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About Don Byron
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Don Byron
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For well over a decade, Don Byron has been a singular voice in an astounding range of musical contexts, exploring widely divergent traditions while continually striving for what he calls "a sound above genre." As clarinetist, saxophonist, composer, arranger, and social critic, he redefines every genre of music he plays, be it classical, salsa, hip-hop, funk, rhythm & blues, klezmer, or any jazz style from swing and bop to cutting-edge downtown improvisation. He has been consistently voted best clarinetist by critics and readers alike in leading international music journals since being named "Jazz Artist of the Year" by Down Beat in 1992
Miles the Composer in the '50s: Jazz Musicians Play Miles, Part 2
by Larry Slater
Miles Davis is justly celebrated for his harmonic sense, his tone, his style, and his ever-changing musical career. However, we rarely hear about Miles the composer. Miles certainly wasn't a prolific composer, and he wrote even less in his later years. He often surrounded himself with gifted writers including Gil Evans,, Bill Evans, Wayne ...
Sue Cahill: Evanstonia
by Mike Jurkovic
Double bassist/composer Sue Cahill's Evanstonia kicks off with one of those olde-tyme a-ratta-tat-tat and a-ratta-tat-tat courtesy of drummer Dru Heller (Don Byron, Greg Osby) that can sweep a listener off into one of those musical moments that lock in at the moment, escort attention elsewhere for a while, then return one safely to the moody environs ...
The Top 25 Songs Featuring Clarinet
by Dean Nardi
As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...
Jakob Dreyer: Roots and Things
by La-Faithia White
Jakob Dreyer originally studying piano from age four, switched to bass at age 14. He earned a bachelor's degree from the University of Music and Drama in Hamburg, Germany, where he studied both classical and jazz. He then studied at the Amsterdam Conservatory before later establishing himself as an in- demand sideman in Germany for ...
Rez Abbasi, Anat Fort, and the Spike Orchestra
by Jerome Wilson
This show takes in a wide array of sounds, ranging from recent releases by Rez Abbasi and Anat Fort to large ensemble music by the Steve Rosenbloom Big Band and the Spike Orchestra. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill ...
James Danderfer: If Not Now
by Jack Bowers
The clarinet, which once was commonplace in jazz (think Benny Goodman, Artie Shaw, Woody Herman, Pee Wee Russell, Tony Scott, Buddy DeFranco, Jimmy Giuffre, Pete Fountain, Bob Wilber and many others), is all but absent these days save for a handful of adamant diehards such as Paquito D'Rivera, Eddie Daniels, Don Byron and Ken Peplowski. That ...
Jihye Lee, Jaleel Shaw, and Brandee Younger
by Jerome Wilson
This episode covers a lot of stylistic ground with music from guitarists, vocalists, large groups, and small groups. Musicians heard include Jihye Lee, Brandee Younger, Lucy Woodward, Jaleel Shaw, and Kip Hanrahan. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & ...
Interpreting The Lennon/Mccartney Songbook: Part 1, Early Songs
by Larry Slater
Since its earliest days, Jazz musicians have used popular songs as springboards for creative interpretation, reimagining these tunes through the art of improvisation.. The great American songbooks of Irving Berlin, Cole Porter, and George Gershwin, have long been a staple of the jazz repertoire. Do John Lennon and Paul McCartney belong in this exalted company? I ...
Jason Stein: Anchors
by Giuseppe Segala
Il clarinetto basso vanta nel jazz contemporaneo una rosa di solisti eccellenti, a partire da Eric Dolphy, che ha letteralmente inventato un modo di interpretare lo strumento, di valorizzarne colori e incisività espressiva. Però la sua frequentazione, con lo stesso Dolphy e con personalità quali Michel Portal, John Surman, Vinny Golia, Marty Ehrlich, Don Byron, si ...
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