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Jazz Articles about Marvin Sewell
Charles Lloyd: Figure In Blue
by Jack Kenny
Jazz listeners with long memories will remember that Charles Lloyd was not always as revered as he is today. In the 1960s, his association with the “Summer of Love" and San Francisco's Haight-Ashbury scene led some to question his seriousness, seeing him as flirting with commercialism. Six decades on, that perception has aged away. Lloyd's work in 2025 is almost comparable to Beethoven's late quartets--music of depth, reflection, and spiritual weight. He has passed beyond being a national treasure; he ...
Continue ReadingChristian Sands: Embracing Dawn
by Mike Jurkovic
Way back in the mottled history of the 1950s and '60s, record biz guys in sharkskin might kick down a DJ's door and bark: “You gotta to hear this single!" But who truly listens to and what exactly is a single these days? Add in the disturbing though elusive truth that any single can take any physical or temporal shape and the evidence just points to one thing: First impressions have doomed many a pundit. If ...
Continue ReadingChristian Sands: Christmas Stories
by Dave Linn
Early on, Christian Sands had a passion for music. He was enrolled in music classes at age four and wrote his first composition at age five. He started playing professionally at the age of ten and studied at the Center for the Arts in New Haven, Connecticut before receiving his Bachelor of Arts and Masters degrees from the Manhattan School of Music. A protégé of Dr. Billy Taylor, Sands released his debut album at the age of 12 and came ...
Continue ReadingJean-Paul Bourelly: Black Lives - From Generation to Generation
by Vic Albani
Doppio CD o doppio vinile prodotto in HI-Res e con packaging di lusso dalla Jammin'colorS, agenzia per artisti jazz, world, funk, alternativi, hip-hop, electro e sperimentali nonché etichetta indipendente. Il lavoro che ha pubblicato in tanta pompa magna è un ampio collage di musica nera realizzato da 25 musicisti africani, caraibici e afroamericani guidati dalla visione creativa di Stefany Calembert (compagna del bassista jazz Reggie Washington) e produttrice estemporanea dell'etichetta belga. A tutti è stato chiesto di comporre ...
Continue ReadingHanka G: Universal Ancestry
by Richard J Salvucci
For a recording that combines, jazz, rock, gospel soul and r&b with Slovakian folk melodies, look no farther. Hanka G, who has artists as different as Abbey Lincoln and McCoy Tyner as her models, was raised in Mongolia, coming to the United States in 2018. This is her first stateside recording, and it is an innovative album for people fond of crossing cultures, mindscapes, ethnic and racial boundaries. She kicks things off with a grittier, rougher version of ...
Continue ReadingVarious Artists: Black Lives - From Generation to Generation
by Glenn Astarita
Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie Washington, they righteously bestow Black Music as a “source of moral truth and potent weapon against racism." Numerous stars such as saxophonist ...
Continue ReadingMarvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' Overkill: Murder In The Worst Degree, an album that we promoted in Europe on tours in 1995 and 1996.) I was struck immediately by ...
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