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Don Patterson
Born:
Inspired to switch from piano to organ by Jimmy Smith, Don
Patterson was one of the Hammond B-3's most bop-rooted
players, able to play bluesy soul-jazz grooves or break out
of the pocket for some nimble, sharply defined solo lines.
Though he led numerous recording dates for Prestige and
later Muse, he was best-known as Sonny Stitt's favorite
organist, proving eminently compatible with the Parker-
influenced saxophonist. Patterson was born in Columbus,
OH, on July 22, 1936, and began studying piano as a child.
His first major influence was Erroll Garner, and some of that
flavor remained in his playing even after he heard Jimmy
Smith in 1956 and changed instruments
End Of Month Keyboard Special with Chick Corea Trio, Joe Zawinul, Michael Wolff, and More
by David W. Daniels
End of month keyboard special for the last Thursday in Monktober. Includes music from Oscar Peterson, Don Patterson, Kandace Springs, and more. The recent passing of Jack DeJohnette is acknowledged with the final selection of a track from the Bruce Hornsby, Christian McBride, and Jack DeJohnette album Camp Meeting.Playlist Marcus Roberts Trio “Exploration" from ...
Tribute To Living Legend Sonny Rollins; Other Birthdays This Week--Roy Ayers, Harry Connick Jr, and More
by David W. Daniels
Tribute to Sonny Rollins--his compositions as interpreted by other jazz musicians, including Jim Hall and Ron Carter, Lambert/Hendricks/Ross, Ted Curson and more. Two compositions from Sonny Rollins' best known albums. Other jazz musicians' birthdays, including David Sanchez, Maria Muldaur, Baby Face Willette and more. Playlist John Coltrane “Like Sonny" from The Heavyweight Champion: The ...
Jed Levy: Faces and Places
by Jack Kenny
This is a beautiful album that is fired up right from the start. The sound of the tenor is faintly reminiscent of Warne Marsh. There is no seeking after angularity. Jed Levy's way with melody is completely natural and integrated into the quintet, though there are surprises all the way through the improvisations. Jed ...
My Conversation with Bob Berg
by Mike Brannon
This article first appeared at All About Jazz in March 2002. The probability that you've heard Bob Berg's distinctive, soulful, intelligent soloing is very high if you've heard the more contemporary work of Miles Davis, Mike Stern, Chick Corea, Horace Silver, Cedar Walton, Gary Burton, Randy Brecker, Jaco Pastorius and now a new version ...
John Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up ...
Dean Brown: Global Fusion on Acid
by Jim Worsley
In memory of Dean Brown. This interview was first published at All About Jazz on April 23, 2021. From the outset, the equation was simple enough. Jazz + rock = fusion. However, whether it was Miles Davis, Larry Coryell, John McLaughlin, or any of the pioneers of fusion, the music has always been far ...
Jazz Honors The Beatles
by AAJ Staff
All About Jazz is honoring The Fab Four in the year of the 60th anniversary of the release of their first album (Please Please Me). This collective tribute was originally published in September 2009--as a living document, we'll add more quotes & stories over time (see how-to in comments section). We also compiled a companion playlist ...
Joey DeFrancesco: From Musical Prodigy to Jazz Icon
by Victor L. Schermer
Joey DeFrancesco is a true master of the jazz organ, the one others look up to as the standard bearer, as was his inspirational hero, Jimmy Smith. Arguably, he could be dubbed the Mozart of the jazz organ, since like Mozart, he seemed to have been born with all the music already in him. By four, ...
Brian Charette: Jackpot
by Pierre Giroux
In the tradition of some great Hammond organ players of the past, such as Jack McDuff, Melvin Rhyne, Don Patterson, Larry Young and Jimmy Smith, one leading practitioner on this instrument, Brian Charette, wanted to write some swinging and soulful bebop tunes which would honor the memory of these past greats. The musicians Charette chose to ...
