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About Jan Garbarek

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Musician

Jan Garbarek

Born:

The Norwegian saxophon player, Jan Garbarek had an early breakthrough into the elite of modern jazz in the 60's, due to his extensive cooperation with Keith Jarrett. His name is listed next to the big names from the U.S. and is associated with the birth of an original european sound in jazz. His tone is clear, indipendent, ascetic and pure. "The north and nature, song and mystery" are what Garbarek calls his origins and these are his unrefutable heritage. If it wasn't for his strong inner connection with Norwegian folklore, he wouldn't be able to integrate Brasilian and Asiatic influences as convincingly as he does

Video

Jan Garbarek in Concert 2006

Featuring the music of Jan Garbarek
Duration: 99:00

There are few modern jazz styles as distinctive as the atmospheric “Nordic Jazz,” and few artists who have contributed to that sound as much as tenor/soprano saxophonist Jan Garbarek. His use of space and reverb, combined with bent notes, created a plaintive sound that borders on sacred, especially on ballads. Taken at greater tempo, his bends sound more like squawks, his melodies are folk-like and his drum kit and percussion players favor world music rhythms. The result is a sense of unabashed joy and a unique feel that’s a far cry from syncopated swing. For your listening pleasure, revel in the mastery of Garbarek (pronounced Gar-Bah’-Rek, accent on the second syllable) and his group in their concert at Burghausen Wacker-Halle in Germany in 2006. Yes, you can listen to just one or two songs, but the whole concert is truly brilliant. For choice video viewing from an earlier period in his career, look on YouTube for the Jan Garbarek Group and “Molde Norwalk Concert 1982.”
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Article: Live Review

Den Andre Festivalen #9

Read "Den Andre Festivalen #9" reviewed by Daniel Mège

by Daniel Mège

Den Andre Festivalen Oslo, Norway September 4-5, 2026 The Other Festival, The Other Collective, The Other Ensemble, Other Records: a unique binational initiative L'Autre Festival/Den Andre Festivalen (in French and Norwegian; The Other Festival) is a unique jazz festival that grew out of a master's project at the Norwegian Academy of Music ...

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Article: Interview

Enzo Favata: Coming Home to Atlantico

Read "Enzo Favata: Coming Home to Atlantico" reviewed by Neri Pollastri

by Neri Pollastri

In Enzo Favata's long and multifaceted artistic journey, alongside his exploration and reinterpretation of the traditions of his native Sardinia, one project stands out: Atlantico, the group that for more than a decade, spanning the turn of the millennium, performed on stages across the world. It is with that same band, which resumed playing at the ...

Article: Album Review

Pierluigi Balducci, Badrya Razem: Kosmos & Chaos

Read "Kosmos & Chaos" reviewed by Neri Pollastri

by Neri Pollastri

Due quintetti diversi, caratterizzati però entrambi dalla voce di Badrya Razem e dal basso elettrico di Pierluigi Balducci, a interpretare la musica di quest'ultimo (oltre a un paio di selezionatissimi omaggi) con grande diversità timbrica: questo il progetto di Kosmos & Cahos, registrato tra il novembre e il dicembre del 2024 e uscito quest'anno ...

10

Article: Multiple Reviews

Voo Voo Runs the Voodoo Down

Read "Voo Voo Runs the Voodoo Down" reviewed by Maciej Stasiowski

by Maciej Stasiowski

Voo Voo is the faux-phonetic transcription of how Wojciech Waglewski's initials should be pronounced in English--instead of the default “double U" times two. By no mere coincidence, it is also the name of a group he has been running since 1985. Having secured his band this way for sailing on international waters already at the outset, ...

12

Article: Multiple Reviews

The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick

Read "The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick" reviewed by C. Andrew Hovan

by C. Andrew Hovan

In an oft-quoted phrase from a 1971 magazine article, ECM founder and producer Manfred Eicher described the label's ethos as “the most beautiful sound next to silence." From the start, the label's eloquent sound--captured expertly by house engineers Martin Wieland and Jan Erik Kongshaug--transferred beautifully to vinyl, and original pressings remain highly prized among collectors. So ...

14

Article: Live Review

Vilnius Mama Jazz 2026

Read "Vilnius Mama Jazz 2026" reviewed by Ian Patterson

by Ian Patterson

Vilnius Mama Jazz Lithuanian National Drama Theatre25th Edition Vilnius. LithuaniaMay 22-24, 2026 Vilnius Mama Jazz turned 25. In festival terms that is early middle age. When you consider that 25 years is roughly a quarter of the entire history of jazz, the significance of the milestone assumes greater meaning.

6

Article: Live Review

Fuchsthone Orchestra featuring Evi Filippou & UMO Helsinki Jazz Orchestra featuring Jazzmeia Horn at Jazzfest Bonn 2026

Read "Fuchsthone Orchestra featuring Evi Filippou & UMO Helsinki Jazz Orchestra featuring Jazzmeia Horn at Jazzfest Bonn 2026" reviewed by Artur Moral

by Artur Moral

Fuchsthone Orchestra featuring Evi FilippouUMO Helsinki Jazz Orchestra featuring Jazzmeia HornTelekom Forum Bonn, GermanyMay 9, 2026  Its host city may lack the jazz pedigree of others, but the truth is that, barely fifteen years old, Jazzfest Bonn has carved out a place among its most prestigious German counterparts--those of Moers, ...

17

Article: Interview

Tigran Hamasyan’s Manifeste Destiny

Read "Tigran Hamasyan’s Manifeste Destiny" reviewed by John Chacona

by John Chacona

Tigran Hamasyan does not shy away from the big gesture. His fearsome keyboard technique, compositional ambition and improvisational daring have defined his international career, which ignited at age 18 with the release of his first album, World Passion (Plus Loin Music, 2006). Two decades later, these qualities have been refined and expanded with the results on ...


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