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Musician

Pat Metheny

Born:

Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie.  Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.

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Article: Album Review

Lee Meehan: Some Of Us Are Looking At The Stars

Read "Some Of Us Are Looking At The Stars" reviewed by Ian Patterson


Guitarist Lee Meehan has been a key player in Dublin blues and soul bands since the early 2000s. The blues proved to be a handy apprenticeship for the jazz degree Meehan would later pursue, graduating from Dublin City University in 2019. And it is to jazz that Meehan turns on his debut album as leader, a ...

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Article: Album Review

Wes Montgomery: Maximum Swing: The Unissued 1965 Half Note Recordings

Read "Maximum Swing: The Unissued 1965 Half Note Recordings" reviewed by Mario Calvitti


La Resonance Records, etichetta californiana legata a un'organizzazione non-profit dedita a preservare l'arte e l'eredità della musica jazz, prosegue instancabile la sua attività di archeologia musicale pubblicando questo doppio CD di Wes Montgomery col trio del pianista Wynton Kelly al famoso club di New York Half Note nel 1965, all'incirca nello stesso periodo delle esibizioni raccolte ...

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Article: Radio & Podcasts

Joel Ross, Pat Metheny & Francesco Crosara

Read "Joel Ross, Pat Metheny & Francesco Crosara" reviewed by Joe Dimino


From the talented Italian-born, Seattle-based pianist Francesco Crosara, we start the 842nd Episode of Neon Jazz with the title track off his album Circular Motion. From there, we get into an inspiration of his in Chick Corea's Return to Forever. Also, new music from Joel Ross, Doug MacDonald and Mike LeDonne. We close out the hour ...

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Article: Album Review

Bela Fleck: Rhapsody In Blue

Read "Rhapsody In Blue" reviewed by Doug Collette


It's a long way from India to Broadway, but Bela Fleck makes the journey in high style for Rhapsody in Blue. It follows the altogether exotic As We Speak (Thirty Tigers, 2023), the combination of which further a case for the banjoist/composer/bandleader as an eclectic musical explorer comparable to Pat Metheny. Beginning in the ...

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Article: Album Review

Vijay Iyer: Compassion

Read "Compassion" reviewed by Neil Duggan


The term “Supergroup" is often over-used. It usually refers to a group whose members are already successful as solo artists. In rock music, it often referred to members of a successful rock group who got together for a recording, frequently disbanding later. Fortunately, Vijay Iyer, Linda May Han Oh and Tyshawn Sorey are going from strength ...

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Article: From the Inside Out

2000 Rewind

Read "2000 Rewind" reviewed by Chris M. Slawecki


You can drive yourself crazy trying to determine the “best" releases of this or any other year. But this past year, perhaps like every year, presented admirable music of excellent quality that did not stir my passions. And it also brought music of dubious quality that I enjoyed almost despite myself (this year, heaven forgive me, ...

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Article: Album Review

Alma Tree: Sonic Alchemy Suprema

Read "Sonic Alchemy Suprema" reviewed by Karl Ackermann


New York native Ra Kalam Bob Moses grew up in the same building as Max Roach, Art Blakey and Elvin Jones. Early on he saw performances by many of the best jazz drummers in history, including Roy Haynes, Rashied Ali, Milford Graves, Billy Higgins, and Ed Blackwell. As a teenager in the mid-1960s, he played with ...

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Article: Liner Notes

Yuri Honing: North Sea Jazz Legendary Concerts

Read "Yuri Honing: North Sea Jazz Legendary Concerts" reviewed by Ian Patterson


It's fitting that saxophonist, composer and quiet visionary Yuri Honing should be acknowledged as one of the pivotal voices in the history of the Netherland's world-renowned North Sea Jazz festival, described in 1990 by Jazz Times as “the best jazz festival in the world." Honing's first appearance at the NSJF's was in 1995, where he performed ...

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Article: Radio & Podcasts

1974: King Crimson, Mahavishnu Orchestra, Billy Cobham and Miles Davis

Read "1974: King Crimson, Mahavishnu Orchestra, Billy Cobham and Miles Davis" reviewed by Len Davis


1974, fifty years ago with King Crimson, Isotope, Larry Coryell, Miles Davis, Billy Cobham, Weather Report, Herbie Hancock, Return To Forever, Joe Farrell, Jerry Goodman with Jan Hammer, the Mahavishnu Orchestra and Jaco Pastorius with Pat Metheny, Bruce Ditmas and Paul Bley. Playlist King Crimson “Red" from Red (Island Records) 00:00 Isotope “Rangoon Creeper" ...


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