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Marc Ribot

Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. In 1978, Ribot crossed the river to New York City, where he served as sideman for such musicians as jazz organist Jack McDuff and legendary soul shouter Wilson Pickett. Ribot began his five-year stint as a member of the Lounge Lizards (John Lurie's innovative and influential Downtown jazz ensemble) in 1984. At the time Marc's playing, which blended elements of classic Blues guitar with the ironic No Wave/Knitting Factory aesthetic, caught the ear of a number of artists who were also interested in amalgamating and disrupting disparate musical traditions

ARTICLE: ALBUM REVIEW

Anthony Coleman: Catenary Oath

Read "Catenary Oath" reviewed by John Sharpe

Catenary Oath presents a 2018 solo recital by pianist and composer Anthony Coleman, recorded at Jordan Hall in the New England Conservatory in Boston where he also teaches. The album, available as a limited edition LP or digitally, contains a mix of originals and standards all given deeply personalized interpretations by the pianist. Coleman's profile has ...

ARTICLE: ALBUM REVIEW

Chad Taylor Trio: The Daily Biological

Read "The Daily Biological" reviewed by Giuseppe Segala

Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...

ARTICLE: ALBUM REVIEW

James Brandon Lewis / Chad Taylor: Live In Willisau

Read "Live In Willisau" reviewed by Mark Corroto

Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...

ARTICLE: UNDER THE RADAR

Jazz in the Time of Pandemic

Read "Jazz in the Time of Pandemic" reviewed by Karl Ackermann

The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...

ARTICLE: YEAR IN REVIEW

2019: Striking A Balance In Review, Part 1

Read "2019: Striking A Balance In Review, Part 1" reviewed by Henning Bolte

Part 1 | Part 2 Every year the 'Best-of' game is underway again. But, “best of what?" is the immediate question. It's almost impossible for fishes of prey to hunt in a huge herring swarm, or for birds of prey to hunt in those huge budgerigar swarms. 'The best' is a choice from the ...

ARTICLE: WHAT IS JAZZ?

2020 Winter JazzFest Marathons: A Survival Guide

Read "2020 Winter JazzFest Marathons: A Survival Guide" reviewed by Ludovico Granvassu

Believe it or not, it is that time of the year again! The holidaze are barely over and a new edition of Winter JazzFest is upon us. Knowing a jazz marathon is the perfect antidote to the holiday shopping and social marathons, producer Brice Rosenbloom and his cohorts have put together a program of gargantuan proportions. ...

ARTICLE: YEAR IN REVIEW

Mike Jurkovic's Best Releases of 2019

Read "Mike Jurkovic's Best Releases of 2019" reviewed by Mike Jurkovic

It was this dozen plus of recordings, among many that deserve mention, that gratefully, again and again and again, pulled my attention away from binge watching the destruction of our cherished, yet all too vulnerable democracy. These are the recordings of 2019 that made it evident that we all need to remain vigilant and engaged, or ...

ARTICLE: ALBUM REVIEW

Charlie Rauh: Hiraeth

Read "Hiraeth" reviewed by Jim Olin

Charlie Rauh is a musician with a very diverse background. He is also an incredibly skilled guitarist who knows how to use the instrument to capture all the different nuances of his compositions. His music defies the average expectation which the audience imposes on guitar players. He knows how to embrace melody but, perhaps, one of ...

ARTICLE: ALBUM REVIEW

Kris Davis: Diatom Ribbons

Read "Diatom Ribbons" reviewed by Vincenzo Roggero

Dieci il numero di musicisti coinvolti, dieci le composizioni (tutte di Kris Davis tranne “The Very Thing" di Michael Attias e la conclusiva Reflections di Julius Hemphill, dieci il voto che assegniamo senza tentennamenti all'ultimo progetto della pianista/compostrice canadese. Grazie anche al sapiente lavoro di Ron Saint Germain -ingegnere del suono, tra gli altri, di Sonic ...


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