Home » Jazz Articles » Interview » Marvin Sewell: Stepping Up to the Plate

6

Marvin Sewell: Stepping Up to the Plate

By

Sign in to view read count
I remember the Chicago Cubs pitcher, Ray Burris, on one of those programs, saying "if you're a fifteen-year-old kid, you shouldn't be throwing curveballs, you should be throwing fastballs and change-ups." He said "your arm isn't developed enough to be throwing that stuff." And one of the best pitches in baseball is the change-up. If you have a good change-up, that scares the hell out of the batter. If somebody has a good change-up, that's scary. If somebody would have taught me the basics of pitching instead of just throwing a ball and using my body, maybe I would have been doing something else. Because I was good at it, but I hated pitching. I hated it!

GC: What a shame. I tried to be a pitcher; I think there was just one game where I hit a bunch of batters. I think I had pretty good speed, but I would just choke. I was a catcher for a while but it was hard to find a left-handed catcher's mitt. So we'd have to drive to New York and look around for one. I sort of just got into different things. But yeah when I was kid I thought maybe I'd play baseball. That's interesting.

MS: Yeah, the Orioles beat the Sox in '83. That was a good team.

GC: Well that was the last time—when was the last time the Orioles were good? The '80s?

MS: Yeah in '83 they took everything I think...I can't remember. I know they beat the White Sox 3-1.

GC: That was when Earl Weaver was manager, and you had Eddie Murray, Mark Belanger, Jim Palmer.

MS: Eddie Murray man...I would just cringe every time he came up to bat. I was like "aw, shit."

GC: Since then I haven't been to the new stadium...Camden Yards? But I used to go to Memorial Stadium a lot, see double headers, but then I just fell out of it, got into a different thing. Alright, I can't think of any final questions, but this is plenty!

Photo Credit

Alexey Karpovich

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.