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Musician

Tony Williams

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Born in Chicago and growing up in Boston, Williams began studies with master drummer Alan Dawson at an early age and began playing professionally at the age of 13 with saxophonist Sam Rivers. Jackie McLean hired Williams at 16. At 17 Williams found considerable fame with Miles Davis, joining a group that was later dubbed Davis's "Second Great Quintet." His first album as a leader, 1964's Life Time (not to be confused with the name of his band "Lifetime," which he formed several years later) was recorded during his tenure with Davis. Williams was a vital element of the group, called by Davis in his autobiography "the center of the group's sound". [citation needed] His inventive playing helped redefine the role of jazz rhythm section through the use of polyrhythms and metric modulation (transitioning between mathematically related tempos and/or time signatures). But perhaps his overarching achievement was in demonstrating, through his playing, that the drummer need not be relegated to timekeeping and accompaniment in a jazz ensemble; that the drummer may be free to contribute to the performance as an equal partner in the improvisation. In 1969, he formed a trio, "The Tony Williams Lifetime," with John McLaughlin on guitar and Larry Young on organ

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Article: Profile

Joni Jazz, Part 2

Read "Joni Jazz, Part 2" reviewed by Chuck Lenatti


Part 1 | Part 2 As a young woman growing up in Canada, Joni Mitchell was fond of American popular music and bought records whenever she could afford them. She would sometimes swap painting jobs for jazz albums. Among her favorite jazz artists were Duke Ellington and Lambert, Hendricks and Ross. She ...

Article: Interview

Esmeralda Sella, pianista per caso o per destino

Read "Esmeralda Sella, pianista per caso o per destino" reviewed by Neri Pollastri


Nata a Ravenna, appassionata di jazz, di culture popolari e di improvvisazione radicale, Esmeralda Sella ha appena pubblicato il suo primo disco da leader, Magma (Auand Records), alla testa di un trio completato dal contrabbassista Federico Giolito e dal batterista Giovanni Nardiello. Partiamo dall'antefatto di questa intervista. Quando, qualche mese fa, Marco Colonna ...

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Article: Journey into Jazz

Record Store Day Black Friday 2025 Jazz Releases

Read "Record Store Day Black Friday 2025 Jazz Releases" reviewed by Kyle Simpler


Although the main Record Store Day event occurs every year in April, the Black Friday drop gives record collectors a chance to find some one-of-a-kind releases to wrap up the year. The list always features music from a wide range of genres, and, of course, there are plenty of jazz releases available. However, these are limited-edition ...

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Article: Radio & Podcasts

Legendary jazz drummer, bandleader and composer Eric McPherson

Read "Legendary jazz drummer, bandleader and composer Eric McPherson" reviewed by Doug Hall


On this show we chat with legendary jazz drummer, band leader, and composer Eric McPherson. Mr. McPherson would be introduced to music and jazz at a very young age. Richard Davis, his godfather and an icon among jazz bassists, was a neighborhood friend of the family, and his mother, a superb dancer-choreographer, deep into the jazz ...

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Article: Live Review

Cindy Blackman Santana Band at Miner Auditorium

Read "Cindy Blackman Santana Band at Miner Auditorium" reviewed by Steven Roby


Cindy Blackman Santana BandMiner AuditoriumSFJAZZ CenterSan Franciso, CASeptember 14, 2025 On the second of two sold-out nights at Miner Auditorium, Cindy Blackman Santana opened with a brief welcome--"Blue Whale"--and nothing more. The band turned toward the center, eyes on her for the first cue, as if to agree that rhythm would set the terms. ...

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Article: Album Review

Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Jack Kenny


The concept of a musical “supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his ...

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Article: Interview

Michala Østergaard-Nielsen: The Poetic Vibrations of Drumming

Read "Michala Østergaard-Nielsen: The Poetic Vibrations of Drumming" reviewed by Dean Nardi


Michala Østergaard-Nielsen is a jazz drummer from Denmark, a country with a rich tradition of women playing drums. Once during a lesson with Gerald Cleaver, she was told you could either play drums upon sound or upon a pattern. “That really opened the doors for me to not think just the technical things, but listen to ...

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Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Dan McClenaghan


Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...

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Article: Multiple Reviews

Phil Haynes: Electricity Incarnate!

Read "Phil Haynes: Electricity Incarnate!" reviewed by Doug Collette


In the annals of jazz both short-term and long, the influence of drummer-led initiatives is immeasurable. There is Art Blakey and his Jazz Messengers, of course, plus Tony Williams' Lifetime and, in addition, numerous single-minded efforts like these two coincidental releases of Phil Haynes. Each is a largely freewheeling exercise in revisitation gestated during COVID lockdowns: ...


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