Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

239

MoonJune Records: A Decade of Progressive Rock Documentation

Mark Redlefsen By

Sign in to view read count
On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, "Moon In June," that appeared on the Canterbury jazz-rock group, Soft Machine's 1970 album, Third (CBS). MoonJune Records aims to provide jazz and progressive rock musicians from different continents and different cultural backgrounds with a very personal, hands-on relationship with a label.

At the time of the interview, MoonJune Records had just hit its 10-year mark. Pavkovic was optimistic about the label's future, and provided details on how he works with musicians and remains responsive to his customers.

The MoonJune office is a working shrine to some of the best jazz and progressive rock artists, past to present—from Pavkovic's own CDs waiting to be mailed out, to extensive video and book libraries and stacks of trade publications and music magazines. One wall is covered with posters and stickers going back to the late 1960s and English bands such as Colosseum, and up to the recent past with Indonesian groups such as Tohpati Ethnomission.

There is no shortage of interest for a visitor to feast eyes on in this office—and from the way Pavkovic jubilantly blasts music out of his sound system, it is obvious he is a man who loves what he does.

Interview with Leonardo Pavkovic

All About Jazz: Please tell us about your background.

Leonardo Pavkovic: I was born in former Yugoslavia (in the region of Bosnia) of a very mixed ethnic background, mostly Montenegrin and Croatian. I grew up in southern Italy and finished college there in Bari, graduating with specializations in Portuguese Language & Literature & Brazilian Literature. I moved to New York City in 1990 and have lived here ever since. Before working in the music business, I was a partner in the New York graphic design and marketing company Studio T, which had a lot of customers in the music business. Even though my life was already pretty interesting before 1990, I totally found myself when I moved to the greatest metropolis in the world, New York. Living in this magic big city is a better education than you'll find in any college anywhere, at least for me.

AAJ: What about the music that has inspired you?

LP: Simply said, I like the music that I like. I do not value a classic jazz album that I like over a classic rock album that I like. Any good music that I discover stays with me. Growing up, punk was happening all around me but never attracted me; I was more interested in Deep Purple, Black Sabbath, The Doors and Led Zeppelin, my core bands at the time. Then when new wave and glam metal were happening, they also didn't attract me at all. Around this time I started learning more about progressive rock bands like Pink Floyd, Yes and Genesis, as well as American blues legends such as Muddy Waters or John Lee Hooker and English blues guys like John Mayall.

There were no videos back then, but three significant concert films that shaped my musical outlook were Woodstock (1970), The Isle of Wight (1970) concerts, and Pink Floyd's Live at Pompeii (1972). As a teenager and during my early twenties, I gravitated toward people who were older than me, usually longhairs, assuming, very often rightly, that they knew the most about the blues, classic rock and jazz of the 1960s and 1970s. During the 1980s, my musical tastes evolved much further, but not because of the actual popular music of that time. I proudly turned my back on the music of the 1980s, a decade I spent discovering the much more vital and intelligent music of the 1950s, 1960s and 1970s.

Throughout my life I have totally ignored all forms of mainstream music, whether it be Bon Jovi, Blondie, Whitney Houston, Madonna, Michael Jackson, Motley Crue, Phil Collins or anything similarly commercial. It was all just tasteless commercial cheese to me, and I was far more interested in bands that used Mellotron or flute or violin.

AAJ: Tell us more about your journey into jazz.

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Hubro: Making Room for Marginalized Music Record Label Profiles
Hubro: Making Room for Marginalized Music
by Jakob Baekgaard
Published: August 27, 2018
Read Origin Records: Creating Opportunities and Community Record Label Profiles
Origin Records: Creating Opportunities and Community
by Jakob Baekgaard
Published: July 30, 2018
Read WEWANTSOUNDS: A Forgotten Don Cherry and Other Gems Record Label Profiles
WEWANTSOUNDS: A Forgotten Don Cherry and Other Gems
by Enrico Bettinello
Published: July 18, 2018
Read ears&eyes Records: From Chicago to the World Record Label Profiles
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Published: June 22, 2017
Read Inner Circle Music: Creativity and Community Spirit Record Label Profiles
Inner Circle Music: Creativity and Community Spirit
by Jakob Baekgaard
Published: February 17, 2016
Read HOOB Records: Ten Years Young Record Label Profiles
HOOB Records: Ten Years Young
by James Pearse
Published: December 22, 2015
Read "Origin Records: Creating Opportunities and Community" Record Label Profiles Origin Records: Creating Opportunities and Community
by Jakob Baekgaard
Published: July 30, 2018
Read "Hubro: Making Room for Marginalized Music" Record Label Profiles Hubro: Making Room for Marginalized Music
by Jakob Baekgaard
Published: August 27, 2018
Read "If You Can Only Have One Christmas Recording…" Bailey's Bundles If You Can Only Have One Christmas Recording…
by C. Michael Bailey
Published: November 3, 2018
Read "Adam Rogers' Dice Trio at Hong Kong Arts Center" Live Reviews Adam Rogers' Dice Trio at Hong Kong Arts Center
by Rob Garratt
Published: May 30, 2018
Read "Cecil Taylor: Courage in Creation" New York Beat Cecil Taylor: Courage in Creation
by Nick Catalano
Published: May 3, 2018