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Sonny Stitt
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Edward "Sonny" Stitt was a quintessential saxophonist of the bebop idiom. He was also one of the most prolific saxophonists, recording over 100 records in his lifetime. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, due to his relentless touring and his devotion to jazz.
Stitt was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. Stitt had a musical background; his father taught music, his brother was a classically trained pianist, and his mother was a piano teacher. His earliest recordings were from 1945, with Stan Getz and Dizzy Gillespie. He had also experienced playing in some swing bands, though he mainly played in bop bands. Stitt featured in Tiny Bradshaw's big band in the early forties.
Scott H. Thompson, Founder of Scott Thompson Public Relations Passes at 71
Scott H. Thompson, Jazz Journalist and Public Relations expert, died peacefully at his home in Palm Beach, Florida on October 24, 2025. He was 71. Born in New York City in 1954, Scott’s love of music ignited in 1968 at age 14 when he attended a Jimi Hendrix concert in Kansas City. Scott discovered Wes Montgomery ...
Roy Brooks: The Free Slave
by Pierre Giroux
Roy Brooks's The Free Slave, newly reissued on Time Traveler Recordings as a 180-gram vinyl LP, stands as a passionate tribute to the drummer's remarkable artistry and his often overlooked role as one of the most rhythmic thinkers of the post-bop period. Recorded live by Muse Records on April 26, 1970, at Baltimore's renowned Left Bank ...
The "Jazz Detective" Finds A New Muse, Reissues Lost Classics
by Joshua Weiner
Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...
Gary Bartz Is Nobody's Jazz Musician
by Bridget A. Arnwine
Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...
Final Recordings of Jazz Masters of the 1950s and '60s
by Larry Slater
The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians ...
Cory Weeds: Cory Weeds Meets Jerry Weldon
by Jack Bowers
A proper response to the statement Cory Weeds Meets Jerry Weldon could well be “it's about time!" Although widely separated geographically--Weeds is Canadian, Weldon a native New Yorker--these masters of the tenor saxophone have been brightening stages and delighting audiences at venues in the U.S. and around the world for decades. And even though they have ...
Jazz Dispatch Series / Simons Summer Concert Series: Tom Manuel, Champian Fulton, Dean Johnson and Dan Pugach
by Dan Bilawsky
A 5 p.m. performance on a Tuesday in a math and physics building on a college campus isn't exactly your garden variety jazz hit. But then again, what is?! In programming for The Jazz Loft's Dispatch Series stop at Stony Brook's Simons Center for Geometry and Physics--part of that institution's summer concert slate within its broader ...
Sam Dillon: My Ideal
by Jack Bowers
Any impartial assessment of My Ideal, Sam Dillon's second album for Cellar Music (following 2018's Out in the Open), should leave no doubt that the New York-born and based tenor saxophonist has definitely hit his stride, punctuating an already strong and persuasive voice on the horn with ample self-confidence and and a bounteous wellspring of innovative ...
Meet Alto Saxophonist Erena Terakubo
by Sanford Josephson
For many years, trumpeter/educator Tiger Okoshi has been directing the Hokkaido Grove Jazz Camp during summers in Sapporo, Japan. At one of his first camps, he met a 12-year-old alto saxophonist named Erena Terakubo."She was shining, and she knew it," he recalled. “She was determined, driven, and already sounded like a young Charlie Parker."
