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Eddie Jefferson

Although there were a couple obscure early examples (Bee Palmer in 1929 and Marion Harris in 1934, both performing “Singing the Blues”), Eddie Jefferson is considered the founder, and premier performer of vocalese, the art of taking a recording and writing words to the solos, which Jefferson was practicing as early as 1949. Eddie Jefferson’s first career was as a tap dancer but in the bebop era he discovered his skill as a vocalese lyricist and singer. He wrote lyrics to Charlie Parker’s version of “Parker’s Mood” and Lester Young’s “I Cover the Waterfront” early on, and he is responsible for “Moody’s Mood for Love” (based on James Moody’s alto solo on “I’m in the Mood for Love”)

ARTICLE: INTERVIEWS

Vic Juris: Tension and Release

Read "Vic Juris: Tension and Release" reviewed by Victor L. Schermer

This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...

ARTICLE: RADIO

Vocalese (1952 - 1961)

Read "Vocalese (1952 - 1961)" reviewed by Russell Perry

Arising out of bebop vocals, a number of singers in the 1950s began to replicate famous instrumental solos with the human voice. The practice, initiated by Eddie Jefferson, King Pleasure and Annie Ross was known as vocalese and reached its peak in the extraordinary recordings of Lambert, Hendricks & Ross. Playlist Host Intro 0:00 ...

ARTICLE: RADIO

August Birthdays, including the George Shearing Centennial

Read "August Birthdays, including the George Shearing Centennial" reviewed by Marc Cohn

August jazz birthdays this week on Gifts and Messages. We feature pianist George Shearing for his 100th birthday, along with Louis Armstrong, Charlie Parker (2020 is the Bird centennial. Are you ready?), Count Basie and Lester Young. Among the living we give thanks for Pat Metheny, Wayne Shorter, Cecile McLorin-Salvant and Branford Marsalis. And there are ...

ARTICLE: MULTIPLE REVIEWS

La nicchia del canto jazz maschile

Read "La nicchia del canto jazz maschile" reviewed by Angelo Leonardi

A eccezione di pochi nomi--in particolare Kurt Elling, Gregory Porter, Bobby McFerrin e il veterano Tony Bennett--il canto jazz maschile è nettamente sottoesposto rispetto a quello femminile. Esempi eclatanti di questo sono stati Jon Hendricks e Mark Murphy, scomparsi di recente senza aver avuto la considerazione che meritavano. Allan Harris e Fred Farell ...

Ten Artists: April 2019

Read "Ten Artists: April 2019" reviewed by C. Michael Bailey

Claudia Vorbach Is There a Time? Phoneector 2018 Claudia Vorbach follows up Come Down Easy (Phoneector, 2016) with these 14 smart original compositions infused with the swagger of a confident composer/singer. At first blush, Vorbach sounds like a relaxed Nora Jones, playfully whimsical and vocally daring. Vorbach sings with an assured ...

ARTICLE: YEAR IN REVIEW

2018: The Year in Jazz

Read "2018: The Year in Jazz" reviewed by Ken Franckling

The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...

Ten Men

Read "Ten Men" reviewed by C. Michael Bailey

My unscientific estimate contends that there are three female vocalists for every male vocalist. This does not mean that there are no male vocalists out there as evidenced by these ten examples. They just take a little longer to accumulate. Jay Leonhart and Tomoko Ohno Don't You Wish Chancellor Music

ARTICLE: INTERVIEWS

Richie Cole: Blue Collar Bebopper

Read "Richie Cole: Blue Collar Bebopper" reviewed by Rob Rosenblum

Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers. “I play for people," says Cole. “People are all the same. If they understand or want to understand jazz, I welcome ...

ARTICLE: ALBUM REVIEWS

Giacomo Gates: What Time Is It?

Read "What Time Is It?" reviewed by Nicholas F. Mondello

2:02.75. That might have been what longshot “Giacomo" (at 50-1) took to win the Kentucky Derby back in 2005. However, it will take longer--just short of an hour--to realize that this thoroughbred Giacomo rides home a winner with What Time Is It?. Hold the oats and roses and grab the ear buds. Giacomo ...


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