Results for "Cassandra Wilson"
Cassandra Wilson
Born:
The voice is more visual than audible; shaded, iridescent, tangible, substantial. It seems to flow effortlessly. Read any of the dozen or so biographies on Cassandra Wilson and you’ll discover some basics: born and reared in Jackson, Mississippi in the 1960s and 70s by musician and educator parents. Classically trained on piano from age 6 until the age of 13, she also received further musical instruction as a clarinetist for the concert and marching bands of secondary school. During the 70s, she could be found performing Joni Mitchell songs behind an acoustic guitar, or singing with a blues band in Little Rock, Arkansas, in front of a large funk band in Jackson, or in the company of long-time friends in an all-girls ensemble
Dave McMurray: Blowing on the Edge of Grate-ness
by Lawrence Peryer
Saxophonist Dave McMurray's discography is reflective of the musical melting pot of his hometown jny: Detroit. Dave came up playing with everyone from bluesman Albert King, pianist Geri Allen, even Kid Rock. He is most known for his decades-long association with eclectic producer, and Blue Note label President, Don Was. Through Was, ...
Jeremy Monteiro: No Black Tie Required
by Ian Patterson
Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...
Women in Jazz: In Tribute to Billie
by Russell Perry
In 2015, we celebrated the 100th anniversary of Billie Holiday's birth. In 2020, the documentary Billie was released and now the flawed biopic The United States vs. Billie Holiday has come out. In the last several years, there have been significant tribute records by Dee Dee Bridgewater, Cassandra Wilson and José James. In addition, songs from ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Roxana Amed: More To Be Heard
by R.J. DeLuke
Relaxed and casual, speaking via Zoom from her mother's home in jny: Buenos Aires, singer Roxana Amed--of the smoky, sultry voice and soulful delivery--reflected on where her musical path has taken her. A native of that city, she moved to jny: Miami in 2013 when her spouse had been offered a good job. Acclimating ...
Women in Jazz: Fabulous Singing, Part 1
by Russell Perry
The past decade has been a great one for lovers of jazz singing with most of the exciting music coming from women vocalists. In this hour and the next of Jazz at 100 Today! we'll survey 20 releases from 15 female vocalists who range from the rediscovered vintage jazz of Catherine Russell to the powerful hybrid ...
Leon Lee Dorsey: Thank You Mr. Mabern!
by Mike Jurkovic
He's studied classical double bass with Ron Carter and he's played alongside many of our most revered, among them Lionel Hampton, Art Blakey, andCassandra Wilson. Still, bassist/composer/arrangerLeon Lee Dorsey's name doesn't roll off everyone lips when discussing the top ranks of today's foremost, fearless bassists. But here's breaking news: Dorsey's got himself one hell of a ...
Veronica Swift: This Bitter Earth
by C. Michael Bailey
It seems jazz vocalist Veronica Swift has been in the music business all of her life, and for good reason: There is the well documented fact that she is the daughter of jazz pianist Hod O'Brien and singer Stephanie Nakasian, and she debuted on record at nine years old with Veronica's House of Jazz (SNOB, 2004). ...
Saluting Harold Arlen
by Russell Perry
Born Hyman Arluck on February 15, 1905, Harold Arlen was one of the most important composers of the Great American songbook. Arlen's first collaboration with lyricist Ted Koehler, “Get Happy," became his first hit in 1930 and ever since his tunes have been covered by jazz artists. In 2000, his collaboration with Yip Harburg, “Over the ...
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