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About Thelonious Monk
Monktober continues with covers from Abbey Lincoln, Art Blakey, Chick Corea, and Billy Higgins. Also new music from Janis Siegel, Bobby Watson, and Others
by David W. Daniels
In addition to the musicians mentioned in the title, this edition of Exploration includes newly released music from Tommy Flanagan, Amber Weekes, Ray Russell, and more. Birthdays for Freddy Cole, Roy Hargrove, Kazumi Watanabe, and others are recognized.Playlist Chick Corea and Eddie Gomez and Paul Motian Little Rootie Tootie" from Further Explorations (Concord Jazz) 00:00 Thelonious Monk and John Coltrane Sweet And Lovely" from Thelonious Monk Quartet With John Coltrane--At Carnegie Hall (Blue Note/Thelonious) 13:24 John Coltrane Traneing ...
Continue Reading...Thelonious Monk: Wrong Is Right-Part Two
by Stephen Braunginn
The conversation continues. In Part Two of Thelonious Monk: Wrong Is Right, Steve Braunginn rejoins T.S. Monk and Thelonious Monk IV, beginning with Charlie Rouse and the musical language he shared with Monk. From a remarkable Archie Shepp story and T.S.'s No Monk, no funk" to archival recordings and the fourth generation carrying the Monk legacy forward, the conversation ultimately returns home--to Thelonious Monk the father, husband and man behind the mythology, and to Nellie Monk, the woman T.S. calls ...
Continue Reading...Thelonious Monk: Live In Paris, 1967. Volume Two
by Jack Kenny
This is magnificent music: an important document of a unique European tour that places Thelonious Monk in a different context from his regular quartet with Charlie Rouse. While many unauthorised recordings of the nonet (the nine piece) circulated over the decades, this official release offers a uniquely clear and authoritative record of this aspect of Monk's work.In 1967, George Wein presented six Monk concerts in Europe and was determined to break the routine of the quartet format. Wein ...
Continue Reading...Happy 109th Birthday Thelonious Monk! His Music Interpreted by Himself, Ralph Peterson, Carmen Bradford, and Others
by David W. Daniels
It is Monktober" and we are celebrating the 10-10-1917 birthday of one of the greatest piano composers in jazz--Mr. Thelonious Sphere Monk. In addition to the artists named in the title, we have tribute compositions from Dr. Lonnie Smith, Carlos Henriquez, and his son T.S. Monk. Additional artists interpreting Monk's compositions include Blue Mitchell, Larry Goldings, Roy Ayers, and lots more. Playlist Alchemy Sound Project Beta" from Further Explorations (Artist Recordings Collective) 00:00 Cedar Walton Pannonica" from The ...
Continue Reading...Thelonious Monk: Wrong is Right, Part 1
by Stephen Braunginn
Thelonious Monk changed the language of jazz--but who was the man behind the music? On Strictly Jazz Sounds, Steve Braunginn talks with T.S. Monk and his son, Thelonious Monk IV, about Monk as father, grandfather and musical revolutionary. T.S. challenges the familiar image of Monk as an eccentric, examines his remarkable relationship with tenor saxophonist Charlie Rouse, and offers a revealing way to hear his father's genius: listen not only to Monk's solos, but to what he plays ...
Continue Reading...Libero Farnè, teche visive e urgenza della memoria
by Gaetano Fiore
Nel periodo giovanile mi sono avvicinato al jazz, leggendo interessanti testi, alcuni monografici, altri dei veri e propri saggi la cui trattazione relativa alle relazioni del jazz con l'arte contemporanea mi incuriosiva tantissimo. Particolarmente illuminanti e formativi per me furono quelli di Libero Farnè apparsi su Musica Jazz dagli anni '80: un artista a tutto tondo nonché autorevole critico di jazz in Italia. Non sto qui a citare gli innumerevoli articoli analitici che ho letto e che ancora oggi, a distanza di ...
Continue Reading...Thelonious Monk: Monk Live In Paris 1967 Volume One
by Jack Kenny
This Paris concert formed part of a European tour organized by the impresario George Wein, who had previously presented numerous Thelonious Monk Quartet engagements. Seeking something different, Wein proposed an expanded ensemble. Monk was initially reluctant to depart from the quartet format and only agreed after considerable persuasion. Crucially, he retained artistic control: he selected the additional musicians himself and insisted on using Hall Overton's arrangements, familiar from the earlier concerts Town Hall (Riverside 1959) and Philharmonic Hall (Columbia 1964). ...
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