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Musician

Phil Woods

Born:

Phil Woods joined the jazz music scene in New York during the late 1940’s when bebop was gaining popularity as the new direction of American jazz. After graduating from Juilliard Music School Phil quickly gained fame by joining the Birdland All Stars Tour of 1956, and then the Dizzy Gillespie State Department Tour throughout the Middle East. During the late 1950’s Phil worked with jazz luminaries including Quincy Jones and Thelonious Monk. Phil’s partnership with Gene Quill in the late 1950’s established Phil as a major jazz star and led to many exciting recordings during the 1960’s

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Article: Album Review

Jake Hertzog: The Ozark Concerto

Read "The Ozark Concerto" reviewed by Richard J Salvucci


As Terry Teachout very accurately wrote, “The relationship between jazz and classical music has often been close...but is ultimately equivocal" ("Jazz and Classical Music: To the Third Stream and Beyond," in Bill Kirchner, editor, The Oxford Companion to Jazz, Oxford University Press, 2000). Equivocal is a tough word. It can mean suspicious, doubtful or uncertain. Spend ...

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Article: Rising Stars

Meet Alto Saxophonist Erena Terakubo

Read "Meet Alto Saxophonist Erena Terakubo" reviewed by Sanford Josephson


For many years, trumpeter/educator Tiger Okoshi has been directing the Hokkaido Grove Jazz Camp during summers in Sapporo, Japan. At one of his first camps, he met a 12-year-old alto saxophonist named Erena Terakubo."She was shining, and she knew it," he recalled. “She was determined, driven, and already sounded like a young Charlie Parker."

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Article: Interview

Hal Galper: Adventures In The Zone

Read "Hal Galper: Adventures In The Zone" reviewed by Paul Rauch


This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Radio & Podcasts

Jazz Interpretations Of The Film Music Of Henry Mancini, Part 2

Read "Jazz Interpretations Of The Film Music Of Henry Mancini, Part 2" reviewed by Larry Slater


Henry Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland to Italian immigrant parents. He is universally acknowledged as one of the great American film composers, and his melodies have long appealed to jazz artists. Mancini had an affinity for jazz. In the '50s and early '60s he led his ...

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Article: Interview

Sharel Cassity: In the Spirit

Read "Sharel Cassity: In the Spirit" reviewed by Katchie Cartwright


Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...

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Article: Album Review

Adrian Galante: Introducing Adrian Galante

Read "Introducing Adrian Galante" reviewed by Jack Bowers


The late Phil Woods used to argue that of all the members of the woodwind family, the clarinet is by far the most difficult to manage, saying it was “designed by six guys who had never met one another." If Australian-born, New York-based clarinetist Adrian Galante has any problems with the instrument, they are in no ...

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Article: Album Review

Ted Rosenthal Trio: High Standards

Read "High Standards" reviewed by Dan Bilawsky


Ted Rosenthal has remarkably high standards. How else to explain his vast achievement(s) over the past four decades? This ace pianist and composer has done it all--topped the pack at the Thelonious Monk International Jazz Piano Competition, worked with the crème de la crème (i.e., baritone saxophone icon Gerry Mulligan, alto saxophone legend Phil Woods, multi-hyphenate ...

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Article: Radio & Podcasts

Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins

Read "Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins" reviewed by Joe Dimino


Welcome to the 900th episode of Neon Jazz! After 14 incredible years, we've hit yet another milestone--one that wouldn't be possible without the legends who have shaped jazz and the fans who've supported us every step of the way. For this special hour, we take a deep dive into the icons who have defined the sound ...


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