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Musician

Robert Wyatt

Album

Facelift France and Holland

Label: Cuneiform Records
Released: 2022
Track listing:
CD 1
Eamonn Andrews; Mousetrap; Noisette; Backwards; Mousetrap (reprise); Out-Bloody-Rageous; Facelift; Slightly All the Time; Moon in June / vocal improvisation; Esther's Nose Job / Pigling Bland.
CD 2
Facelift; Moon in June; 12/8 Theme; Drum solo; Esther's Nose Job / Pigling Bland.

1

Article: Album Review

Soft Machine: Facelift France and Holland

Read "Facelift France and Holland" reviewed by Maurizio Comandini


Sotto l'ombrello robusto chiamato Soft Machine si nascondono in realtà parecchie band. All'inizio l'interesse del gruppo, nato nel 1966 in quel di Canterbury (anche se loro non vogliono essere considerati come esponenti del cosiddetto Canterbury Sound), era per una sorta di pop-rock patafisico, che poi ha iniziato a dilatarsi verso la psichedelia, il rock progressivo, il ...

1

Article: Building a Jazz Library

Caravan in 37 dischi

Read "Caravan in 37 dischi" reviewed by Maurizio Comandini


Impressionante. Questa è la prima parola che ci viene in mente per Who Do You Think You Are?, uno dei cofanetti più esaustivi della produzione discografica legata al rock. 35 CD, un DVD, un disco Blu-ray. Un volume di grande formato con circa 150 pagine riccamente illustrate, decina e decina di memorabilia legate alla storia dei ...

23

Article: Extended Analysis

Who Do You Think We Are?

Read "Who Do You Think We Are?" reviewed by John Kelman


Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...

5

Article: Hardly Strictly Jazz

Death Is Not The End and the Law of Periodical Repetition

Read "Death Is Not The End and the Law of Periodical Repetition" reviewed by Skip Heller


"Will this wonderful civilization of today perish? Yes, everything perishes. Will it rise and exist again? It will—for nothing can happen that will not happen again. And again, and still again, forever. It took more than eight centuries to prepare this civilization— then it suddenly began to grow, and in less than a century it is ...

7

Article: Album Review

Mary Halvorson's Code Girl: Artlessly Falling

Read "Artlessly Falling" reviewed by Jerome Wilson


Guitarist Mary Halvorson has displayed her playing and composing talents in a number of settings, but this second release by her song-based band, Code Girl, is one of the most focused and intense things she has ever done. Halvorson and her quintet constructed music around eight of her own poems, each written in a ...

6

Article: Year in Review

John Sharpe's Best Releases of 2020

Read "John Sharpe's Best Releases of 2020" reviewed by John Sharpe


With so few performance opportunities since March, and musicians in continuing limbo, the continued stream of new releases has been a surprise, but a welcome one. For me, and many others, music has been a source of solace in an otherwise dreadful year. That makes it all the more invidious to pick and choose between honest ...

6

Article: Year in Review

Troy Dostert's Best Releases of 2020

Read "Troy Dostert's Best Releases of 2020" reviewed by Troy Dostert


2020 will be remembered as a year of resilience. And surely a part of that story will be the fortitude displayed by musicians of all stripes, who have endeavored creatively to manage the challenges of a hollowed-out economy and a global pandemic with innovative business platforms and novel approaches to recording and content delivery. The jazz ...

7

Article: Album Review

Mary Halvorson: Artlessly Falling

Read "Artlessly Falling" reviewed by John Sharpe


Not content with having scaled the heights of the guitar pantheon, with the second release from Code Girl, Mary Halvorson also cements her place in a unique genre of her own design. As befits someone who has taken to heart Anthony Braxton's dictum to find her own musical voice, she presents something which is part art ...


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