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About Cannonball Adderley

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Musician

Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin "Cannonball" Adderley was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop. Born September 15, 1928, into a musical family in Florida, Adderley was drafted into the U.S. Army in 1950. He became leader of the 36th Army Dance Band, led his own band while studying music at the U.S. Naval Academy and then led an army band while stationed at Fort Knox, Kentucky. Originally nicknamed "Cannibal" in high school for his voracious appetite, the nickname mutated into "Cannonball" and stuck. In 1955, Adderley traveled to New York City with his younger brother and lifelong musical partner, Nat Jr. (cornet)

Article: The Blue Note Portal

Future Perfect—Afro Chill

by Blue Note Portal
October 2, 2026

The summer of 1969 was the kind of summer that made you question every decision that had led you to that particular sidewalk at that particular hour. Cannonball Adderley stepped out of a yellow cab at 207 East 30th Street and immediately felt his shirt collar dampen. He carried his Selmer Mark VI alto case by ...

Article: Late Night Thoughts on Jazz

I Love New York

by Marshall Bowden
October 1, 2002

This article first appeared on All About Jazz in October 2001. There's another reason as well. New York City is a financial and business center, certainly, and this is one reason it was marked for attack. But it is also very much our nation's cultural and arts center, the showpiece of the country that ...

Article: Late Night Thoughts on Jazz

Texas Tenors and the Big Beat

by Marshall Bowden
July 30, 2002

This article first appeared on All About Jazz in July 2002. Texas is a miniature of the cultural and musical melting pot that is American music. Texas shares a border with Louisiana, inheriting some of that state's French and Caribbean roots, and when it comes to the blues, Texas has its own style. Texas ...

Article: Late Night Thoughts on Jazz

Blues, Gospel, R&B, Ramsey and Cannonball

by Marshall Bowden
April 22, 2002

This article first appeared on All About Jazz in April 2002. Though he didn't use a ring modulator or play with an army of electric guitarists, Ramsey Lewis was one of the more popular jazz musicians of the mid 1960s and helped bridge the gap between gospel, blues, soul, jazz, and rock/fusion experiments. Though ...

Article: Interview

Kelly Green: Taking Care of the Music

by R.J. DeLuke
September 28, 2026

Singer/pianist Kelly Green works in a field that can be difficult to negotiate: jazz. In the United States, its popularity doesn't reach that of pop music in all its forms or rock music. But it is always there as a thriving art form. For the keepers of the flame at all levels of talent, ...

Article: Radio & Podcasts

Preview of John Coltrane special; Birthday recognition for Jon Hendricks, Oliver Lake, and others

by David W. Daniels
September 22, 2026

In addition to previewing next week's John Coltrane special and the named birthday recognitions, this episode of Exploration includes classics from Bobby Hutcherson, Harold Land, and others. New music from Terje Gewalt, Branford Marsalis with Dianne Reeves, and Ross Valory are also included. Playlist John Coltrane “A Love Supreme Pt. 1: Acknowledgement" from A ...

Article: Chats with Cats

Mark Gross: Jazz for Teens

by B.D. Lenz
September 8, 2026

For many young musicians, learning jazz is about much more than learning how to play an instrument. It's about developing confidence, learning to listen, finding your own voice, and discovering how to work with others.Few people understand that better than Mark Gross. As Director of Jazz Instruction at NJPAC, Gross has spent years helping ...

Article: Play This!

Corcovado Looms Large Over South American Rhythm

by Keith Flint
July 19, 2026

Corcovado refers to the “Hunchback" mountain in the Tijuca Forest near Rio de Janeiro. Similar to the granite peak itself, this track emerges above its surroundings on the album Cannonball's Bossa Nova (Capitol Records, 1963). Immediately following guitarist Durval Ferreira's three introductory chromatic chords, Cannonball Adderley's alto saxophone glides above and gently overlays the ...

Article: Live Review

Louis Hayes at Jazz Alley

by Paul Rauch
June 26, 2026

Louis HayesJazz Alley Seattle WA June 23, 2026 At eighty-nine years old, the fact that drummer Louis Hayes is still touring as a bandleader is remarkable in itself. The fact that he is still playing so well, and playing with great energy is downright inspiring. With the sun burning bright, ...