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Clifford Brown
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He was the most brilliant trumpet player of his generation, an original and memorable composer, a dynamic stage presence and one of the authentic legends of modern jazz. Clifford Brown was born October 30, 1930 in Wilmington, Delaware. As a young high school student Brown began playing trumpet and within a very short time was active in college and other youth bands. By his late teens he had attracted the favorable attention of leading jazzmen, including fellow trumpeters Dizzy Gillespie, Miles Davis and Fats Navarro. At the end of the 40s he was studying music at Maryland University and in 1952, following recovery from a serious road accident, he made his first records with Chris Powell and Tadd Dameron
Chuck Mangione: Friend For Lovers
by Chris M. Slawecki
This article first appeared on All About Jazz in September 2000. Chuck Mangione is best known as the trumpet player and composer of that ubiquitous tune, which taught millions worldwide that music “Feels So Good." But Chuck Mangione boasts serious Jazz chops: Before flying solo, he cut his teeth in the Woody ...
Chuck Mangione: Back On Track
by Michael Ricci
This article first appeared on All About Jazz in June 1999... without embedded videos. For three decades, Chuck Mangione's infectious energy, unbridled enthusiasm, and pure joy have defined his deep passion for music. Born and raised in Rochester, New York, he first garnered attention playing with the Jazz Brothers alongside his older brother, Gap. ...
Remembering Gigi Gryce
by Larry Slater
Saxophonist and composer Gigi Gryce was a fixture on the East Coast jazz scene in the 1950's and early 1960s, working with many of the giants of the era. A talented saxophonist known for his writing and arranging, he recorded with everyone from Clifford Brown and Donald Byrd to Art Blakey and Benny Golson. In the ...
Interpreting The Lennon/Mccartney Songbook: Part 1, Early Songs
by Larry Slater
Since its earliest days, Jazz musicians have used popular songs as springboards for creative interpretation, reimagining these tunes through the art of improvisation.. The great American songbooks of Irving Berlin, Cole Porter, and George Gershwin, have long been a staple of the jazz repertoire. Do John Lennon and Paul McCartney belong in this exalted company? I ...
Al Foster: Love, Peace and Jazz!
by Terrell Kent Holmes
This article was first published on All About Jazz on May 3, 2009. Drumming great Al Foster has spent nearly a half-century playing with some of the greatest musicians, and on some of the most memorable albums, in jazz history, from Miles Davis' On The Corner and Agharta to Joe Henderson's State of the ...
Yotam Silberstein: Standards Vol. 2
by Pierre Giroux
On Standards Vol. 2 , guitarist Yotam Silberstein revisits the tradition with both reverence and invention, delivering a program of what he calls “lesser gems" -standards that have slipped through the cracks of overexposure yet hold depths still to be mined. With a lineup featuring bassist John Patitucci, drummer Billy Hart, and special guest tenor saxophonist ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
Sullivan Fortner: Southern Nights
by Pierre Giroux
On Southern Nights, pianist Sullivan Fortner sets out to capture lightning in a bottle and succeeds with radiant charm. Joined by the impeccable Peter Washington on bass and the restless Marcus Gilmore on drums, Fortner opts for total spontaneity: no rehearsals, no retakes, no isolation. The result is a recording that feels alive and as richly ...
Introducing Trumpeter Kal Ferretti
by Sanford Josephson
When she was attending the LaGuardia High School of Music & Art, Kal Ferretti rode the subway to Manhattan from her home in Staten Island. The music on her phone was Art Blakey's Moanin' (Blue Note, 1958). “I would wear that out every train ride," she said. The 22-year-old Ferretti always wanted to play the trumpet, ...
