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Barry Harris
Born:
Dr. Harris has devoted his life to the advancement of Jazz and in the 1980’s founded the Jazz Cultural Theatre. For the past several decades Dr. Harris has been an exponent of the classic Jazz style that was developed by Charlie Parker, Dizzy Gillespie, Bud Powell, Thelonious Monk and Coleman Hawkins.
Harris' earliest musical mentor was his mother who played for church and taught him his first song at the age of 4. This led him studying with different teachers in Detroit. In intermediate school he played clarinet and somehow he heard Charlie Parker, Dizzy Gillespie, Bud Powell, Thelonious Monk and Fats Navarro
Kim Parker: Reminiscing in Jazz
by Nicholas F. Mondello
Kim Parker is a marvelously talented jazz vocalist and the step-daughter of both Charlie Parker and Phil Woods. A sensitive, tasteful, and endearing jazz voice, Kim has recorded numerous albums as leader and others as an accompanying artist. She has a marvelously rich history in jazz both as a result of her famous families, as well ...
Michael Weiss: Homage
by Pierre Giroux
In an age when instant gratification often reigns supreme, there is something refreshingly authentic about the leisurely process of refining musical ideas on the bandstand. Pianist Michael Weiss and his cohorts, bassist Paul Sikivie and drummer Pete Van Nostrand, in this aptly titled release, Homage, embodies this organic approach to jazz, presenting a collection of compositions ...
Bud Powell, Barry Harris, Les McCann & Larry Vuckovich
by Joe Dimino
We dedicate the 838th Episode of Neon Jazz to a titan on the keys in Larry Vuckovich. In that vein, we cover a host of musicians and vignettes that make up his storied career. From musicians like Duke Ellington, Eddie Vinson, Barry Harris, Lester Young, Horace Parlan, Bud Powell and Jon Hendricks. We wrap it up ...
Joe Farnsworth: Straight From The Soul
by Steven Roby
One of the most highly regarded jazz drummers today, Joe Farnsworth, is known for his blazing speed, precision, and musical and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional ...
Pepper Adams: Saxophone Trailblazer
by David A. Orthmann
Pepper Adams: Saxophone Trailblazer Gary Carner 240 ISBN: #9781438494357 Excelsior Editions2023 Baritone saxophonist Pepper Adams was essential to this reviewer's formative years as a jazz enthusiast. During the 1970s, in Storrs, Connecticut, New York City, northern New Jersey, and Kansas City, Missouri, I had many opportunities to witness ...
Trunino Lowe: The Vision
by Paul Rauch
You can try and look away. You can try to see the musician as a single entity that grew in the shadow of his native city's historic lineage. Assess the young man's music on its own merits, without drawing comps to the past," would be the objective. But this was the trumpet, and the young man ...
Nick Green: Green On The Scene
by Pierre Giroux
Nick Green's latest release, Green On The Scene, is a captivating musical journey which combines masterful instrumentation, intricate compositions and a profound sense of improvisational exploration. Accompanied by trumpeter Joe Magnarelli, pianist Jeb Patton, bassist Mike Karn and the inestimable drummer Kenny Washington, the band embarks on a set list of compositions which are at the ...
Detroit Jazz Festival 2023: A Celebration of Home
The 2023 Detroit Jazz Festival is almost upon us, taking place in its annual Labor Day weekend slot on the yearly jazz festival calendar. The largest free jazz festival in the world brings the music to the people of Detroit, and the world, on September 1-4 in downtown Detroit and in Hart Plaza along the Detroit ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...