Results for "Bud Powell"
Bud Powell
Bud Powell is generally considered to be the most important pianist in the history of jazz. Noted jazz writer and critic Gary Giddins, in Visions of Jazz, goes even further, saying that "Powell will be recognized as one of the most formidable creators of piano music in any time or idiom." His first recordings were made in 1944, when he was a 20 year old pianist in the Cootie Williams Band, and his last recordings were made in 1964 when he returned from several years in Europe to play at Birdland. Between those dates Bud Powell played with the greatest jazz musicians of his generation including Charlie Parker, Dizzy Gillespie, Miles Davis, Sonny Rollins, Dexter Gordon, Charlie Mingus and Max Roach
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Steve Fidyk: Battle Lines
Battle Lines, the inaugural release of Steve Fidyk's Blue Canteen Music label, bears the stamp of a rhythm section capable of adroitly assuming multiple identities. During large portions of three amiable, bop-oriented tracks, “Bebop Operations," “#Social Loafing" and “Sir John," Fidyk's drums, bassist Michael Karn and pianist Peter Zak move the music along without any fuss ...
read moreFirst, Ohm’s Law (musically)
Starting out, a 'physics lesson' courtesy of Seamus Blake, Hank Mobley & Tain! We revive our R&B compare and contrast feature with Ivory Joe Hunter versus Jimmy Smith. Centennials? Of course: Bird and Dave Brubeck (solo)! Along the way, John Patitucci, Bud Powell, Gregory Agid and Anat Cohen, as well as our continuing chronological celebration of ...
read moreMatthew Shipp: Poetic Connection
It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...
read moreNew Faces - New Sounds
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in jny: New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems ...
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The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...
read moreThe Touch of Your Lips, Part II: Touch and Tone Color in Jazz Piano
Part 1 | Part 2 | Part 3 As mentioned in Part I, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
read moreStefano Bollani: Il Gioco Della Vita
Con istrionico disincanto Stefano Bollani rilegge, in una personale versione in Piano Solo, una delle opere rock più famose di sempre, “Jesus Christ Superstar," nel cinquantesimo anno dalla sua uscita. Il pianista in questo ultimo lavoro dal titolo Piano Variations on Jesus Christ Superstar, uscito il 3 aprile, si diverte a giocare con la materia musicale ...
read moreRené Urtreger Plays Bud Powell
Bud Powell arguably had the most significant influence on jazz pianists of the post-war modernist era. You'd have an easier time making a list of those not influenced by Powell than compiling the names of those who fell under his bebop spell. Among the most accomplished of Powell's disciples (a group that includes Al Haig, Sonny ...
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