Results for "Cannonball Adderley"

Cannonball Adderley

Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin "Cannonball" Adderley was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop. Born September 15, 1928, into a musical family in Florida, Adderley was drafted into the U.S. Army in 1950. He became leader of the 36th Army Dance Band, led his own band while studying music at the U.S. Naval Academy and then led an army band while stationed at Fort Knox, Kentucky. Originally nicknamed "Cannibal" in high school for his voracious appetite, the nickname mutated into "Cannonball" and stuck. In 1955, Adderley traveled to New York City with his younger brother and lifelong musical partner, Nat Jr. (cornet)

Fred, Bird, Carmen, Nat, Abbey, New Bu & More

By MARC COHN

Oh, do we have a show for you. I was reading Will Friedwald's great book, The Great Jazz & Pop Vocal Albums, and discovered a Fred Astaire recording on Verve. We checked it out and spent a couple of very pleasant hours with Fred talking and singing in company of esteemed jazz artists. Our first segment ...

Greg Abate: Man on a Journey

By ROB ROSENBLUM

After a warm up tune by the trio of Frank Puzzullo on piano, Sam Edwards on bass and Edwin Hamilton on drums, a medium sized fellow with slicked back hair and very casual attire walks on stage. He seems almost reticent as he acknowledges his audience at Fox's Music House in North Charleston, South Carolina—most of ...

The Rebel Festival

By KARL ACKERMANN

On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...

Max Gerl: Tbilisi

By PHILLIP WOOLEVER

In a four-song display of highly skilled writing and musicianship, Max Gerl provides deep liftoff points for a versatile quartet to roll through thirty-three minutes of distinctly different pieces in a widely comprehensive range of jazz contexts. The songs share similar length and instrumental dexterity, but that's about it. In Gerl's thematic landscape, most uncommon ground ...

Danny Scher: Back To School With Thelonious Monk

By LAWRENCE PERYER

A high-stakes election season. Streets filled with rage and protest. Cries for racial justice and equity. The latest news from summer 2020? Of course, but that also describes the American Scene in the summer of 1968, when a high school student in Palo Alto, California, first got the idea to book Thelonious Monk to play his ...

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

By CHRIS MAY

Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.

Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho

By CHRIS MAY

Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...

Jimmy Heath: Love Letter

By THOMAS FLETCHER

Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A ...