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About Jimmy Garrison
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Jimmy Garrison
Born:
Bassist Jimmy Garrison was the anchor in the classic John Coltrane Quartet, from 1961-'66, which recorded all of its well-known albums on Impulse. Garrison's big, blunt sound, steady time and inventive counter lines were an elemental ingredient in the sound of that famous group. He actually fitted into the group with great insight, supplying a traditional role on the more straight ahead material and exploratory counter melodies and responses as the music grew more progressive. Garrison was born on March 3, 1934, in Miami, but grew up in Philadelphia, where he first played briefly with Coltrane and McCoy Tyner, in 1957
France 1965: The Complete Concerts
Label: Charly Records
Released: 2026
Track listing: Acknowledgement [A Love Supreme Part 1];
Resolution [A Love Supreme Part 2];
Pursuance [A Love Supreme Part 3];
Psalm [A Love Supreme Part 4];
Announcements;
Naima;
Ascension (Quartet Version, AKA Blue Valse);
My Favorite Things;
Impressions;
Blue Valse;
Afro Blue;
Impressions (2nd Version).
Detroit Jazz Festival 2026: A Gathering in a Great Jazz City
by Paul Rauch
Detroit Jazz Festival 2026 Hart Plaza Detroit, MI September 4-7, 2026 Thursday evening is when artists, media and event staffers begin to file into the Detroit Marriott, arriving from points around the globe. The common purpose is the 47th annual Detroit Jazz Festival, an annual tradition on Labor Day weekend. The ...
John Coltrane in Detroit: A Brief History
by Paul Rauch
When the calendar turned to 2026, a spirit of celebration was sparked in the jazz community. It marked one hundred years from the birth dates of two jazz titans in John Coltrane and Miles Davis. Coltrane departed us in 1967 from cancer, a life of barely more than forty years that changed the course of jazz. ...
The John Coltrane Centennial, Part 3: Coltrane emerges as a leader
by Larry Slater
By 1960 John Coltrane had emerged as a singular voice on the saxophone.Though he recorded several dates as a leader in the '50s, it wasn't until he left Miles Davis that he began recording with his own groups. His first recording for Atlantic Records, released in 1960, was Giant Steps, featuring several compositions that ...
Lakecia Benjamin: We Dream
by Mike Jurkovic
Lakecia Benjamin is clearly pulling no punches on We Dream. Not that she ever has, given a discography that includes 2020's Pursuance: The Coltranes (Ropeadope Records); 2012's intoxicating, groove-crazy Retox (Motema) or the spellbinding sister releases Phoenix (Whirlwind, 2023) and the super stoked Phoenix ReImagined (Live) (Ropeadope Records, 2024). We Dream drops the mic and leaves ...
Carlos Nathaniel Ward: libertà, spiritualità e rigore
by Gaetano Fiore
Arte e Jazz? Non facile e acritica gestualità ma concentrato di analitica ponderatezza". In occasione di un mio omaggio pittorico espositivo a Bill Dixon a San Vincenzo (LI) nel 2010, Libero Farnè scrive la suddetta frase che ben fa riflettere su quanto sia importante procedere con lentezza" per tradurre i concetti di libertà, spiritualità ...
Record Store Day 2026 Jazz Releases
by Kyle Simpler
Many vinyl enthusiasts get excited when the Record Store Day lists appear, and understandably so: most of the titles are limited-run pressings that can disappear quickly once the doors open. The only drawback, however, is that the lists can be overwhelming to sort through, often spanning multiple pages and covering releases across a wide range of ...
Classic Jazz about Spring including Carmen McRae, and Tony Bennett with Bill Evans... also new music from Billy Childs and more
by David W. Daniels
Other artists in our homage to Spring include Dominik Kisiel, Gigi Gryce, and Charles Mingus. Additional new music from Kurt Elling and the WDR Big Band conducted by Bob Mintzer, Simon Mogul and more. Birthday recognition for Wes Montgomery, Jimmy Garrison, David Fiuczynski, and others. Playlist Dominik Kisiel Spring"--from Exploration (Alpaka) 00:00 Gigi Gryce ...
A Love Supreme at Carnegie Hall: Coltrane’s Night of Fire and Grace
by Dave Kaufman
Carnegie Hall, New York City--November 1965. Something sacred broke open the air last night. It began not with a note, but with a shimmer. Elvin Jones washed a mallet across a suspended gong, a metallic exhale that seemed to expand until it touched the gilded balconies of Carnegie Hall. The silence that ...



