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MUSICIAN Born:

Joe Pass

Joe Pass almost didn't make it as a musician due to his early battle with drug addiction. But following a successful rehab at Synanon and a recording session with fellow recovered musicians entitled Sounds of Synanon, the guitarist was signed by Dick Bock to the Pacific Jazz label. Pass made several albums as a leader and sideman for Bock, though work started drying up in the late 1960s as rock dominated the music marketplace.

But it was when Joe Pass met impressario Norman Granz that the guitarist's career took off. Granz signed him to his new Pablo label in the early 1970s and recorded him extensively, as a soloist (especially the oustanding Virtuoso series), in duos, trios and as a part of many studio and concert jam sessions

ARTICLE: LIVE REVIEW

4th Zbigniew Seifert International Jazz Violin Competition

Read "4th Zbigniew Seifert International Jazz Violin Competition" reviewed by Ian Patterson

4th Zbigniew Seifert International Jazz Violin Competition Cricoteka Museum, Kraków, Poland/Various international locations on-line July 8-10, 2020 When the fanfare and drum roll had died down the big moment arrived. After three days of on-line competition, the six finalists waited anxiously in front of their screens, in Israel, The USA, Austria, ...

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May

Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums

Read "Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums" reviewed by Chris May

Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...

ARTICLE: RADIO

Yonder Come the Blues - Happy Birthday to Dorothy Donegan, Ma Rainey and Ella Fitzgerald

Read "Yonder Come the Blues - Happy Birthday to Dorothy Donegan, Ma Rainey and Ella Fitzgerald" reviewed by Mary Foster Conklin

The final broadcast of Jazz Appreciation Month includes new releases from vocalist Lauren Henderson and the JC Hopkins Biggish Band, with birthday shout-outs to pianist Dorothy Donegan (pictured), Mother of the Blues Ma Rainey and legendary vocalist Ella Fitzgerald. Thanks for your continued support and please support these artists and their music. Playlist Dorothy ...

ARTICLE: ALBUM REVIEW

Various Artists: Ella 100 Live at the Apollo

Read "Ella 100 Live at the Apollo" reviewed by Jim Worsley

To be taken back in time within the scope of a period piece movie has long been a staple. Some journeys feel much more real than others, but the concept is commonplace. Venturing into the past with only the audio of a CD or record is, as they might have said back in 1934, “a whole ...

ARTICLE: RADIO

Keep On Pluckin'

Read "Keep On Pluckin'" reviewed by Patrick Burnette

Four six-string masters going solo are the focus for this fortnight's podcast, and they cover the gamut from acoustic true-believers to studio mavens ready to mix it up with multi-tracking and effects pedals. What are the benefits—and dangers—of attempting jazz without compadres? Wouldn't you know it, Pat & Mike have opinions on that topic. Pop matters ...

ARTICLE: ALBUM REVIEW

Jocelyn Gould: Elegant Traveler

Read "Elegant Traveler" reviewed by Dan McClenaghan

Guitarist Jocelyn Gould opens her debut album, Elegant Wanderer, with a cooker: Cole Porter's “It's All Right With Me." The tune is artfully arranged for quartet—piano and guitar with bass and drums—and Gould displays some serious chops. She has soaked up the influences of Wes Montgomery, Grant Green, Kenny Burrell and Joe Pass, and she wears ...

ARTICLE: THE JAZZ LIFE

How to Play a Tin Whistle Like Michael Brecker

Read "How to Play a Tin Whistle Like Michael Brecker" reviewed by Peter Rubie

I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."

ARTICLE: ALBUM REVIEW

Randy Napoleon: Common Tones

Read "Common Tones" reviewed by Chris M. Slawecki

Randy Napoleon may represent the new school of Detroit guitar players emerging from the lineage of Kenny Burrell and (Motown) Funk Brothers Dennis Coffey and Joe Messina, but his approach and sound on Common Tones are old school for sure. His fifth set as a leader (on the Detroit Music Factory label) collaborates across four generations ...


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