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Jazz Articles about Joe Farrell


About Joe Farrell

20

Reassessing

Spectrum

Read "Spectrum" reviewed by Dean Nardi

by Dean Nardi

Was it jazz or rock? This was (is) the eternal question about fusion. Back in the 1970s when the Mahavishnu Orchestra pioneered the genre, the electric and chaotic unpredictability of the John McLaughlin-led outfit cut across what was thought to be basic jazz concepts by displaying loud electric guitar riffing over what could stand for prog rock organ, bass and drum. And shockingly, none of the original players blew into their instruments. But Mahavishnu McLaughlin was as cruel ...

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108

Liner Notes

Grant Green: The Main Attraction

Read "Grant Green: The Main Attraction" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

During his brilliant career as one of the best producers in the music history, Creed Taylor (born in Lynchburg, Virginia, on May 13, 1929) has worked with some of world's greatest guitarists: from Barry Galbraith (1919-1983) and Mundell Lowe, who took part in the Creed Taylor Orchestra albums (Lonelyville, Shock!, Ping Pang Pong) for ABC-Paramount in the late Fifties, to smooth jazz virtuoso Steve Laury, who was signed to CTI in 1995. In between, Creed produced memorable albums ...

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88

Liner Notes

Eric Gale: Forecast

Read "Eric Gale: Forecast" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

Eric Gale (born on September 20, 1938, of Barbadian parents, in Brooklyn, NY) recorded over 500 albums as sideman, backing such stars as Aretha Franklin, King Curtis, Dianna Ross, Paul Simon, Lena Horne, Michel Legrand, Quincy Jones, Roberta Flack, Gladys Knight & The Pips, Joe Cocker, Carly Simon, Van Morrison, Milton Nascimento, Billy Joel, Gato Barbieri and Mongo Santamaria, to name a few. Gale's association with Creed Taylor began when the celebrated producer was working at Verve Records. ...

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5

Liner Notes

Heiner Stadler: Brains on Fire

Read "Heiner Stadler: Brains on Fire" reviewed by Howard Mandel

by Howard Mandel

Brains on Fire fuels reflection on the past and response in the present. These eight extraordinary extended tracks, recorded in unusual conjunctions of master jazz improvisers instigated by composer/pianist Heiner Stadler for sessions held from 1966 through 1974, are alive with the passions of that era celebrating large, original works stretching the bounds of even the most ambitious music come before. As Stadler and his cadre of fully collaborative, creative interpreters brought immense smarts, skills and sensibilities besides ...

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Album Review

Elvin Jones: Revival: Live at Pookie's Pub

Read "Revival: Live at Pookie's Pub" reviewed by Angelo Leonardi

by Angelo Leonardi

Non c'è solo la musica --tumultuosa e avvincente-- a porre in primo piano questo doppio CD (o triplo LP) del quintetto di Elvin Jones, ripreso in un piccolo club di Manhattan dal 28 al 30 luglio 1967. L'edizione fortemente voluta da Zev Feldman (dopo 11 anni di tentativi presso varie etichette) illustra il punto di svolta del batterista da illustre sideman a leader e illumina la singolare condizione del jazz a New York nella seconda metà dei ...

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16

Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Mike Jurkovic

by Mike Jurkovic

No matter your format of choice—the deluxe 180g 3-LP set, streaming, or a 2-CD package--there is some serious, late '60s hard bop soul-searching happening on this eye-opening, mind-expanding, previously unreleased Revival: Live at Pookie's Pub. Elvin Jones cleared the cobwebs just two weeks after John Coltrane's passing and the resounding end to the classic quartet of Coltrane, Jones, McCoy Tyner and Jimmy Garrison. The writing had been on the wall that Coltrane was more than ready and eager ...

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12

Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Chris May

by Chris May

A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty but underrated tenor saxophonist Joe Farrell, who had the unenviable job of standing in Coltrane's shadow. But he rises to the occasion magnificently. Jones ...

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