Home » Articoli » Year in Review » Il meglio del 2018 secondo Vincenzo Roggero

Il meglio del 2018 secondo Vincenzo Roggero

By Vincenzo Roggero
January 14, 2019
View read count

Anche quest'anno tanti gli ascolti, tante le proposte interessanti, e come al solito, difficile sintetizzare il meglio in dodici dischi. Non necessariamente i migliori ma quelli che, in un modo o nell'altro, hanno lasciato un segno. In testa una conferma, Steve Coleman, eh sì ancora lui, per il disco certo, ma anche per i meravigliosi concerti che ha regalato con suoi Five Elements. E una sorpresa, Slow is Possible, band portoghese praticamente sconosciuta, con un album di debutto clamoroso. Senza dimenticare un nutrito gruppo di grandi dischi italiani.

Dischi

Dino Betti van der Noot Ou Sont Les Notes D'Antan ? Stradivarius	Francesco Chiapperini Extemporary Vision Ensemble The Big Earth Rudi Records	Steve Coleman Live At Village Vanguard Vol.1 (The Embedded Sets) PI Recordings
Franco D'Andrea Intervals I Parco della Musica	Hobby Horse Helm Auand/Rous Records	James Brandon Lewis Radiant Imprints Off Record
Makaya McCraven Universal Beings International Anthem	The Necks Body Northern Spy	Pipe Dream Pipe Dream Cam Jazz
Fredrik Nordstrom Needs Clean Feed	Beppe Scardino BS10 Live In Pisa Auand	Slow is Possible Moonwatchers Clean Feed

Concerti

ONG Crash + Ken Vandermark—Auditorium Bettinzoli—Brescia—(04.03.2018)
Zenophilia—Teatro Asioli —Correggio— (01.06.2018)
Chicago / London Underground—Cinema Torresino—Padova—(19.05.2018)
Big Satan—Cinema Torresino—Padova—(23.02.2018)
Angles 9—Cantina Lo Sparviero—Monticelli Brusati—(22.06.2018)
Frontal—Cortile ex Madri Canossiane—Orzinuovi—(21.06.2018)
Pipe Dreams—Teatro Asioli—Correggio—(01.06.2018)
Decoy—Teatro Idra—Brescia—(24.02.2018)
Cristina Donà & Fishwreck—Parco Palazzo Martinoni—Cigole—(14.06.2018)
Steve Coleman—Piazza del Popolo—Berchidda— (14.08.2018)

PREVIOUS / NEXT

Kenny Werner, Miles Davis & more
< Previous

Phillip Johnston Returns with Diggin...
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.