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Musician

Joe Farrell

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Joe Farrell was a journeyman sax man with an impressive resume when he signed on with the CTI label in 1970, and went on to record some of the best music for that label, gaining an international audience with his release of the progressive “Moon Gems,” in 1972. Joseph Carl Firrantello was born in Chicago Heights, Illinois on Dec. 16, 1937. He was serious about music from an early age and was playing a proficient flute by age 11. Upon graduating from University of Illinois in 1959, he headed to New York and became a freelance musician, by this time well entrenched in the bop technique of the saxophone. Farrell joined up with the Maynard Ferguson Big Band from 1960 to 1961 and then Slide Hampton in 1962

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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

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Article: Profile

Chick Corea: The Passing Of A Giant

Read "Chick Corea: The Passing Of A Giant" reviewed by Doug Hall


The passing of a giant in all categories of jazz. Chick Corea, NEA Jazz Master, 22-time Grammy Award winner, keyboard virtuoso as pianist, composer and arranger has earned, by contribution and breadth of musicianship, all the accolades, awards and recognition. If ever the title applied: a legendary figure in jazz. Beyond Corea's range of solo compositions ...

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Article: Interview

My Conversation with Chick Corea

Read "My Conversation with Chick Corea" reviewed by AAJ Staff


From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...

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Article: Album Review

Tom Keenlyside Quartet: Fortune Teller

Read "Fortune Teller" reviewed by Jack Bowers


A jazz flutist who plans to record using only a standard three-member rhythm section as back-up should best be musically astute, technically sound, love what he (or she) is doing and harbor an ample supply of clever and interesting phrases designed to suit every occasion. Even though Tom Keenlyside checks all the boxes on Fortune Teller, ...

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Article: Building a Jazz Library

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums  With No Added Sugar (Almost)" reviewed by Chris May


Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

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Article: Radio

John Patitucci, Dick Oatts, Count Basie and More

Read "John Patitucci, Dick Oatts, Count Basie and More" reviewed by Joe Dimino


This week we focus on new releases and look for a unique perspective on this COVID-19 pandemic world. We hear from John Patitucci, Avram Fefer, Paul Jost and Marc Benham. This hour also features a host of legends and a special dedication to Chadwick Boseman. Playlist John Patitucci with John Beasley “Sam Rivers" MONK'estra ...

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Article: Radio

Sir Stevie: Jammin' on Stevie Wonder - Part 2

Read "Sir Stevie: Jammin' on Stevie Wonder - Part 2" reviewed by Ludovico Granvassu


Stevie Wonder has often infused his performances with compelling renditions of jazz standards like Miles' “All Blues" or Coltrane's “Giant Steps." In return, countless jazz musicians have looked into his Songbook for compositions that would provide them with a fertile ground for their own explorations. In the second part of our “Stevie @70" ...

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Article: Interview

Vic Juris: Tension and Release

Read "Vic Juris: Tension and Release" reviewed by Victor L. Schermer


This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...

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Article: Album Review

Jared Pauley: On Capitol Street

Read "On Capitol Street" reviewed by Roger Farbey


Hailing from Charleston, West Virginia, but now resident in NYC, Jared Pauley's first musical experiments were with the guitar but he abandoned this in favor of piano as a teenager. His influences include Herbie Hancock, George Duke and Chick Corea and his first purchased albums were Miles Davis' Milestones (Columbia, 1958), Herbie Hancock's Headhunters (Columbia, 1973) ...


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