Results for "Steve Coleman"

Steve Coleman

Steve began playing music just days before his 14th birthday as a freshman at South Shore High School on the south side of Chicago. His first instrument was violin but later that year he switched to the alto saxophone. For three years Steve studied the basics of music and saxophone technique, then he decided that he wanted to learn how to improvise. Looking for the best improvising musicians to listen to is what brought Steve to the music of Charlie Parker, although it helped that his father listened to Parker all the time. After spending two years at Illinois Wesleyan University Steve transferred to Roosevelt University (Chicago Music College) in downtown Chicago in order to concentrate on Chicago's musical nightlife

Broun Fellinis, Eric Revis, Luke Stewart and More

By MAURICE HOGUE

A trip to the mystical island of Boohaabia (you know, the one near the Oasis of Surprise), is the final stop in this show, courtesy of the Broun Fellinis, but before arriving to destination there are stops at several great new releases, like those of American bassists Eric Revis' excellent Slip Knots Through a Looking Glass ...

DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)

By NOAH HAIDU

In chapter 2 of my book Doctone, I interviewed drummer Billy Hart and we discussed his interaction with Kenny Kirkland as he emerged in the 1970's fusion scene, his unique personality, the “Kirklandese" language and Kenny's legacy as one of the great pianists and composers in this music Noah Haidu: What were your first ...

Eric Revis: Slipknots Through a Looking Glass

By VINCENZO ROGGERO

Eccola la nuova formazione del contrabbassista Eric Revis, un incontro di storici collaboratori che promette meraviglie. Al quartetto che licenziò nel 2014 In the Memory of Things Yet Seen si aggiunge la pianista Kris Davis già presente nel precedente City of Asylum e nel successivo Sing Me Some Cry (tutti per Clean Feed) e il cerchio ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

By CHRIS MAY

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

Denys Baptiste: Pathfinder For The New London Jazz

By CHRIS MAY

Bandleader, composer and educator Denys Baptiste is among the generation of musicians, many of them of Caribbean or African heritage, who pointed the way for the younger players who have emerged on the London jazz scene since around 2015. Baptiste's contemporaries include saxophonists Jason Yarde, Soweto Kinch, Steve Williamson and Courtney Pine, and trumpeter Byron Wallen, ...

Highlights of Jazz in the Early 1990s (1987 - 1994)

By RUSSELL PERRY

This is the 95th of 100 programs in the Jazz at 100 series. For 94 programs, we have moved on a roughly chronological path through 100 years of jazz recordings, following trends, introducing major players and stylistic evolutions. As we approach the present, we face the historian's dilemma: in more recent music, what performances will have ...

Ferdinando Romano: Una Collaborazione Naturale con Ralph Alessi

By PAOLO MARRA

Per il suo debutto discografico da leader con il disco Totem, registrato per l'etichetta norvegese Losen Records, il giovane musicista Ferdinando Romano sceglie di formare un settetto con la presenza come ospite di Ralph Alessi, uno degli artisti di punta della scena creativa newyorchese, grazie a collaborazioni con musicisti del calibro di Steve Coleman, Ravi Coltrane ...

Matthew Jacobson: Rituals Of Sound And Time

By IAN PATTERSON

For someone whose livelihood and lifeblood are all about rhythms, the COVID-19 lockdown, with its very different rhythms, must be extremely frustrating. Especially when, as is the case with Matthew Jacobson, renowned drummer, composer, promotor and record label manager, there is no drum kit in his Dublin apartment. “I've been doing more work on ...