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MUSICIAN Born:

Mal Waldron

Born in New York City, Waldron's jazz work was chiefly in the hard bop, post-bop and free jazz genres. He is known for his distinctive chord voicings and adaptable style, which was originally inspired by the playing of Thelonious Monk. After obtaining a B.A. in music from Queen's College, New York, he worked in New York City in the early 1950s with Ike Quebec, "Big" Nick Nicholas, and rhythm and blues groups. He worked frequently with Charles Mingus from 1954 to 1956 and was Billie Holiday's regular accompanist from 1957 until her death in 1959. He also supervised recording sessions for Prestige Records, for which he provided arrangements and compositions (including the jazz standard "Soul Eyes")

Trout Mask Replica

Read "Trout Mask Replica" reviewed by Eric Gudas

“No Instruction Sheet": Trout Mask Replica's Unfathomable Origin Story If you were a teenager who liked freaky stuff, on a June day in 1969 you could bicycle down to your local record store and buy a brand-new, shrink- wrapped album with a man covering his entire face with an actual fish head on the cover. A ...

ARTICLE: RADIO

It Takes Two to Jazz: Part I

Read "It Takes Two to Jazz: Part I" reviewed by Ludovico Granvassu

This week we focus on the art of the duo. A challenging format as one does neither have the complete freedom of a solo nor the support of a larger band. Yet, in the hands of the right artists, it can produce magical music. Happy listening! Ben Allison “Mondo Jazz Theme ...

ARTICLE: RADIO

Silenced in Their Prime - Eric Dolphy & Booker Little (1961 - 1964)

Read "Silenced in Their Prime - Eric Dolphy & Booker Little (1961 - 1964)" reviewed by Russell Perry

From his first recordings with Chico Hamilton in 1958 until his untimely death from misdiagnosed diabetic shock in 1964, Eric Dolphy was limited to only six years in which to record the music that has defined his extraordinary legacy. Previously, in this series, we have heard from Dolphy's great 1960 recording, Far Cry and his contributions ...

ARTICLE: RADIO

A Herbie Nichols' Centennial - Part II

Read "A Herbie Nichols' Centennial - Part II" reviewed by Ludovico Granvassu

The second part of this week's tribute to Herbie Nichols focuses on the work of champions of his music like Roswell Rudd, Misha Mengelberg, Steve Lacy and, again, the Herbie Nichols Project with some never-heard-before live recordings from the vaults of the Jazz Composers Collective. For the first part of this Herbie Nichols special ...

ARTICLE: LIVE REVIEW

Manfred Eicher: ECM 50 at Centre Culturel Flagey, Brussels

Read "Manfred Eicher: ECM 50 at Centre Culturel Flagey, Brussels" reviewed by Mario Calvitti

This article first appeared at italia.allaboutjazz.com. ECM 50Centre Culturel FlageyBrussels, BelgiumNovember 21-24, 2019 During the year marking the 50th anniversary of the foundation of the German record company ECM, there have been numerous music festivals in Europe and America dedicated to the official celebration of the event. One of ...

ARTICLE: RADIO

Michael Jackson: Man in a Jazz Mirror - Part I

Read "Michael Jackson: Man in a Jazz Mirror - Part I" reviewed by Ludovico Granvassu

This week let's pay homage to the musical legacy of Michael Jackson. It has been 10 years since Michael Jackson passed away and lots of things have emerged since then, but the popularity of his music remains strong, including among jazz musicians (the majority of the tracks featured this week was released after his ...

ARTICLE: YEAR IN REVIEW

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling

The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...

Free At Last

Label: ECM Records
Released: 2019
Track listing: Side I: Rat Now; Balladina; 1-3-234; Side II: Rock My Soul; Willow Weep For Me; Boo; Side III: 1-3-234; Balladina; Side IV: Boo; Willow Weep For Me.

ARTICLE: YEAR IN REVIEW

John Kelman's Best Releases of 2019

Read "John Kelman's Best Releases of 2019" reviewed by John Kelman

Well, Chronic Fatigue Syndrome continues to be a challenge, as it has been since mid-2014. 2019 represents, in fact, the worst year when it comes to the actual number of articles written. Still, I've been finding an increasingly satisfying niche in the arena of in-depth, detailed and extensive/exhaustive (exhausting, for you as much as I!!) articles. ...


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