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Phil Woods
Born:
Phil Woods joined the jazz music scene in New York during the late 1940’s when bebop was gaining popularity as the new direction of American jazz. After graduating from Juilliard Music School Phil quickly gained fame by joining the Birdland All Stars Tour of 1956, and then the Dizzy Gillespie State Department Tour throughout the Middle East. During the late 1950’s Phil worked with jazz luminaries including Quincy Jones and Thelonious Monk. Phil’s partnership with Gene Quill in the late 1950’s established Phil as a major jazz star and led to many exciting recordings during the 1960’s
Ignasi Terraza: With Respect To Oscar And Niels
by Artur Moral
Exceptionalism is often presented with a spectacular surface. However, it also hides itself behind multiple layers of deep discretion. This is true with pianist, composer, educator and record producer Ignasi Terraza. His uniqueness is based on several facts: being the first blind person in Spain to earn--a mid-1980s achievement, without today's technology--a degree in Computer Engineering; ...
50 Years Later: 10 Jazz Albums from 1975 That Deserve Another Spin
by Kyle Simpler
1975 was a landmark year for music, marked by several outstanding album releases. Bob Dylan's Blood on the Tracks (Columbia), Led Zeppelin's Physical Graffiti (Swan Song), Pink Floyd's Wish You Were Here (Harvest), Frank Zappa's One Size Fits All (DiscReet) and Jeff Beck's Blow by Blow (Epic) were just a few of the titles that have ...
Jake Hertzog: The Ozark Concerto
by Richard J Salvucci
As Terry Teachout very accurately wrote, “The relationship between jazz and classical music has often been close...but is ultimately equivocal" ("Jazz and Classical Music: To the Third Stream and Beyond," in Bill Kirchner, editor, The Oxford Companion to Jazz, Oxford University Press, 2000). Equivocal is a tough word. It can mean suspicious, doubtful or uncertain. Spend ...
Meet Alto Saxophonist Erena Terakubo
by Sanford Josephson
For many years, trumpeter/educator Tiger Okoshi has been directing the Hokkaido Grove Jazz Camp during summers in Sapporo, Japan. At one of his first camps, he met a 12-year-old alto saxophonist named Erena Terakubo."She was shining, and she knew it," he recalled. “She was determined, driven, and already sounded like a young Charlie Parker."
Hal Galper: Adventures In The Zone
by Paul Rauch
This article was first published on All About Jazz on October 20, 2020. The career of Hal Galper has earned the pianist acclaim as both a performer and educator. Perhaps most importantly, it has drawn attention to his contributions to the music as a true innovator. While other pianists of his era gained more ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Jazz Interpretations Of The Film Music Of Henry Mancini, Part 2
by Larry Slater
Henry Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland to Italian immigrant parents. He is universally acknowledged as one of the great American film composers, and his melodies have long appealed to jazz artists. Mancini had an affinity for jazz. In the '50s and early '60s he led his ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Adrian Galante: Introducing Adrian Galante
by Jack Bowers
The late Phil Woods used to argue that of all the members of the woodwind family, the clarinet is by far the most difficult to manage, saying it was “designed by six guys who had never met one another." If Australian-born, New York-based clarinetist Adrian Galante has any problems with the instrument, they are in no ...
