Results for "Mal Waldron"
Mal Waldron
Born:
Born in New York City, Waldron's jazz work was chiefly in the hard bop, post-bop and free jazz genres. He is known for his distinctive chord voicings and adaptable style, which was originally inspired by the playing of Thelonious Monk. After obtaining a B.A. in music from Queen's College, New York, he worked in New York City in the early 1950s with Ike Quebec, "Big" Nick Nicholas, and rhythm and blues groups. He worked frequently with Charles Mingus from 1954 to 1956 and was Billie Holiday's regular accompanist from 1957 until her death in 1959. He also supervised recording sessions for Prestige Records, for which he provided arrangements and compositions (including the jazz standard "Soul Eyes")
Charles Mingus: An Essential Top Ten Albums
by Chris May
Charles Mingus was rarely a happy man and yet his music possessed a power to uplift listeners unlike that of most other composer / bandleaders before or after him. It still has that power in 2021, four decades after his passing and on the eve of his hundredth anniversary in 2022. In his personal life, too, ...
Christopher Hollyday: Dialogue
by Angelo Leonardi
Il ritorno discografico di Christopher Hollyday—a un quarto di secolo dall'ultimo disco—è proprio una sorpresa. Chi segue il jazz dei primi anni novanta ricorderà il formidabile debutto del sax contralto non ancora ventenne in un disco da leader per l'RCA/Novus, accompagnato da Wallace Roney, Cedar Walton, David Williams e Billy Higgins. Un talento naturale dalla tecnica ...
Solo Pianists from Japan
by Jerome Wilson
These are two recent solo piano releases from Japanese players. One is the latest dispatch from a prolific musician. The other is a farewell statement from a deceased artist. Satoko Fujii Hazuki Libra 2021 Satoko Fujii has been amazingly prolific in the last few years, releasing a ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Dan Rose, Claudine Francois: New Leaves
by Jack Bowers
On New Leaves, their second recording together, longtime friends and sometime colleagues guitarist Dan Rose and pianist Claudine Francois focus their talents on making beautiful music together, a plan whose success is self-evident but whose single-mindedness could leave some listeners wishing for greater variety. That's not meant to berate, as beauty needs no defense, but simply ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Benoit Delbecq: The Weight of Light
by Karl Ackermann
Parisian pianist & composer Benoît Delbecq has not recorded a solo album in more than a decade. His collaborations are with impressive company including Tim Berne, Tom Rainey, Lotte Anker, Mark Turner, Steve Argüelles, Gerald Cleaver, Marc Ducret, Gerry Hemingway, Mary Halvorson, Taylor Ho Bynum, and Kris Davis. It is Davis' Pyroclastic Records that Delbecq calls ...
Enjoy Jazz and More 2020
by Henning Bolte
Various venues Enjoy Jazz and More Heidelberg, Mannheim, Ludwigshafen, Schwetzingen October 14-30, 2020 Enjoy Jazz is a festival that stretches across 7 weeks from the beginning of October to halfway through November in the urban area of Mannheim, Ludwigshafen and Heidelberg in southwestern Germany. The long stretch had ...
The Word from Johannesburg, Part I: Nduduzo Makhathini
by Karl Ackermann
In 1919, the Pasadena Evening Post said: “the friends of Mr. Whiteman have with much enthusiasm bestowed the title of “King of Jazz" upon him." While Paul Whiteman was heavily criticized for wearing the crown, it was not one that was self-attributed or with which he felt completely comfortable. But Whiteman was a brilliant marketer and ...
Showcase
Premium
Contest Giveaway
Days remaining: 10
