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Musician

Joe Beck

Born:

During a career spanning five decades, Joe Beck has recorded with an incredible array of artists including Miles Davis (read a great interview with Joe from "The Last Miles" by George Cole) Gil Evans, Duke Ellington, Buddy Rich, Paul Desmond, Maynard Ferguson, Woody Herman, Stan Getz, Larry Coryell, Gene Ammons, Sergio Mendez, Antonio Carlos Jobim, Laura Nyro, Houston Person, Roger Kellaway, Richie Havens, Paul Simon, Joe Farrell, James Brown, Gato Barbieri, and countless others. Joe has been composing music for TV and film for thirty years and the recording industry (National Academy of Recording Arts And Sciences) has honored him five times with their Most Valuable Player Award

1

Article: Profile

The Jazz Education of Ian Shaw

Read "The Jazz Education of Ian Shaw" reviewed by Mathew Bahl


A few notable exceptions aside, great jazz musicians are not born; they are created. Most young musicians start by absorbing the work of important influences and then, through practice and live performance, decide what to keep, what to modify and what to discard. Ultimately, originality is less a byproduct of inspiration and more the end result ...

14

Article: Building a Jazz Library

Celebrating Don Sebesky, Part 1

Read "Celebrating Don Sebesky, Part 1" reviewed by Dan McClenaghan


The passing of composer/arranger Don Sebesky in April 2023, invites a revisitation of his artistry. A Manhattan School of Music-trained trombonist, Sebesky played in the big bands of Kai Winding, Claude Thornhill, Tommy Dorsey and Maynard Ferguson. But by 1960, he found that his true passion was arranging and conducting. For this, he was nominated for ...

Album

Beck/Barbour 'Songs for Singing'

Label: Self-produced
Released: 2007

44

Article: Building a Jazz Library

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums With No Added Sugar (Almost)" reviewed by Chris May


Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

1,149

Article: Interview

Vic Juris: Tension and Release

Read "Vic Juris: Tension and Release" reviewed by Victor L. Schermer


This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...

6

Article: Multiple Reviews

CTI on BGO

Read "CTI on BGO" reviewed by Jakob Baekgaard


"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...

Article: Extended Analysis

Columbia Years 1968-1969

Read "Columbia Years 1968-1969" reviewed by Maurizio Comandini


La piccola ma intraprendente casa discografica statunitense, Light in the Attic, in collaborazione con la major Sony/Columbia, piazza un uppercut formidabile che toglie il velo ad uno dei misteri meglio preservati della discografia del secolo scorso. Vengono infatti pubblicati per la prima volta i cinque brani che Betty Davis, nata Betty Mabry e sposata con Miles ...

5

Article: Book Review

Chuck Anderson: My Life in Music

Read "Chuck Anderson: My Life in Music" reviewed by Victor L. Schermer


My Life in Music Chuck Anderson 180 PagesISBN: #9781483440804 Lulu 2015 Chuck Anderson is not your ordinary jazz musician, and this book is not a typical biography of an entertainer or jazz artist. Anderson is a consummate master of the guitar in jazz, classical, and world music idioms, ...

12

Article: Interview

Joe Locke's Love Affair with Language

Read "Joe Locke's Love Affair with Language" reviewed by Dan Bilawsky


On the surface it's not so easy to spot the common thread unifying the greater fabric of Joe Locke's work. Since arriving in New York City in 1981, and emerging as a notable leader on record in the early '90s, this much-vaunted vibraphonist has developed into a protean performer and composer. Duo sessions with pianists Frank ...


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