Home » Jazz Articles » Take Five With... » Take Five With Tommaso Cappellato
Take Five With Tommaso Cappellato
During his nine-year stay in New York Cappellato completed his education at the New School University where he studied with notable artists such as Richie Beirach, Michael Carvin, Joe Chambers, Jimmy Cobb, Bob Cranshaw, Billy Hart, Victor Lewis and Reggie Workman.
While in the Big Apple he took part to several musical projects: Trio65 (Jazz), Bill Ware's Vibes (Funk/Electronic) Jacoband (Country/Folk), Andrea Monteiro & Brazilian Love (Latin).
In 2004 Cappellato, along with Brooklyn-based MC Yah Supreme, founded the hip hop band Brohemian and recorded the album Post Modern Garden, in which he acted as both drummer and producer.
In 2005 he traveled to Senegal, Africa to record the album Sali Dons: Le Destine (Music Rekk 2005) with Guinean percussionist and singer Salif Bangoura, produced by musicologist Stefano Marcato.
Cappellato's collaborations include performances and recordings with: Tim Armacost, Peter Bernstein, Michael Blake, Robert Bonisolo, Fabrizio Bosso, George Cables, Carol C (Si-Se'), Antonio Farao, Joel Frahm, Aaron Goldberg, Steve Grossman, Debbie Harry (Blondie), Jon Hendricks, The Jazz Passengers, Lionel Loueke, Junior Mance, Ronnie Mathews, Ron McClure, Dado Moroni, Lawrence "Butch" Morris, DJ Nickodemus, Enrico Pieranunzi, Marc Ribot, Pietro Tonolo, Harry Whitake and Richard Wyands.
Presently Cappellato keeps traveling the world, leading his own groups and collaborating in different musical contexts such as jazz and improvisation, electronic, avant-garde and world music.
Instrument(s): Drums, piano.
Teachers and/or influences? Teachers (alphabetically listed): Eddie Bobe, Enzo Carpentieri, Michael Carvin, Joe Chambers, Jim Chapin, Max Chiarella, Jimmy Cobb, Bob Cranshaw, Duduka Da Fonseca, Ian Froman, Roberto Gatto, Billy Hart, Michael Lauren, Victor Lewis, Adam Nussbaum, Portinho, John Riley.
About Tommaso Cappellato
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
