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Bud Powell

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Bud Powell is generally considered to be the most important pianist in the history of jazz. Noted jazz writer and critic Gary Giddins, in Visions of Jazz, goes even further, saying that "Powell will be recognized as one of the most formidable creators of piano music in any time or idiom." His first recordings were made in 1944, when he was a 20 year old pianist in the Cootie Williams Band, and his last recordings were made in 1964 when he returned from several years in Europe to play at Birdland. Between those dates Bud Powell played with the greatest jazz musicians of his generation including Charlie Parker, Dizzy Gillespie, Miles Davis, Sonny Rollins, Dexter Gordon, Charlie Mingus and Max Roach

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Article: Interview

A Conversation with Amiri Baraka

Read "A Conversation with Amiri Baraka" reviewed by Lazaro Vega


From the 1995-2003 archive: This article first appeared at All About Jazz in November 1999. All About Jazz: I'm just really happy to see that in the last year or so you've become a much more public figure outside of academia through the recording with Hugh Ragin, Afternoon in Harlem on Justin-time, that When ...

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Article: Interview

A Conversation with Jackie McLean

Read "A Conversation with Jackie McLean" reviewed by AAJ Staff


From the 1995-2003 archive: This article first appeared at All About Jazz in October 1998. All About Jazz: You grew up in the same neighborhood as Bud Powell. How did he impact your life? And, what was Bud Powell the man like? Jackie McLean: He certainly lived in the vicinity of my ...

Article: Album Review

Chris Pattishall: Zodiac

Read "Zodiac" reviewed by Angelo Leonardi


Per il suo debutto discografico Chris Pattishall ha scelto di reinterpretare la fondamentale e misconosciuta Zodiac Suite di Mary Lou Williams. Una prova che il pianista supera brillantemente alla guida del suo quintetto, in collaborazione col produttore Rafiq Bhatia. Nelle storie del jazz Mary Lou Williams viene ricordata soprattutto per le composizioni e ...

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Article: Album Review

Jill McCarron Trio with Will Anderson: Jazz Motif

Read "Jazz Motif" reviewed by Jack Bowers


Pianist Jill McCarron's latest recording, Jazz Motif, gets off to a flying start with Will Anderson's irrepressible alto saxophone setting the pace on a fiery rendition of “All God's Chillun Got Rhythm" and his radiant flute showcased on John Lewis' groovy “Concorde." Alas, Anderson isn't heard again until Tracks 7 (Clare Fischer's “Ontem a Noite") and ...

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Article: SoCal Jazz

John Patitucci: The Quintessence of Acoustic and Electric

Read "John Patitucci: The Quintessence of Acoustic and Electric" reviewed by Jim Worsley


John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...

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Article: Profile

Thelonious Monk: A Thriving Legacy

Read "Thelonious Monk: A Thriving Legacy" reviewed by Doug Hall


If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece—Thelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...

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Article: Album Review

Roberto Magris: Shuffling Ivories

Read "Shuffling Ivories" reviewed by Edward Blanco


Pianist Roberto Magris follows up his critically-acclaimed album Suite! (JMood Records, 2018) with a duet recording with Chicago-based bassist Eric Hochberg, whom he met while recoding Suite! . Returning to the windy city in November 2019 to promote the release of Suite! , Magris and Hochberg decided to make an album of their own while enduring ...

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Article: Album Review

Roberto Magris: Shuffling Ivories

Read "Shuffling Ivories" reviewed by Jack Bowers


In 2018, while he was in Chicago to record his ninth album, Suite!, for JMood Records, pianist Roberto Magris was introduced by tenor saxophonist Mark Colby to bassist Eric Hochberg, an artist with whom Magris formed an almost immediate bond. After performing together at Chicago's Jazz Showcase, Magris and Hochberg decided they should record together, and ...

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Article: Album Review

Ethan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century

Read "Bud Powell in the 21st Century" reviewed by Angelo Leonardi


Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha ...


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