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Marc Ribot

Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. In 1978, Ribot crossed the river to New York City, where he served as sideman for such musicians as jazz organist Jack McDuff and legendary soul shouter Wilson Pickett. Ribot began his five-year stint as a member of the Lounge Lizards (John Lurie's innovative and influential Downtown jazz ensemble) in 1984. At the time Marc's playing, which blended elements of classic Blues guitar with the ironic No Wave/Knitting Factory aesthetic, caught the ear of a number of artists who were also interested in amalgamating and disrupting disparate musical traditions

ARTICLE: ALBUM REVIEW

Francesca Naibo: Namatoulee

Read "Namatoulee" reviewed by Angelo Leonardi

La lezione di Derek Bailey, volta a estendere la libera ricerca improvvisata sulla chitarra, è stata esemplare ma pochissimi l'hanno seguita. Se negli Stati Uniti spicca Henry Kaiser nel nostro Paese i nomi si contano sulle dita di una mano ed il ricercatore più coerente e implacabile resta Roberto Zorzi. È quindi sorprendente il debutto di ...

ARTICLE: ALBUM REVIEW

Mary Halvorson's Code Girl: Artlessly Falling

Read "Artlessly Falling" reviewed by Vic Albani

Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...

ARTICLE: ALBUM REVIEW

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto

The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...

ARTICLE: ALBUM REVIEW

Jason Robinson: Harmonic Constituent

Read "Harmonic Constituent" reviewed by Mark Corroto

If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and ...

ARTICLE: ALBUM REVIEW

Artisti Vari; Hal Willner: Angelheaded Hipster: The Songs of Marc Bolan & T. Rex

Read "Angelheaded Hipster: The Songs of Marc Bolan & T. Rex" reviewed by Maurizio Comandini

Il maledetto killer invisibile, che tutto il mondo sta combattendo, si è portato via uno dei produttori più importanti della storia della musica moderna: il geniale, imprevedibile, incontenibile Hal Willner se ne è volato in cielo ai primi di aprile di questo anno terribile. Ha lasciato il pianeta mentre stava assestando gli ultimi colpi d'anca a ...

ARTICLE: INTERVIEW

Matt Gold: A Guitarist in Songwriter's Disguise

Read "Matt Gold: A Guitarist in Songwriter's Disguise" reviewed by Friedrich Kunzmann

Combining improvisational concepts with Americana aesthetics is one thing, but enveloping this blend in a songwriter approach is another story entirely. The first concept is common practice these days, the second however represents the unique character which the up and coming jny: Chicago-based guitarist Matt Gold has to offer on his compelling debut effort, Imagined Sky ...

ARTICLE: RADIO

The French Scene - Part 4

Read "The French Scene - Part 4" reviewed by Ludovico Granvassu

In this final installment of our exploration of today's French jazz scene, we focus on a number of projects that illustrate how beautifully French musicians blend their many influences, from troubadour music of the middle-ages to pop songs of the '60s and '70s, and interests, from Greek mythology to the M-Base collective, with jazz.

ARTICLE: ALBUM REVIEW

Anthony Coleman: Catenary Oath

Read "Catenary Oath" reviewed by John Sharpe

Catenary Oath presents a 2018 solo recital by pianist and composer Anthony Coleman, recorded at Jordan Hall in the New England Conservatory in Boston where he also teaches. The album, available as a limited edition LP or digitally, contains a mix of originals and standards all given deeply personalized interpretations by the pianist. Coleman's profile has ...

ARTICLE: ALBUM REVIEW

Chad Taylor Trio: The Daily Biological

Read "The Daily Biological" reviewed by Giuseppe Segala

Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...


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