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About Egberto Gismonti
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Egberto Gismonti
Born:
Egberto Gismonti was born in 1947 in Carmo, Brazil. He began his formal music studies at the age of six. After studying classical piano for 15 years, he went to Paris to study with Nadia Boulanger (orchestration and analysis), and composer Jean Barraqué, a disciple of Schönberg and Webern. Returning to Brazil, Gismonti began to glimpse a reality broader than that of classical music alone. He was attracted by Ravel's ideas of orchestration and chord voicings, as well as by choro, a Brazilian popular instrumental genre where varied kinds of guitars, reeds and percussion are featured
Gaia Wilmer Large Ensemble: Parabólico: Reflections on Gilberto Gil, Volume 1
by Angelo Leonardi
La bandleader e arrangiatrice brasiliana Gaia Wilmer dedica la sua attenzione alle musiche di Gilberto Gil tornando a incidere con una grande orchestra. Nella sua decennale attività discografica hanno infatti prevalso i medi organici e solo per le musiche di Egberto Gismonti ha guidato un'ampia formazione (Folia 2023). Con venti musicisti a sua disposizione, compresa la ...
Enzo Favata: Coming Home to Atlantico
by Neri Pollastri
In Enzo Favata's long and multifaceted artistic journey, alongside his exploration and reinterpretation of the traditions of his native Sardinia, one project stands out: Atlantico, the group that for more than a decade, spanning the turn of the millennium, performed on stages across the world. It is with that same band, which resumed playing at the ...
Neves e Silva: Ladeiras de Santa Teresa
by Katchie Cartwright
Ladeiras de Santa Teresa opens with a big polymetric beat and powerful brass and percussion up front. You might flash on the Afro-Bahian sound of Letieres Leite's Orkestra Rumpilezz. The groove shifts suddenly, releasing into a jazz feel; Brazilian jazz that is, not swing or bebop, though Charlie Parker's Star Eyes" with intro serves as a ...
Antonio Forcione & Cenk Erdogan: Storytellers
by Nenad Georgievski
On Storytellers, the duet album by guitarists Antonio Forcione and Cenk Erdoğan each song is delivered personally to the listener, like a letter. Some albums do not arrive loudly. They sit beside you, quietly, and start talking. This duet feels exactly like that--intimate and conversational, as if you are being invited into a dialogue that began long ...
Eddie Daniels: To Milton With Love
by Artur Moral
Even in a field as conducive to covers as jazz, it is unusual to find a complete reinterpretation of an album with all its tracks in their original order. Interestingly, 2025 has seen several releases of this type, some widely known and deservedly acclaimed, like Branford Marsalis' Belonging (Blue Note Records, 2025), which pays homage to ...
Ralph Towner: The Accidental Guitarist
by Mario Calvitti
This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...
Ralph Towner, 1940-2026
Ralph Towner, guitarist of unique sensibility, writer of highly original compositions, and an ECM artist for more than fifty years, has died, aged 85. Towner, who once described himself as an improvising “raconteur of the abstract” was born into a musical family in the small town of Chehalis, Washington. He started playing music at the age ...
Amazonas
By Cal Tjader
Label: Craft Recordings Jazz Dispensary
Released: 2025
Track listing: Amazonas; Xiba(l)ba; Mindoro; Flying; Corine; Noa Noa; Tamenco no Samba; Cahuenga.
Jamile with Miki Yamanaka and her trio plus Steve Wilson: Pursuit of a Pulse
by Katchie Cartwright
Jamile Staevie Ayres, who goes professionally by her first name, was born and raised in Cachoeira do Sul, a midsize city located a couple of hours from Porto Alegre in Rio Grande do Sul, the southernmost state in Brazil, and the heart of its gaúcho culture. Growing up, she gravitated toward música popular brasileira (MPB) and ...

