Results for "Chet Baker"
Chet Baker
Born:
Chesney Henry "Chet" Baker Jr. was raised in a musical household in Oklahoma (his father was a guitar player), and coming of age in Southern California during the bebop era of jazz, Baker found success as a trumpet player in 1951 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements. In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Baker became famous on the strength of his solo on their recording of "My Funny Valentine" a piece he was later said to "own". The Quartet, however, lasted less than a year because of Mulligan's arrest on drug charges. In 1954, Baker won the Downbeat Jazz Poll, beating Miles Davis among others
Rebecca Kilgore: The Rebecca Kilgore Trio, Vol. 1
by Richard J Salvucci
What do “Doxy," “Cottontail," “Dear Bix" and “I Wanna Get Married" all have in common? Clues to a party game on some lost episode of Playboy After Dark? Give up? All make an appearance on Rebecca Kilgore's “swing and have fun" release, which is just what Kilgore and her co-conspirators (including her husband, Dick Titterington, on ...
John Patitucci: The Quintessence of Acoustic and Electric
by Jim Worsley
John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...
Mindaugas Stumbras: Inspirations
by Vitalijus Gailius
Mindaugas Stumbras is a leading jazz guitarist of Lithuanian scene who has much of potential to be broadly acclaimed by international community. He graduated from Royal Conservatoire of Scotland in Glasgow in 2019, and he has already played and toured internationally not only with the well known Lithuanian fusion jazz band Brave Noises, but ...
Lorne Lofsky: This Song Is New
by Jack Bowers
Over the years the guitar has earned a unique position in the annals of jazz. At times strident, ear-splitting and generally distasteful, at others one of the loveliest, most amiable and pleasing instruments in any circumstance, especially when placed in the capable hands of a master such as Canada's Lorne Lofsky. This is the guitar as ...
Luigi Bozzolan: Nella direzione di Luca Flores
by Paolo Marra
Il libro Luca Flores—Uomo, Musicista, Artista (Casa Editoriale Terre Sommerse) di Luigi Bozzolan ritrae in maniera appassionata una delle figure più significative, ma dall'altra parte meno approfondite dal punto di vista musicale, del jazz italiano. Il racconto arricchito da argute analisi di brani, testimonianze di amici, colleghi e familiari, materiale fotografico, appunti inediti, disegni e poesie ...
Take Five with Zvonimir Tot
by AAJ Staff
Musician Zvonimir Tot: Zvonimir Tot (z-VON-e-mere TOTE) is a jny: Chicago-based jazz guitarist, composer and arranger with a style deeply rooted in the jazz tradition but flavored by his European origin. Tot has performed in the United States, Belgium, Croatia, Germany, Hungary, Macedonia, Mexico, the Netherlands, Portugal, Romania, Serbia, South Africa, and Spain. He has performed ...
John Stowell / Dan Dean: Rain Painting
by Dan McClenaghan
Guitarist John Stowell has spent two decades recording for Seattle's Origin records, collaborating with artists such as saxophonists Dave Liebman and Michael Zilber, drummer John Bishop, bassist Jeff Johnson and guitarist Ulf Bandgren. His work with the band Scenes—with Bishop and Johnson, and (twice) saxophonist Rick Mandyck—is particularly noteworthy. Bassist Dan Dean—with a sparser discography than ...
See Through 4: Permanent Moving Parts
by Chris May
Composer and bassist Pete Johnston, leader of Toronto's See Through 4, cites Lennie Tristano and Eric Dolphy as primary reference points for the quartet's music. As a listener, you may feel such connections are tenuous. Whatever his strengths, Tristano was not known for playfulness, a quality which runs through Permament Moving Parts. Plus, the contrapuntalism to ...
Meroli: Notturni
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
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