant garde.” And he shares with Edward “Duke” Ellington the distinction of being one of the century’s greatest American composers

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Article: Building a Jazz Library

Charles Lloyd: Defiant Warrior Still On Song

Read "Charles Lloyd: Defiant Warrior Still On Song" reviewed by Chris May


As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...

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Article: Album Review

Bobby Wellins Quartet: What Was Happening

Read "What Was Happening" reviewed by Chris May


In 1965 tenor saxophonist Bobby Wellins made an indelible mark on jazz history with his contribution to pianist Stan Tracey's Jazz Suite Inspired By Dylan Thomas's Under Milk Wood (Columbia). The exquisite “Starless And Bible Black" is the most frequently cited track (check the YouTube below) and is indicative of the album's overall beauty. For a ...

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Article: Interview

Kim Parker: Reminiscing in Jazz

Read "Kim Parker: Reminiscing in Jazz" reviewed by Nicholas F. Mondello


Kim Parker is a marvelously talented jazz vocalist and the step-daughter of both Charlie Parker and Phil Woods. A sensitive, tasteful, and endearing jazz voice, Kim has recorded numerous albums as leader and others as an accompanying artist. She has a marvelously rich history in jazz both as a result of her famous families, as well ...

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Article: Bailey's Bundles

Late-Period Art Pepper Box Sets

Read "Late-Period Art Pepper Box Sets" reviewed by C. Michael Bailey


In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...

Article: Album Review

Margherita Fava: Tatatu

Read "Tatatu" reviewed by Neri Pollastri


Ventottenne veneta di formazione classica, la pianista Margherita Fava è stata fulminata dal jazz nel 2013, quasi per caso, e da allora ha coltivato la sua formazione in quella direzione, trasferendosi negli U.S.A. prima con una borsa di studio, poi stabilmente, insegnando. Ed è negli Stati Uniti, nell'Ohio, che ha registrato questo suo primo disco, prodotto ...

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Article: Reassessing

Sahib Shihab and the Danish Radio Jazz Group

Read "Sahib Shihab and the Danish Radio Jazz Group" reviewed by Joshua Weiner


Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...

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Article: Album Review

John Esposito: Blues For Outlaw Hearts

Read "Blues For Outlaw Hearts" reviewed by Dan McClenaghan


Pianist John Esposito, the head honcho at Sunjump Records, has made part of his life's mission to feature underappreciated musicians. Guitarist Sangeeta Michael Berardi, who passed in 2024, was one of them. Berardi owed a big debt to saxophonist John Coltrane. This can be heard--leaving no doubt--on his Sunjump outing Earthship, released in 2008. In the ...

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Article: Play This!

Keith Jarrett's European Quartet: Innocence

Read "Keith Jarrett's European Quartet: Innocence" reviewed by Scott Lichtman


It just so happens that two of the most poignant jazz ballads--in my opinion--were released in the same year. I'm not talking about throw-back masterpieces, such as Thelonious Monk's “Round Midnight" or Horace Silver's “Lonely Woman." Rather, they are Keith Jarrett's “Innocence" and Egberto Gismonti's “Palhaço," both originally issued in 1980. What makes these pieces stand ...


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